The Guernsey Literary and Potato Peel Pie Society

"Our Friday night book club became a refuge to us. A private freedom to feel the world growing darker all around you, but you only need a candle to see new worlds unfold. That is what we found in our society."

I loved this so much with every fiber in my being. I just finished the book earlier this month and finally sat down to watch the movie. It was so beautiful and absolutely perfect. The characters all felt like family and the story kept me on the edge of my seat, just like the book did. I strongly recommend this because it is such a good story and feels like a warm hug. Dawsey owns my heart and Mark can leave.

A lovely British comedy/Drama with a stellar cast.

This film has so much warmth and heart that it deserves all the positive ratings it earns here.

Saw 'The Guernsey Literary and Potato Peel Pie Society' as a fan of period drama, as someone who is trying to watch as many films of the year as possible and who likes a lot of the actors in the cast. It's great enough seeing such talent on their own, and even more of a delight to have so much talent together.

The idea for the story was also very interesting and it was nice to see a film based in a fairly under-explored period of wartime history. The title was not hugely appetising though. Seeing the film with my sister yesterday, found 'The Guernsey Literary and Potato Peel Pie Society' to be a pleasant and well done if falling short of great film. It is engrossing enough and should have enough to appeal to a reasonable sized audience, it may appeal more to older audiences but those who want to know more about this period of wartime history or want to gain some knowledge of it should get something out of it.

Not a perfect film by all means. Will admit to having a good idea of, well actually knowing, how 'The Guernsey Literary and Potato Peel Pie Society' was going to end well before it ended, with the love-related aspect of the story being telegraphed a little too early.

Didn't care for the character of Mark. Despite him serving some point to the story, with a crucial part of the plot being resolved with his involvement, he was rather one-dimensional and didn't have much personality or anything to make one endear to him (he also behaves like a jerk later on). Within the period, he seemed a little out of place. The same goes for how he is played. Matthew Goode's part was also on the underwritten side but he was much easier to like.

Pacing at times could have been tighter, some draggy spots here and there.

However, there is an awful lot to like about 'The Guernsey Literary and Potato Peel Pie Society'. The production values and cast are the biggest selling points. It's a beautifully shot film with very handsomely evocative production and costume design that does give one a real sense of period.

Even better are the cast, with Lily James a charming and very rootable lead and Michiel Huisman cutting a handsome presence. Their chemistry is warm and tender. Tom Courtenay is understated and amusing, having one of the film's best lines near the end, while Penelope Wilton as the most rounded supporting character is heart-wrenching. Jessica Brown Findley is also strong.

Mike Newell does solidly directing, not exceptional but he skilfully stops 'The Guernsey Literary and Potato Peel Pie Society' from being too frothy or too intense. The script is thought-provoking, with some tension and a lot of emotion. The end credits were a lovely touch. A good job is done showing what living in the period and before was like while not being too one-sided. There is genuine emotional power here, with a back-story and main conflict, centring around the consequences of significant loss, that provides a lot of poignancy and hope.

One does feel the love and friendship between the characters and there are some nice revelations along the way in solving this intriguing story where one hopes for a happy outcome to the mystery/mission dominating it. The music, when used, is neither intrusive or too low-key.

In summary, good, pleasant and engaging film that could have been even better. 7/10 Bethany Cox

I was intrigued by the title so thought give it a go. disappointingly there were no special effects, explosions or alien monsters just a simple story relayed to us by actors of all things,because of all this it will not qualify for any awards other than my own lowly opinion. I laughed I cried, became angry and gave it the accolade of the best film I have seen for a long time, whatever tosh other people may say about this tale I enjoyed it, so lets have some more films with a story to tell without the bangs and bloodbaths

There are so many levels on which one can enjoy the curiously titled The Guernsey Literary and Potato Peel Pie Society (2018)that describing the film is a challenge. Like many British period dramas, it has an epic quality in how it reflects on the world as it was in the 1940s. Sumptuously filmed and beautifully acted, it blends historical insight into a finely-crafted tale of mystery and romance.

Other than history buffs, most people would be unaware that German troops occupied the British Channel Islands of Guernsey and Jersey in 1940-45. Many Island children were evacuated to England just prior to the occupation and the invasion encountered virtually no military resistance. Under Nazi rule, many Islanders were sent to forced labour and concentration camps in Germany and all farm produce was confiscated for military use. The film opens with a group of Islanders out after curfew, having enjoyed an illicit roast pig and home-brewed gin even though strict food rationing was in place. Facing immediate arrest, they concoct an excuse about being members of The Guernsey Literary and Potato Peel Pie Society who have been enriching their minds while feeding on potato peels, as the Fuhrer would want. From this serendipitous moment, a local tradition is born.

Switching to 1946, we meet Juliet Ashton (Lily James) a successful writer living comfortably in London and pondering ideas for her next book. Pursued by a wealthy American suitor, she enjoys the giddy glamour of a British high society that is rebuilding after the war. A letter from a member of the Guernsey Literary Society excites her interest and she soon travels to the Island to learn more. She becomes enchanted with its idyllic village life and rural tranquillity and how each member of the Society has their own wartime story to tell. There is also a new romance simmering where least expected, as well as guarded secrets and strong resistance to a book being written about them.

This simple plotline understates the multiple sub-stories that are a montage of war-time Guernsey, including dark themes of Nazi collaboration, the trauma of children separated from families, and uplifting themes about how literature can bring people together across time and space. The original novel on which the film is based was framed around letters between Juliet and Society members, so the film's timeframes shift frequently but with seamless continuity. There are several charming exchanges about writers and novels that you would expect from lovers of literature. The filming aesthetic evokes the era with authenticity, while Lily James and the ensemble cast are superb.

Some might say that this story is told through a soft-focus lens, mediated through the gentility of Juliet's privileged life and self-indulgent curiosity about the lives of others. That may be so, but her narrative perspective accentuates the world of difference between war-time London and Guernsey. Without such insights, the story would be just a warm-hearted melodrama. But the film offers much more than that. It is an engaging detective story, a study of survival under wartime occupation, and a tale of friendship, romance, and love of literature.