Doctor Jekyll

A well-crafted picture from director Joe Stephenson and writer Dan Kelly-Mulhern with Eddie Izzard, Scott Chambers and Lindsay Duncan selling the intriguing premise at the top of the card.

Certain aspects fall flat far from where they could reach and the ending comes around in too much haste, but when it comes to selling itself, Doctor Jekyll does exactly what it says on the tin.

I's an elegantly-shot picture with a terrific central location, solid performances, a strong score, plenty of keen enthusiasm and ideas to distinguish it from the pack of dime-a-dozen adaptations.

If you go in expecting jump-scares and screaming histrionics you may be disappointed, but if you're looking for a spooky, mysterious and atmospheric genre feature then this'll certainly tick your boxes.

The traditional story of Doctor Jekyll and Mr Hyde given a modern spin, starting Eddie Izzard.

I was really excited about seeing it, and keen to see what Izzard was going to inject into the role. The result, was sadly underwhelming. I liked the start, but it just became dull and a little boring at times, I didn't care for the ending.

I thought the cinema would have been packed out for this on the opening weekend, there were four of us, that should have been enough.

I was really hoping for a dark, gothic horror, what it turned out to be was a fairly lame comedy, with horror elements here and there. I didn't care much for Izzard's character, just irritating more than anything.

It was hard at times to work out which was Jekyll and which was Hyde, they could have gone a lot further.

Acting wise, Izzard was alright, I can't say there was anything particularly good, the quality I thought, came from Lindsay Duncan.

Watchable enough, but very disappointed.

5/10.

I was delighted to hear of the rebirth of the old Hammer label, and was very much looking forward to this film. Unfortunately, it was mostly a disappointment.

There is, admittedly, much to like. Eddie Izzard is good as the secretive and reclusive Nina Jekyll, and Scott Chambers exudes the right level of naivety.

On the other hand, there were flaws. Lindsay Duncan was excellent when she was on screen, but not nearly enough was made of her character; and Rob seemed to be persuaded to assist Dr Jekyll so easily that it stretched credulity to breaking point. An additional scene in which he learns of the horrific double nature of his employer would've added much.

In addition, the casting of Izzard - a transexual actor - in the title role led me to expect a transformation that was gender-fluid, at the least. In my view this would've made a more interesting film, and was a wasted opportunity.

The sub-plot regarding Rob's daughter was a nice touch, and the twist at the end was clever.

I hope Hammer is revived, but if it is, this film will not be regarded as its greatest achievement.

I went into this today with a blank mind, thinking okay I will give Eddie a chance and boy was I disappointed.

Firstly the movie plays like a teen drama more than a hammer horror movie.

There's no horror in this movie to even count on one hand.

Now there was nothing wrong with the acting or the story but it played more on the side of a teen drama than a horror film, which was a huge mistake.

This movie could have been so good with the same cast if the movie was done better.

So all in all this film is not worth seeing and if this happens to be hammer's movie come back, we'll they have played a bad hand.

Give this a miss and go and seek the older hammer movies if you want a good horror film.

Having just been released from prison, a former inmate takes a job looking after the estate of a disgraced cosmetics mogul while they're out of town, but when he begins to suspect something is wrong with her realizes the deadly truth about her condition and must try to save himself from the threat.

This was a generally fun and enjoyable effort. Among its greater facets is the endearing psychological building that attempts to take a rather unusual approach to the formulaic material. Instead of offering more of a look at the creation of the fabled potion, the onus here is more on the use of the differing personalities coming to the forefront without much knowledge or warning of who they're dealing with. The constant mood swings, the various instructions that are given out only to be ignored or contradicted moments later, and enough quips make for a generally uneasy time the longer he's there. Since there's a massive amount of doubt established as the root cause of the whole switching back and forth about her various personalities and he's given an extremely motivated reasoning to stay, this becomes worthwhile enough to give this a great starting point. That lets the second half come into more overt physical threats, which is a nice change of pace as it leads nicely into the finale. With the exploits firmly established as being more in line with a dangerous procedure from the past that comes into pass more than a rather comically underexplained attempt at saying the chemical imbalance she has is responsible, there's a fine touch here to present a more overt physical explanation for everything that comes alongside the secondary storyline about the ex-girlfriend trying to score money from him to screw his life over. As none of this is explained but still goes about trying to accomplish that with a daring robbery attempt that goes south when the true nature of what's going on is revealed, there's a nice bit of action here that's immensely fun and provides the film with a fun finale full of action and several twists to have a lot to like about it. There are some minor issues here that hold this back. The main aspect of this one bringing it down is the rather underwhelming pacing that takes quite a lot of time to get going as the emphasis on more cerebral and psychological factors means very little happens. With his duties at the house and the mood swings or other bizarre outbursts taking up the majority of the time, there's a rather sluggish tempo on display here waiting around for the inevitable. What makes it even worse is the fact that this could've been used to do something beyond repeatedly going back to the same well of mood swings blamed on a chemical imbalance rather than trying to bring up the idea of the different characters inhabiting her personality since all the figures here are based on this explanation rather than go for the more logical one that would add a terrifying outcome. With a lame coda on the finale that gives this a wholly unnecessary finale with a silly tone that ends on a sour note, these features are the ones that hold this one down.

Rated Unrated/R: Graphic Language and Violence.