दो युवा महिलाएँ रोम में छुट्टी के समय मिलती हैं और अपने अतीत की कहानीयां बताते हुए एक रात साथ बिताती है.दो युवा महिलाएँ रोम में छुट्टी के समय मिलती हैं और अपने अतीत की कहानीयां बताते हुए एक रात साथ बिताती है.दो युवा महिलाएँ रोम में छुट्टी के समय मिलती हैं और अपने अतीत की कहानीयां बताते हुए एक रात साथ बिताती है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 3 जीत और कुल 7 नामांकन
फ़ीचर्ड समीक्षाएं
Habitación en Roma (2010) was released in the U.S. with the title Room in Rome. The film was written and directed by Julio Medem.
The movie stars Elena Anaya as Alba, a Spanish woman who meets a Russian woman, Natasha Yarovenko (Natasha) in a bar in Rome, and brings her back to her hotel room. The plot of the movie consists of the time the two women spend together overnight in the room.
It was hard for me to decide whether this film was soft core porn with a plot attached, or a serious work of art with lots of nudity. Elena Anaya is extremely beautiful, and Natasha Yarovenko is impossibly beautiful, so it would be hypocritical to complain about the nudity per se. However, for a review like this, it's important to help other people know what type of film they should expect when they walk into the theater or push "play" for the DVD. Arguments could be made for both points of view about whether this is a "serious" film.
Alba and Natasha do have some serious discussions, and what starts out as superficial banter becomes more soul-searching as the night progresses. Whether the two women are changed forever by the encounter is something each viewer will have to decide.
We saw this film at the Cinema Theatre as part of the first-rate ImageOut: Rochester Lesbian and Gay Film Festival. The presenter mentioned that, given the almost complete lack of clothes worn by either actor, Room in Rome was the festival film least likely to be nominated for Best Costume Design at the Academy Awards. (True, but in this case, less is more.)
The movie stars Elena Anaya as Alba, a Spanish woman who meets a Russian woman, Natasha Yarovenko (Natasha) in a bar in Rome, and brings her back to her hotel room. The plot of the movie consists of the time the two women spend together overnight in the room.
It was hard for me to decide whether this film was soft core porn with a plot attached, or a serious work of art with lots of nudity. Elena Anaya is extremely beautiful, and Natasha Yarovenko is impossibly beautiful, so it would be hypocritical to complain about the nudity per se. However, for a review like this, it's important to help other people know what type of film they should expect when they walk into the theater or push "play" for the DVD. Arguments could be made for both points of view about whether this is a "serious" film.
Alba and Natasha do have some serious discussions, and what starts out as superficial banter becomes more soul-searching as the night progresses. Whether the two women are changed forever by the encounter is something each viewer will have to decide.
We saw this film at the Cinema Theatre as part of the first-rate ImageOut: Rochester Lesbian and Gay Film Festival. The presenter mentioned that, given the almost complete lack of clothes worn by either actor, Room in Rome was the festival film least likely to be nominated for Best Costume Design at the Academy Awards. (True, but in this case, less is more.)
The film, first of all, has a superb music. Then it is filmed in a unique manner, intimate, full of intensity, the camera penetrates slowly into the core of the soul of the two female characters, two young women who fall in love with each other during a night in a hotel room in Rome. The two actresses, Elena Anaya and Natasha Yarovenko, shows not only their physical beauty, but a small part of the beauty of the human soul. It's a love story, very sensitive, it is not soft-porn. The most intense moment of the film is when Alba and Natacha are singing the Italian song "Volare" in the bathroom. Although all the action takes place only in that hotel room, the movie is not boring at all, can be seen with pleasure, and 2nd and 3rd time.
For those who live or have actually traveled to Italy; imagine you are walking towards the Rome Hilton (which was a very elegant and plush establishment, as I recall from so many years ago), or the Waldorf Estoria, for those not familiar with the aforementioned Italian high end hotel. You walk up to what appears to be a beautifully built and lavish edifice that echoes of history and prestige and as the doorman opens the door separating the outside from the inside, you realize as you take those first few steps that you've just walked into the lobby of a Motel 8, or any of those "budget inns" that while functional and serve their purpose, are a far cry from what you might have expected by looking at the exterior. That experience would be the best way to describe this film.
Everything from the title to the setting, to the cinematography and the two main characters, bespeaks of a grandeur to come. However, its never delivered, or even left at the door and what we are relegated to is not unlike the menu of a hotel lobby vending machine. All the staples are there; the clichéd and contrived desperation you might find in a first year film student's production; where they are so anxious to get their "message" across, even if there is no actual message. The dull and frequently over dramatized allusion of a passion that simply isn't convincing, as well as the dialogue that makes attempts at "art house" depth, but is actually closer to a 1970s Giallo b-grade script; where the characters hang on every sentence as if promising a clue of what's to come, but their empty words only end up being a painful and constant buildup to that which never does.
Now I didn't walk into this expecting it to be a soft-core sex film, nor was that what I was looking for. Which is fine, because its actually closer to feather-core and based on the remaining content of the film which simply put, consists of two fit and attractive women who remain predominately naked throughout the picture and unconvincingly attempt to make us believe in their increasing affection for one another, perhaps the former option would have been more successful for all parties involved.
The film tries. It tries to create a depth to two women who are essentially having little more than an overnight fling. It tries to deliver eroticism and sensuality. It tries to be something that (as one previous commenter mentions) "panders to an American audience," but it also tries to provide for those who might be looking for more high-end "accommodation." It tries and tries, but in the end when that hand is extended with its palm up and waiting, all I could manage to think was, "for THAT kind of service I could have done without the bags."
