अपनी भाषा में प्लॉट जोड़ेंLife after Hurricane Katrina as the residents of New Orleans try to rebuild their lives, their homes, and their unique culture in the aftermath of one of the worst natural disasters in the U... सभी पढ़ेंLife after Hurricane Katrina as the residents of New Orleans try to rebuild their lives, their homes, and their unique culture in the aftermath of one of the worst natural disasters in the USA.Life after Hurricane Katrina as the residents of New Orleans try to rebuild their lives, their homes, and their unique culture in the aftermath of one of the worst natural disasters in the USA.
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- 6 जीत और कुल 53 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
10bilko-1
My first impression, from watching episode one, was that the writing did not have the flow of "The Wire" it was trying too hard to register the many characters and to quickly tick off the various "types" that make up New Orleans society. Bunk and Freeman were too firmly placed in my memory for me to make the leap to Antoine and Albert. As for the Steve Zahn character, I instantly took a dislike to him and found him unrealistic in the extreme.
By the time we had reached the scene with the Big Chief emerging from the dark, I had become hooked. The characters started to make sense. The generous helping of musical scenes produced what must be the finest portrayal of live music and musicians I have ever seen. I could not wait to catch episode two.
I have now watched the first two episodes twice and all my first impressions have been blown away. Once you get to know the characters and can watch their introduction again, things start to make sense. Steve Zahn? What a brilliant comic creation. Just watch the intro to episode two, his creeping around Elvis Costello, his first day on the job. Absolutely first rate, The shocking introduction of violence, suddenly alters ones perceptions of a major character. Bunk, still lingers in the memory, but Antoine's blowing is going to change all that. I was not familiar with Khandi Alexander, but am now a major fan. Her performance is charismatic in the extreme.
I know that this series is not going to be to everyone's liking, but then neither is Shakespeare or Dickens. However, for those who enjoy a multi-faceted piece of work that can examine society in minute detail whilst never failing to entertain, this will surely rank as a major piece of American art.
By the time we had reached the scene with the Big Chief emerging from the dark, I had become hooked. The characters started to make sense. The generous helping of musical scenes produced what must be the finest portrayal of live music and musicians I have ever seen. I could not wait to catch episode two.
I have now watched the first two episodes twice and all my first impressions have been blown away. Once you get to know the characters and can watch their introduction again, things start to make sense. Steve Zahn? What a brilliant comic creation. Just watch the intro to episode two, his creeping around Elvis Costello, his first day on the job. Absolutely first rate, The shocking introduction of violence, suddenly alters ones perceptions of a major character. Bunk, still lingers in the memory, but Antoine's blowing is going to change all that. I was not familiar with Khandi Alexander, but am now a major fan. Her performance is charismatic in the extreme.
I know that this series is not going to be to everyone's liking, but then neither is Shakespeare or Dickens. However, for those who enjoy a multi-faceted piece of work that can examine society in minute detail whilst never failing to entertain, this will surely rank as a major piece of American art.
This is definitely one of the best shows on HBO. It shows how New Orleans is coping with the disaster of Katrina with not only great scripts but with great characters such as Davis (Steve Zahn), Ladonna (Khandi Alexander), Antoine (Wendell Pierce) and "Big Chief" Albert (Clarke Peters). In fact, the character of Davis is truly a one of a kind character. He is both passionate and manic and you can truly feel his passion as well as his anger over the disaster that destroyed his adopted hometown. Also, this definitely captures the spirit of New Orleans, both good and bad and the true star of the show is the city of New Orleans itself with This definitely has a chance of becoming a true classic and hopefully the audience will continue to grow for this wonderful show.
That wasn't an attempt at being snide, in case you were wondering. I'm not from America so I have no idea what this series is to people who are from the States but not from New Orleans, but for me it was as fascinating look into a place and people I didn't know anything about going in. And while there can be said a lot of good about the narrative trope of having an outsider who works as a link to the audience by asking all the questions that they want the answers to, I personally enjoy once in a while being thrown in at the deep and watching characters going about their daily lives and routines and if there's something I don't understand I will have to infer the meaning or else just live with the mystery. Of course it isn't all colourful costumes and plastic beards. Most of the characters and themes like the story arch of the chef or the violinist could be told with any place as a background, but since it takes place here, we learn about New Orleans food and music through them. The stories of police brutality and corruption could also, sadly, have happened anywhere, but the hurricane made everything worse and more chaotic. In the end, this is a slice of life, where we follow a group of people in their home town, until we leave them, partly changed, partly the same, without any special conclusion or wrap-up. Some doors are closed other are opened and we could easily have followed them for four more years. New Orleans might be a special place, but the people in it are just people; human, fragile and endearing even with all their flaws.
