Hold Your Breath

I don't get the low ratings & bad reviews of this at all. I was engaged and on the edge of my seat the entire time. Sarah Paulson is a great actress, she really shines in the horror genre, and this is no exception. It wasn't revolutionary in any way, but I thought it was solid. The visuals & cinematography are really effective, they really evoke the terror and tension of the moment. I also appreciated the run time, and the story was nicely paced. I also haven't seen a horror movie in this setting before, (depression era dust bowl) and the poverty and trauma of living in those conditions wove into the story and horror effectively. I really felt the panic. Great casting too! Worth your time!

I just finished watching Hold Your Breath (2024) and man this movie was a very dull and boring experience.

Positives for Hold Your Breath (2024): Sarah Paulson gives a great performance as the main protagonist in this movie and she is the reason why I watched this movie in the first place. There was some intrigue to be had with this gothic old folk horror movie set in the country side during the 1930s. And finally, there is some great camerawork and sound design throughout the runtime.

Negative for Hold Your Breath (2024): Aside from Sarah Paulson, none of the characters are interesting and they are very bland. The movie also doesn't do anything with its premise or the main villain. And finally, the movie is very predictable by the time you reach the climax.

Overall, Hold Your Breath (2024) is a interesting horror movie with its premise, but it ends up being very generic with its execution.

Feel free to ignore this poor rating on imdb, the movie only has it because most people won't watch anything horror-labeled that isn't greenscreen slop and/or cheap jump-scare galore.

In other words, this film has such a low rating because it is advertised as horror, and it is not, or at least not in the classic sense, but rather a depressing-disturbing psycho-thriller/drama, with hints of horror.

Apart from that misleading classification, I have nothing to complain about, it's beautifully filmed and fantastically acted - Sarah Paulson knocked it out of the park, and Ebon Moss-Bachrach (the goofy brother from The Bear) is not far behind. The direction and the script are generally good, there are some small kinks here and there, but really nothing terrible.

The setting - a dust storm in the backwoods of 1920s Oklahoma - is really something I haven't seen very often (outside of Courage the Cowardly Dog), and it gives the film a special atmosphere of hopelessness.

The movie is not light popcorn fun, in fact, it's really messed up and depressing, but it's also great, something I'd recommend to serious movie buffs as well.

I have just finished watching this movie on Disney+ and came away with a few points of view in this movie.

1) if your looking for a fast paced horror film then your watching the ring movie, this was more like a psychological thriller.

2) the acting from all involved was top notch but Sarah Paulson stole the show, I have yet to see a horrible performance from her.

3) it had a nice small twist near the end, now it wasn't one of these wow I didn't see it coming jump out your seat shock but it made the movie a lot better.

Now this movie will not be everyone's cup of tea but do your in the mood for a slow moving movie with a slight twist towards the end, this film is for you but if your looking a fast paced. Bloody movie then this one is not for you.

I thought it was well worth a watch and did enjoy it.

Hulu has churned out some fantastic original movies. One of these, 2020's 'Run,' also happens to have starred Sarah Paulson, and I've otherwise found Paulson to be a terrific, reliable actress who commands strong presence, personality, and emotional depth. The very premise is ripe with enormous potential - it can't be overstated how terrifying nature can be at its most fierce and unforgiving, and Oklahoma during the Great Depression couldn't be more fit as a setting. Such conditions are perfect for a tale of psychological horror, pushing the limits of the human mind as it frays; for further evidence, see Victor Sjöström's 1928 classic 'The wind,' which to this day remains one of the greatest films ever made. To help stir the pot here, the first act gives us a creepy folk tale; a mother with a troubled history as she tends alone to her two daughters and dead land; and scenes of mother Margaret's small "community" which accentuate her isolation and solitude, the desperation of the extreme circumstances, and indeed Margaret's mental state.

'Hold your breath' is filled with fine possibilities, and more than not I believe it firmly succeeds. Paulson is a swell anchor for the picture, and her co-stars are just as excellent in their supporting parts, including Amiah Miller as oldest daughter Rose. The effects are superb, even as computer-generated imagery is employed in abundance; the more tactful the usage is the more effective they are, and practical effects and stunts are impeccable. In addition to even the keen use of lighting, Colin Stetson's original score of unnerving soundscapes lends considerably to the atmosphere herein. The production design and art direction are filled with splendid detail, not to mention the costume design, hair, and makeup. The feature is well made by all modern standards, really, and sure enough, Karrie Crouse has filled her screenplay with super ideas. The narrative is compelling, and the scene writing and characterizations are strong. All the ingredients are here for a gripping, disturbing horror-thriller, and at that one that also carries meaningful notes of tragedy.

The problem I have is that in execution this sadly lacks the careful subtlety that would have allowed all the best potential to come to fruition. In shaping their first full-length title, Crouse and Will Joines are - if sometimes only by degrees - too forceful and upfront with their direction, and in fact too many other elements irregularly bear the same fault. This includes the acting, the visual effects, sometimes the editing, some sound effects, and even Stetson's music. It took a while for me to even come around on the introduction in the second act of a definitive figure, yet though ultimately I think the notions in the writing are fabulous, the realization of them is often too brusque to completely achieve the desired effect. There is marvelous strength here, but it is partly scattered, and partly diminished by the heavy-handedness, however we may measure it. None of this is to say that 'Hold your breath' is not worthwhile; I do like it, and it's good enough to warrant checking out if you have the opportunity. May Crouse and Joines continue to grow in their skills, and I look forward to seeing what they do in the future. It's just unfortunate that when all is said and done this one piece feels unremarkable when it may have been intensely grabbing and chilling, so though it's decent, it doesn't exactly demand viewership.