A Room in Rome is about as deep and interesting as hotel closet and left me feeling as satisfied as if I'd just checked into one.
Everything from the title to the setting, to the cinematography and the two main characters, bespeaks of a grandeur to come. However, its never delivered, or even left at the door and what we are relegated to is not unlike the menu of a hotel lobby vending machine. All the staples are there; the clichéd and contrived desperation you might find in a first year film student's production; where they are so anxious to get their "message" across, even if there is no actual message. The dull and frequently over dramatized allusion of a passion that simply isn't convincing, as well as the dialogue that makes attempts at "art house" depth, but is actually closer to a 1970s Giallo b-grade script; where the characters hang on every sentence as if promising a clue of what's to come, but their empty words only end up being a painful and constant buildup to that which never does.
Now I didn't walk into this expecting it to be a soft-core sex film, nor was that what I was looking for. Which is fine, because its actually closer to feather-core and based on the remaining content of the film which simply put, consists of two fit and attractive women who remain predominately naked throughout the picture and unconvincingly attempt to make us believe in their increasing affection for one another, perhaps the former option would have been more successful for all parties involved.
The film tries. It tries to create a depth to two women who are essentially having little more than an overnight fling. It tries to deliver eroticism and sensuality. It tries to be something that (as one previous commenter mentions) "panders to an American audience," but it also tries to provide for those who might be looking for more high-end "accommodation." It tries and tries, but in the end when that hand is extended with its palm up and waiting, all I could manage to think was, "for THAT kind of service I could have done without the bags."
A Room in Rome is about as deep and interesting as hotel closet and left me feeling as satisfied as if I'd just checked into one.
As I said in my title I am a gay guy and thought this movie was just beautiful ! So for all the people who said it was only for lesbians and straight guys - it's not. It goes back to the old adage that love is love no matter what.
It has a lovely atmosphere and being mainly filmed in a hotel room gave it a surrealism and a closeness and an intimacy. Constantly shadowy and the use of autumnal hues added to that.
The sex is warm and intimate and is perfectly in context and not over the top or voyeuristic.
So sit back and lose yourself in two women's discovery of their sensuality and getting to know more and more about one another till you develop an empathy for them.
Well written and beautifully acted, 7 out of 10
I Enjoyed this film immensely.
It has a lovely atmosphere and being mainly filmed in a hotel room gave it a surrealism and a closeness and an intimacy. Constantly shadowy and the use of autumnal hues added to that.
The sex is warm and intimate and is perfectly in context and not over the top or voyeuristic.
So sit back and lose yourself in two women's discovery of their sensuality and getting to know more and more about one another till you develop an empathy for them.
Well written and beautifully acted, 7 out of 10
I Enjoyed this film immensely.
Reading the reviews that other people have written it seems that people either 'get' this movie or they don't.
Some people just seem to see it as a pseudo-erotic softcore film starring a couple of naked chicks, whereas other people see it as a beautiful piece of cinematography.
If you're amongst the latter, cool, if you're the former you might be best sticking to Saw IV and the like :-) Room in Rome is a well thought-out, cleverly scripted, and beautifully shot film. Yes, it is highly erotic, but it is never seedy or smutty. Yes, it is romantic, but it is never sickly or sweet.
If you enjoy European cinema then you're probably going to love this film. If you don't then you're probably best giving it a miss.
Some people just seem to see it as a pseudo-erotic softcore film starring a couple of naked chicks, whereas other people see it as a beautiful piece of cinematography.
If you're amongst the latter, cool, if you're the former you might be best sticking to Saw IV and the like :-) Room in Rome is a well thought-out, cleverly scripted, and beautifully shot film. Yes, it is highly erotic, but it is never seedy or smutty. Yes, it is romantic, but it is never sickly or sweet.
If you enjoy European cinema then you're probably going to love this film. If you don't then you're probably best giving it a miss.
क्या आपको पता है
- ट्रिवियाJulio Medem wrote the part of Alba for Elena Anaya. When the actress accepted the role, she and Medem went to Russia to cast the perfect Dasha. After seeing a lot of actresses and models, they found the perfect one, but the night before this woman was to fly to Spain to start rehearsals, her husband read the screenplay and forbade her to play the role which involved nudity and lesbian lovemaking scenes. However, after returning from Russia dejected, Medem and Anaya found Ukrainian-born model Natasha Yarovenko while casting in Spain, specifically in Barcelona, who accepted the role.
- गूफ़In what's meant to be the same scene shown from two different angles, when Natacha's sat on the balcony, she can be seen from the bathroom, but not vice versa where there's a curtain in the way and it's clearly a separate set as there's no trace of the bedroom.
- कनेक्शनFeatured in Brows Held High: Room in Rome (2013)
- साउंडट्रैकWomen's Magazine Tango
Performed by Lori Lixenberg (Vocals, as Loré Lixenberg)
Bass: Chris Laurence
Bass Clarinet: Ben Harlan'
Drums, Percussion: Jon Opstad
Piano by Dado Jehan (as Dado Dzihan)
(p) & © 2010 Nuba Records, S.L. / Warner Music Spain S.L.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Room in Rome?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Habitación en Roma
- फ़िल्माने की जगहें
- रोम, लाज़ियो, इटली(opening and closing scenes only)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $8,44,281
- चलने की अवधि1 घंटा 47 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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