Treme

That wasn't an attempt at being snide, in case you were wondering. I'm not from America so I have no idea what this series is to people who are from the States but not from New Orleans, but for me it was as fascinating look into a place and people I didn't know anything about going in. And while there can be said a lot of good about the narrative trope of having an outsider who works as a link to the audience by asking all the questions that they want the answers to, I personally enjoy once in a while being thrown in at the deep and watching characters going about their daily lives and routines and if there's something I don't understand I will have to infer the meaning or else just live with the mystery. Of course it isn't all colourful costumes and plastic beards. Most of the characters and themes like the story arch of the chef or the violinist could be told with any place as a background, but since it takes place here, we learn about New Orleans food and music through them. The stories of police brutality and corruption could also, sadly, have happened anywhere, but the hurricane made everything worse and more chaotic. In the end, this is a slice of life, where we follow a group of people in their home town, until we leave them, partly changed, partly the same, without any special conclusion or wrap-up. Some doors are closed other are opened and we could easily have followed them for four more years. New Orleans might be a special place, but the people in it are just people; human, fragile and endearing even with all their flaws.

The Wire was a great show. Rather than imitating the backdrop that made The Wire tick....homicide, drugs, corruption, David Simon has created a program with the same reality, different circumstances. I have enjoyed both episodes and am already a fan. Treme showcases the people of New Orleans. Not as victims but simply as a community that has taken a very hard hit and are attempting to move forward. As a side story, it also focuses on the musicians that provide the soundtrack for the city and their own ways of balancing life with art and trying to give the impression that, on the outside, they care as much about family as they do about feeding their primary goal, playing. There is a lot going on but there are a lot of characters, back stories and lives interconnecting. Eric and David are doing a very good job at the set up, providing glimpses at personal lives to act as puzzle pieces for the whole picture.

Treme is an absorbing viewing experience. It is thought provoking and on occasion it works on your deepest emotions. But Treme, first and foremost, is a story of modern-day New Orleans, its incredible music and the magical characters who inhabit that unique town. If you love music – from Cajun to blues to bluegrass to 'bounce' to every kind of imaginable jazz and God only knows what else, then just relax and luxuriate in a wonderfully stimulating and very special TV series.

The makers of 'The Wire' have come up with a TV series that is quite unlike any other drama series you will ever watch. More often than not, the myriad plots and lives of the inhabitants seem to go nowhere – but it just doesn't seem to matter. Because that is the true nature of life, especially in places like New Orleans. A city where most of the folk are dirt poor, where the crime rate is going through the roof; and despite all the earlier promises of aid made to them following the devastation of their city by Hurricane Katrina, they have effectively been deserted by the Federal government. At its core, Treme is about its music and the people who make it and love it. Music is at the heart of this incredible show. If music is in your soul, then seek out 'Treme'.

Yes, if you're a fan of David Simon you probably will be disappointed, but hold judgment until you've experienced both episode 1 and episode 2. In the first hour of the pilot there is a sense of the surreal. We feel a disconnect with the city and its characters. We catch glimpses of former New Orleans life but try as we might there is nothing drawing us in. New Orleans and its people are in a catatonic state. The city no longer has a soul. An hour doesn't seem that long but I must admit after sixty dreary minutes I was ready to pack it in, and then in the second hour the magic of Simon began creeping out of the cracks and crevices. It wasn't enough to convince me a compelling story would emerge, but it was enough for me to give it a second chance. A great story requires more of a setup than audiences are willing to give a writer these days. Thank god Simon never lets that influence him.

About a third of the way into episode two Simon had me. If you saw The Wire, that's probably the only criticism I had left. I can still see Bunk and Freamon. They were incredibly powerful characters and it's hard to dissociate Pierce and Peters from those parts. Wendell Pierce fills up a honky tonk stage as Antoine Batiste but aside from his trombone playing, I still expect him to wake up the next morning and head off to investigate another homicide. Same with Clarke Peters as the Indian. He's embraced his new role and already put his stamp on it, but in my mind he's still the recalcitrant Baltimore detective. I guess you could say that's pretty petty stuff. The new ensemble took over in the second episode and I can't wait for more. This is shaping up to be as good as The Wire.

I finally finished the show. It became such a hard show to really judge because I was so invested in these characters that it just felt like I was really watching their lives play out and not exactly watching a piece of written fiction. It has many of the same tendencies and stylistic choices of The Wire, but never "thrilling" in that sense so I get why it's such an underrated show. It should, in fact, be in the same all-time conversations as some of HBO's most acclaimed (Sopranos, Wire, Six Feet Under). Just a masterful series, and one that became such an easy watch and one that could brighten my day in the best possible ways. There's so much positivity and energy radiating from it, even if the subject matter sounds like the bleakest, most depressing on TV. Guys, if you haven't seen it yet, please do. I highly, highly recommend it