Meteor

The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster" The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"The tag line for this thing should have been: "This isn't just a disaster movie, this movie is just a disaster"

I don't understand how so many proved actors could be associated with such an amateurish, embarrassingly bad show. I mean, this is "pre-Film School" amateur, not even "I graduated with a C-average from Film School" bad.

Really, how did Christopher Loyd, Billy Campbell, Jason Alexander, and Ernie Hudson get roped into this? Did they read the script? Did they miss the part that said, "Car runs out of gas. Smoke pours out of the engine."

It also occurred to me that one of the biggest downfalls of these cheesy mini-series is the music. I counted at one point, in a 30-second clip, they changed the music 4 times for painfully obvious cues: perky music for the teenager--cut to: hopeful music for the family--cut to: dark music for the meteors hurtling to earth--cut to: suspenseful music for the frustrated scientist. A touch of subtlety would do wonders for these horrific productions.

I thought the "Impact" mini-series was bad, but boy, this one made that look like pretentious art.

According to the "Full cast and crew" list, the "writer" is known primarily for "writing" the scripts for "WWF Smackdown" or whatever one calls that fake wrestling crap. It shows--absolutely no subtlety or depth, nothing original, cardboard characters, standard disaster-movie format (various soap-operas wrapped around a catastrophe), minimal science and generally speaking, nothing worth recommending. I'd give it one star, but some of the special effects were tolerable. Barely. So if you're bored--and boy, you'd have to be REALLY bored--go ahead and watch it. Drugs and booze might help, but you'd have to do dangerous levels to even come close to enjoying this gobbler...and then, you'd probably just fall asleep. Which might be best.

Strictly for laughs, but it entertains so well on that basis. It's yet another rampaging rock from the cosmos, ready to blast us all.

A hodge-podge of "intertwining" human interest soap opera subplots parade by as the meteor inexorably wends its way towards the 3rd rock from the sun: 1) the physicist who's doing a Perils of Pauline impression. She's the key to survival or destruction, as she races the meteor to her goal. She's in and out of every life-or-death situation you can imagine, mostly contrived clichés that are so routine after a while they become ridiculous.

2) Army guys and scientists argue about how to use nukes. No comment necessary on this item; just have a good laugh. 3) There's a good cop and a bad cop running around trying to croak each other. It has absolutely nothing to do with the rogue meteor plot, and you keep wondering if this pointless side line will ever be tied in to what's going on.

Conveniently, there's always a dropped cell phone call. This happens so much you'll expect that cell-phone salesman guy with the horn rimmed glasses and 500 friends behind him to pop up out of the bushes. Nobody buys gas any more apparently, so every car in the movie runs out of gas in important situations (look for the character who notes the empty tank and then looks under the hood for some odd reason). Beware of meteor shards that zoom into nearby impact at just the right moment to drive the plot along. Scientific inaccuracies, as expected, are numerous.

At least it's as free as it is brainless. Plenty of fun, too.

First off, Me and A LOT of other people totally disagree with the previous comment.. This miniseries is horrific. They butchered the whole concept.. Everything is pretty much wrong in this miniseries. The acting is 'ok', but the script and the screenplay is totally bull. It feels like the writers sat down and drank themselves ass-faced and pretty much doodled through the whole script. I couldn't concentrate on the story because of all the sick things that were happening, and because of the totally off course lines that randomly popped in everywhere. I was literally sitting there pulling my hair off by the end.