Ghosts Don't Exist

I like cheap B movies. I like indie films. I enjoy cheesy made for tv movies. The problem with this one was it did not bill itself as a B movie, it did not present itself like an indie film, and it did not embrace the moments of levity that could have upped the tension by contrast.

They.forgot to forget to include a plot.

The story runs like 5 different scriptwriters, with 5 different agendas, all wrote this at the same time.

No character development. No protagonist that the audience can actually buy into; it's one thing to tell a story utilizing an anti-hero as your protagonist, but this was a story utilizing a non-protagonist as the protagonist.

The thing where it gets revealed that each person on the investigative team each has their own unresolved traumas motivating them makes sense to me, but the story suggests they've been working together for years now, and it feels like they should already know this stuff about each other. Character history feels like something the scriptwriters forgot to develop and tossed on the page at the last minute.

The story lines get really tangled and disjointed the deeper into the story you get. And the resolution is cliche and repetitive, no consequences, no growth, no foreshadowing.

This is a special level of awful.

I just got back from the preview of this film and what struck me as interesting is that the during whole ride home, a good 45 minute trip, I did nothing but discuss the movie with my wife. And as I sit down to write this, she mentions how she is worried about having nightmares - a very good sign as far as Horror/Suspense films go.

I had high expectations for this movie. I understood the level of effort, skill, and collaboration that was involved and was pretty sure it would turn out to be a decent flick. Therefore, I was pleasantly surprised that Ghosts Don't Exist actually exceeded my expectations in many ways.

The level of production quality is evident throughout the film and all of the elements in GDE are very well-executed, thanks to a talented cast and crew. The cinematography and musical score really stood out as exceptional, and worked perfectly to emphasize the overall mood. But, in my opinion, what defines GDE is in the original storyline and how well it is both directed and portrayed by the actors.

There are some very tense and unnerving moments throughout the movie, but GDE doesn't rely on shock tactics to scare you. The film is definitely creepy, but in a tasteful way. At the same time, it's still a horror flick at heart, and has just enough violence and blood to do the trick. I would consider GDE to be a perfect balance of elements for this genre.

Overall, I enjoyed the movie quite a bit and thought it was a huge achievement by 19th and Wilson, as well as an incredible collaborative effort by everyone involved.

As a previous reviewer mentioned the same thing happened. Over the car ride over home, there was quite a bit of discussion of each part dissecting the movie. I suspect there will be a lot of it after you watch the movie. The gentle messages throughout the movie.

The music made it twice as creepy, keeping me on the edge of my seat, expecting something to jump out onto the screen. All the actors played their parts really well. Definitely some scene stealing in the movie, in a good way.

Well done by the GDE cast and crew especially given the time and budget on the movie. Looking forward to more productions from 19th and Wilson.

This film in my opinion and those that watched with me, unfortunately fails On most levels

Of Basic film making. Story, sound, editing, lighting all need to review the basics again before embarking on any more film projects. The film at best comes across as unbalanced, random and bumpy. We were lost as far as the story goes and the tension is dissolved due to a lack of long, unemotional cuts which dissolve any attempt to build up some sort of thrill or drama. I will at least give credit to the fact that the production seems to have been funded enough to make a film as big as this one based on the endless list if credits that run when it finally ends. I know this might come across as bitter but we did give it a chance and struggled through to the end in hopes of something remotely scary, but in the end it is 2 hours we will never get back.

Look: if you're going to make a low budget movie:

1. Snappy dialog/script. None here. 2. Lighting: lighting is your friend. Either there was too much, or too little. The one minute long scene in the basement with total blackness was suspense-less. 3. Show, don't tell. Scenes where characters were huddled over a monitor. "Ooh, look at that!" Care to share with the audience. 4. Pacing. PACING!!!!! EDIT YOUR FOOTAGE! 5. Ever heard of blocking scenes? 6. Clearly, one of the characters in the movie is the HOUSE - like in The Shining, or the Amityville horror. So, why not go to some effort and find a house that has a sinister aspect? Gothic Revival, dilapidated late 19th/early 20thc - instead of what looks like an average home with vinyl siding! 7. Motivation: something other than "they've all lost people in their past and have ISSUES". Ugh. 8. At least ONE likable character? Someone for the audience to identify with? They're called "protagonists". The lead was not likable. 9. Close-ups are your friend. 10. Dialog that serves no purpose? Cut it. Silence is scarier than stupid dialog. What did Beckett say? "Every word is like an unnecessary stain on silence and nothingness."

Anyway, save yourself a ruined evening, and avoid this film. Try the original "The Haunting" from 1963 if you want to see how this is REALLY done.