Treme is an absorbing viewing experience. It is thought provoking and on occasion it works on your deepest emotions. But Treme, first and foremost, is a story of modern-day New Orleans, its incredible music and the magical characters who inhabit that unique town. If you love music – from Cajun to blues to bluegrass to 'bounce' to every kind of imaginable jazz and God only knows what else, then just relax and luxuriate in a wonderfully stimulating and very special TV series.
The makers of 'The Wire' have come up with a TV series that is quite unlike any other drama series you will ever watch. More often than not, the myriad plots and lives of the inhabitants seem to go nowhere – but it just doesn't seem to matter. Because that is the true nature of life, especially in places like New Orleans. A city where most of the folk are dirt poor, where the crime rate is going through the roof; and despite all the earlier promises of aid made to them following the devastation of their city by Hurricane Katrina, they have effectively been deserted by the Federal government. At its core, Treme is about its music and the people who make it and love it. Music is at the heart of this incredible show. If music is in your soul, then seek out 'Treme'.
The makers of 'The Wire' have come up with a TV series that is quite unlike any other drama series you will ever watch. More often than not, the myriad plots and lives of the inhabitants seem to go nowhere – but it just doesn't seem to matter. Because that is the true nature of life, especially in places like New Orleans. A city where most of the folk are dirt poor, where the crime rate is going through the roof; and despite all the earlier promises of aid made to them following the devastation of their city by Hurricane Katrina, they have effectively been deserted by the Federal government. At its core, Treme is about its music and the people who make it and love it. Music is at the heart of this incredible show. If music is in your soul, then seek out 'Treme'.
10jatrudel
Yes, if you're a fan of David Simon you probably will be disappointed, but hold judgment until you've experienced both episode 1 and episode 2. In the first hour of the pilot there is a sense of the surreal. We feel a disconnect with the city and its characters. We catch glimpses of former New Orleans life but try as we might there is nothing drawing us in. New Orleans and its people are in a catatonic state. The city no longer has a soul. An hour doesn't seem that long but I must admit after sixty dreary minutes I was ready to pack it in, and then in the second hour the magic of Simon began creeping out of the cracks and crevices. It wasn't enough to convince me a compelling story would emerge, but it was enough for me to give it a second chance. A great story requires more of a setup than audiences are willing to give a writer these days. Thank god Simon never lets that influence him.
About a third of the way into episode two Simon had me. If you saw The Wire, that's probably the only criticism I had left. I can still see Bunk and Freamon. They were incredibly powerful characters and it's hard to dissociate Pierce and Peters from those parts. Wendell Pierce fills up a honky tonk stage as Antoine Batiste but aside from his trombone playing, I still expect him to wake up the next morning and head off to investigate another homicide. Same with Clarke Peters as the Indian. He's embraced his new role and already put his stamp on it, but in my mind he's still the recalcitrant Baltimore detective. I guess you could say that's pretty petty stuff. The new ensemble took over in the second episode and I can't wait for more. This is shaping up to be as good as The Wire.
About a third of the way into episode two Simon had me. If you saw The Wire, that's probably the only criticism I had left. I can still see Bunk and Freamon. They were incredibly powerful characters and it's hard to dissociate Pierce and Peters from those parts. Wendell Pierce fills up a honky tonk stage as Antoine Batiste but aside from his trombone playing, I still expect him to wake up the next morning and head off to investigate another homicide. Same with Clarke Peters as the Indian. He's embraced his new role and already put his stamp on it, but in my mind he's still the recalcitrant Baltimore detective. I guess you could say that's pretty petty stuff. The new ensemble took over in the second episode and I can't wait for more. This is shaping up to be as good as The Wire.
क्या आपको पता है
- ट्रिवियाWendell Pierce is not a trombonist. He started taking lessons when he was cast as a trombonist, so his handling of the instrument would look credible on-screen. When Antoine Batiste plays, a professional trombone player off-screen provides the actual music. In season 4, a version of this behind-the-scenes story plays out in one of Antoine's story lines, when Antoine is hired to teach a non-trombonist actor (Lanny Fox, played by Wilson Bethel) to fake playing the trombone credibly during a movie shoot.
- गूफ़The computer John Goodman's character uses is running Windows Vista and Office 2007 (you can tell from the user interface), yet that software wasn't released when the series took place (in 2005).
- कनेक्शनFeatured in De wereld draait door: एपिसोड #5.141 (2010)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does Treme have?Alexa द्वारा संचालित
विवरण
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- चलने की अवधि
- 1 घं(60 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 16:9 HD
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