Dark House

It was a nice idea, and the little twist at the end was a nice touch. However, I could not get past how morosely less than even one-dimensional the characters were, and how laughably rote, non-creative and cliché-ridden the dialogue was during this movie.

The bare outline of the story is intriguing, but the script really was terrible. The acting was either waaaaaaay overdone or shifted from being overdone to underdone and back again. Now, I can forgive such things if the proper atmosphere, suspense and effects are plausibly included. This was not the case with 'Dark House'. I am of the old school, and would rather see authentic make-up and gore effects. I cannot stand CGI effects that look worse than a Playstation 1 game. To this film's credit, it does mix both; however, the absurd CGI effects detracted from this film big-time in my mind.

Skip this one, it isn't so bad it's funny, the death and gore is very average, the 'brief nudity' (if that's your bag) is CGI, and the 'Dark House' looks just like a normal suburban house. It's not what it claims to be or what you think it might be. It's nothing special.

Shot in just 18 days, Dark House looks, sounds and feels a lot better than the majority of studio horror films I see in any given year. I have a few minor quibbles (some unnecessarily unflattering / ageing lighting on the young women, plus a padded climax that softens the existing impact of a certain revelation) but overall, I've got to say this movie delivers on every expected level. Those representing Good (Claire) and Evil (Mrs. Darrode) are excellent and the actors deserve all due credit, but the standouts in supporting roles are definitely Combs, Whyte, and Cole. Each of them adds depth and texture to characters that could easily come across cardboard. Combs chews scenery, but he does it with rakish, fun-loving panache; Whyte is encumbered with costume, affectation and accoutrement, but his indisputable spirit shines through; and Cole plays the stereotypical gloomy goth girl with droll wit and intelligence.

If you enjoy old-fashioned haunted house flicks with plenty of snarky humor, unabashed boo-scares, and grand guignol gore, step into Dark House.

The filmmakers here have fun with their "Ghost in the Machine" type premise of an evil spirit infecting technology and using it to slaughter their victims, all in very macabre (and digitally created) ways. That's the good thing: they're clearly having a good time, giving their movie a fair bit of energy and pace and going to town with the visual effects and splatter. There's also some dark comedy thrown into this mix, and a surprise or two (there are some jump scares in this that actually work, and that's because they're NOT expected). In the end, one is likely to forget this pretty quickly, but enjoy themselves while the movie plays out.

Meghan Ory stars as Claire, who as a seven year old girl was witness to the massacre of some other children in a foster home. The perpetrator was devoutly religious and over the top, a sadistic foster mother named Mrs. Darrode (Diane Salinger). Now Claire is a teen aged drama student who learns that "house of horrors" creator / showman Walston (Jeffrey Combs, who may provide enough reason to watch for those who otherwise wouldn't bother checking this out) is setting up his latest attraction in that same house. He hires her and her fellow students to interact with his holographic creations; Claire has encouraged her peers to participate because her memories of that traumatic day are still tormenting her, and she wants closure.

I frequently throw out the word "undemanding" in some reviews, because that's pretty much what one often has to be to go with entertainment like this. Some people may find it just too ridiculous, and unbelievable, to get on board, but others will like the cool holograph characters and the grisly (if cartoon like) kill scenes. The actors adequately do what they have to do. Combs plays his part in the appropriately hammy fashion, and is the true highlight of the film. Salinger is an amusing villainess; 80s film buffs may remember her as Simone in "Pee-wee's Big Adventure". Erin Cummings ("Bitch Slap") is foxy reporter Paula, Tom Gulager (the "Feast" series) a mad scientist, R.A. Mihailoff ("Leatherface: Texas Chainsaw Massacre") one of the apparitions, and Don Stark ('That '70s Show') has a small part as a detective.

All in all, this quick and silly romp is agreeable enough to watch.

Six out of 10.

This movie took a good first 5 minutes then lost me completely until the last 5 minutes, so 70 of the 80 some minutes of this movie were a total waste of my time.... If I were a teen who still went for the over the top kiddy scare stuff, then I may have liked it all the way through. Oddly this movie felt like 2 different movies made into one, the first few moments and the last were one movie, the middle a totally different movie all together, if they would have taken out the middle and done something totally different than they did, I may have liked this movie a lot.

For adults who like real horror movies, not special effect no mind entertainment... I give this a 1 in 5 stars. For a teen who still scares easily and isn't much into it making sense, I give this a 3 in 5 stars.

The infamous Darroh (or something similar that almost sounds like dark) House in which seven foster children where brutally murdered 14 years ago, is being reopened as a horror attraction called Dark House. The owner of this horror bonanza (Waltson) hires six actors from an advanced acting class to scare the audiences. One of them, Claire (played by Megan Ory), witnessed the brutal suicide of the children's tormentor and views this new position as a way to bury the demons of the past.

To assist are brave actors, the house works by an advanced hologram system designed to react to fear and excitement. The system gets possessed by the evil ghost of the foster mother and madness ensues. Soon our main protagonist and her friends realize they are locked in with no escape. To makes matters worse these holograms have the power to do real harm. Will they make it out alive?

Overall I believe this movie grades into solid C (C+ maybe). The hologram idea is a little far-fetched, but it creates an interesting movie, not a terrible scary one. The acting is on cue with this type of movie (Including Jeffery Combs from the infamous Re-Animator) and the ending is a surprise, a rarity these days. If your in for something a little more cheesy then Waxwork, give it a gander.