Final Summer

On the final night of their employment in the sticks of Illinois, several camp counselors are assaulted by a masked man with an axe.

"Final Summer" (2023) is a proficiently-made Indie slasher in the tradition of the first two "Friday the 13th" flicks from over four decades earlier. The sylvan cinematography is great, there's an effective air of creepiness with a full moon and fog, plus the diverse actors are convincing. Unfortunately, the director/writer failed in one of the most important areas -- an interesting or, at least, entertaining script. It doesn't help that the females are subpar (and I'm not talkin' 'bout nudity or sleaze).

It's like he said, "Beautiful women? We don't need no stinkin' beautiful women." I can accept that, but at least make the story compelling with fleshed-out characters. The contemporaneous "Totally Killer" is a fine example of a modern slasher that's entertaining. "Silent Retreat" (2016) is a good sample of a no-budget production that's a watchable slasher with the requisite staples. "Crazy Lake" and "The Lake on Clinton Road" are two other relatively recent examples.

So "Final Summer" is an interesting study: It's got practically everything for an effective traditional slasher, but drops the ball with boring storytelling, uninteresting characters and subpar females.

The film runs 1 hours, 22 minutes, and was shot at Camp Robert Drake, which is just southeast of Oakwood in east-central Illinois, a dozen miles from the border of Indiana. The flashback scenes were done in Champaign, which is 25 miles west of there.

GRADE: D+

I agree with everything previous critiques said. The plot is the biggest failure here, running neck and neck with the visual quality of the film.

I did not understand how "everyone knew who was responsible" when there wasn't any real backstory on the camp yet, other than "accidents" that plagued the camp for years. Which makes no sense, because even in the 70s & 80s, a camp THAT notorious would've been closed down easily.

Add to that the visual quality I mentioned, I don't know what that was about. Is he trying to make the actors look younger with a failed soft focus technique? Is he trying to make it look like a movie from the early 90s (which would've been shot on film and not on video)? If so, color correcting it to look like an older movie and adding noise and a film effect overlay might've gone a lot further and wouldn't have been super expensive.

Instead, we have a movie that looks like the director just discovered this thing called depth of field, and manhandled the technique throughout the feature. Instead of being interesting or helping the movie look old, it only serves to distract.

It's too bad, too, because low budget doesn't guarantee a bad movie. Lack of imagination and poor filming choices sure will, though.

I know this was not easy to film so I will give it some credit...but it is definitely in my least favorite horror movies.

The Kills were horrible, barely showed them. Almost all of them were off screen.

I don't understand the random tree shots, they were there for no reason.

The acting... dont even get me started... There was barely any character development, and the acting was horrible.. def trying a little too hard.

And now the killer... He was literally Michael Myers and Jason Voorhees inbred little cousin...

My opinion doesnt run the world so yall do ya thing but...idk this is just my opinion.

I know camp counselors in horror movies are supposed to be down right stupid, but this one goes to extremes. I would give a zero in intelligence to these characters and the person who wrote the story. Let me add, most are such cowards that pity for the next victim. Plenty of chances to help each other, heck, but why bother, it doesn't occur to any there is strengh in numbers. Then there is a thing called closing doors, a concept too advanced for these brainless people. You would think that some would have at some time in the past watched a summer camp horror movie. Super predictable ending. What a waste of time.

This first film by John Isberg, is a good start but had conflictions in providing innovation or something fresh with 80s college teen slasher movies.

Considering its limitations of the story, it offers good night scenes, that are watchable which can be technically difficult to film. The actors deliver evotive reactions to the terror uleashed to them.

PTSD is a theme carried throughout the film, providing and giving some good dialogue. Its "final girl" trope is not strong, but her acting is good. Its chase scenes has suspense, but it lacks the tension provided with 80s slasher.

One interesting aspect that it was shot in rural Illinois's woods, has strong natural landscape locations. It one makes for a good start for Isberg, there is an interesting closing credits, hopefully to make more horror genre paths for this first directorial debut!