Zift

" Zift"is a stunning surprise that came from Bulgaria. Black and white noir, dark comedy with a brilliant camera work and lighting. It makes you nostalgic for the old pre-color days, when the directors had to be extra creative, and shadows warmed your heart more than flames ever could. The incredible parody spots wicked sense of humor, especially with the fake Russian songs and surprisingly quite a few homo-erotic images. War and weapons usually get coupled with phallic symbols. Eros and Thanatos in it purest form. It is an immense pleasure to encounter such talented and smart artists, these days of simplicity and proud lack of novelty.Can we have some more, please.

This is the top of the Bulgarian film industry,I think.Not forever,but for the past 25-30 years.This is the Bulgarian movie,that has the biggest chance of winning ANY award worldwide.It's about the drama,the innovative story told by it,and the acting.The old school Bulgarian actors like Djoko Rosich for example,along with the younger actors,made a great masterpiece of the already brilliant script. My new favorite film,getting "The Shawshank redemption" off the top. Congratulations Bulgaria,you made me proud with your present achievement for the first time.You made me proud with your past only,but until I saw this! 10/10 from me!

Watching this innovative black and white noir thriller, I kept thinking that Frank Miller must have written it, so perfectly does it fit the sensibility of his Sin City comic book series. Innovative, not exactly original: one can indeed detect the influence of any number of famous noir flicks, most notably D.O.A. But it's executed so perfectly that I wouldn't want to complain. My wife said that the film was rich in allusions to Bulgarian life and culture which went right past me. She is definitely not a genre fan but she really liked this movie. Certainly the best Bulgarian movie I've seen since the magically-realistic anti-communist fable The Well.

It didn't have an Oscar nomination(for the best foreign language award) this year, still Zift is a crowning and epoch making epic movie for Bulgaria and Eastern/North-Eastern Europe. Hence, in the years ahead this movie will be mentioned often for its contemporary style, modern cinema language and creative editing.

Centering on a criminal, nicknamed as "Moth", the story is taken from a novel and is adapted to screenplay from its own novelist. Director Javor Gardev features Moth being a self-respecting and chivalrous Bulgarian, reflecting the character of his country under Communism. As such from the literary perspective, personification has applied to Bulgaria. Despite all of his relatives and friends leaving him alone, and his wife wounding his pride; he has never held his head down.

Not only the past of his country, the writer also reflects the present and the future of Bulgaria within the same literary perspective in a dark utopia, or a neo-noir(film-noir). The screenplay of Zift is very focused and detail-oriented on a simple storyline. The concept of the whole storyline is the sum of Moth's escape to freedom, his short-term memories, the stories he heard from his friends, how he is losing his last hope and how he dies. There we can realize obviously that the main purpose of the movie is not to tell, but is to impress. Director Gardev leaked impacts from Fellini's, Emir Kusturica's and Danny Boyle's cinematic methods. On the other hand, I don't include Frank Miller in this list; since Sin City and Zift has nothing in common but the cinematography. On the level of artistic value, Zift has more value than its comparisons.

Even though it's resembling several industrial box-office hits, the screenplay is truly original; considering that a novel writer has prepared the whole script from his own adaptation, you will see the total commitment of creating this epic by the production crew. There are scenes of violence, nudity, sexuality, perversity, immorality and enormity. Viewer discretion is strongly advised. It's only suitable for mature viewers and minor groups.

This strange, lyrical semi-gangster movie reminded me of "El Topo" and "Eraserhead" in the way it stumbles with deceptive carelessness through its plot. Smalltime thief "Moth", who's lost his youth imprisoned for a murder he didn't commit, is released hoping to jump a freighter to the tropics. Fate and his past intervene.

"Zift" bows to film-noir classics like "Gilda" and "DOA", even lifting plot elements, but this little gem uses their themes only as point of departure, as it does references to "Candide": If all is best in the best possible worlds, all is worst in the worst.

And Soviet-era Bulgaria director Gardev depicts is just that - filthy, casually brutal and airlessly detached. Its denizens gossip via dirty jokes and debase themselves with joyful abandon. It's bracing to see such a depiction, since the "Marxist experiment" of Russia and Eastern Europe is almost sentimentally beheld in most Western media ('course, we didn't live the ugliness of the "paradise"). And a glimmer of humanity and soul in a Christian church surely would keep "Zift" off fashionably dogmatic PBS.

The world of the Moth is as black and spongy as the tar he loves to chew - the "zift" of the title. But there is within it laughter and truth. Highly recommended.