Dare

In "Dare," Alexa (played by the winning Emmy Rossum) is an inexperienced, socially inept teenaged actress who decides to become a "bad girl" so she'll be more in touch with the characters she's playing (her current role is that of the world-weary Blanche Dubois in a high school production of "A Streetcar Named Desire"). Not only does this open up a whole new realm of experiences for the young lady herself, but it leads to a chain reaction for the two most important people in her life: her geeky best friend, Ben (Ashley Springer), who becomes seemingly jealous when Alexi takes up with the school's brooding, arrogant jock, Johnny (Zach Gilford); and Johnny himself who reveals some surprising truths about himself before the story's over. "Dare" is all about the roles we take on at various points in our lives, and how different we can appear to the world once the masks we are wearing are stripped off - thereby making the theatrical context the story uses a metaphor for real life.

Writer David Brind has divided his story into three parts, each focused on a different main character (Alexi comes first, followed by Ben, then Johnny). Since this has been largely conceived and constructed as a parable, the narrative lacks credibility on occasion and the storytelling does become a bit heavy-handed at times, but some genuinely unexpected plot twists, a blunt and honest approach towards sex and sexuality, an intriguing look at the boundaries of friendship, and an overall complexity of character make the film difficult to dismiss out of hand. In fact, its strangeness is probably its most compelling feature. Brind and director Adam Salky are obviously going for something offbeat and unusual here, and it is all to the movie's advantage ("Dare" is actually a fleshed-out version of a short film Salky made a few years earlier).

Fans of "Friday Night Lights" will be intrigued at seeing Gilford in a role that appears at first blush to be diametrically opposed to the sweet and likable Matt Saracen he plays on the series, though, as the story progresses and more layers are peeled off the character, we discover that Matt and Johnny actually have quite a bit in common with one another - mainly their feeling that they are largely unloved and alone in the world (Matt just deals with it better).

In addition to the three striking leads, Alan Cumming and Sandra Bernhard lend their support to the project in small but significant roles.

Despite its imperfections, this tale of youthful self-discovery emerges as a thoughtful and insightful look at the often painful, confusing, fumbling - yet wholly necessary - efforts teenagers must go through to find their place in the world.

The plot between Johnny and Alexa seemed quite average but when things became heated between Ben and Alexa he seemed to become quite childish in the fact of he wanted his best friend returned to him so he tried to take away her new toy type of deal. Although he was discovering himself I found it quite wrong in the way of getting Alexa back. Johnny's self discovery is understandable yet slightly twisted(not negatively plot wise) Alexa's feelings toward Johnny were easier to follow. And in the end Alexa seemed to truly be sorry to Johnny although the ending was more of a non-ending there wasn't much closure. I didn't like Ben's storyline because he seemed too manipulative and quite cold. I found the character of Courtney really interesting.

Besides being a coming of age film, to me this is the story of a mentally delicate individual in dire need of love and support and thinks he has found it in two people, who happen to be best friends of the opposite sex. The relationship between the three becomes more and more intimate and it has a negative effect on one of them who thinks of it in a much different and long term manner than the other two. It's not terribly well written and the best friends characters are the least well thought out. The highlight of the film is the performance of Zach Gilford. The other two can't overcome the writing flaws. For Gilford fans mostly. Has a little appeal, but weak stuff.

Alexa Walker (Emmy Rossum) is a stressed-out high school drama geek. To her dismay, she's paired up with jock Johnny Drake (Zach Gilford) who doesn't care about their acting assignment. Even worst, former student and star actor Grant Matson (Alan Cumming) is impressed with him rather than her. She spirals downwards and ends up in detention with Johnny. She goes to her friend Courtney (Rooney Mara)'s party and has sex with Johnny. Her best friend Ben Berger (Ashley Springer) gets jealous. This becomes a series of sexual experimentations.

The structure of this movie is divided in three. The first part follows Alexa, the second part follows Ben, and the third part follows Johnny. It leaves the flow disjointed and the emotions disconnected. Alexa's part is standard high school drama. I really like her scene with Cumming. The Ben part is uncertain. By the time it's Johnny's part, I am lost emotionally with Alexa. The three leads are relatively good. Gilford puts up the most compelling performance. This film has an awkward, uncertain tone that keeps it from finding its feet.

A pop-art animation shows a pair of hands, wrapped around an iPhone. On the screen, the thumbs tap out the opening credits. Occasionally, the hands reject incoming calls from Mom. They also accidentally type out things like "props!" and "OMG". It is a rather embarrassing attempt to seem down with the kids (or is that kidz?) but thankfully, it is also misleading. The film itself has an entirely different tone. 'Dare' is not another typical teen-rom-rom about puberty and trying to get laid.

Alexa (Emmy Rossum) is an innocent, hard-working drama student. After failing to impress a big theatre star (Alan Cumming), she is advised to experience new things in order to improve her acting. She decides to seduce her drama partner, Johnny (Zach Gilford), who acts tough to hide his sensitivity. Ben (Ashley Springer), Alexa's gay best friend, is jealous of their relationship and decides to have a go at Johnny too. Their relationships soon become an uncomfortable and confusing love-triangle.

The film is divided into three parts, each one following a different main character. The more focused characterisation allows for a more effective display of all the awkwardness and insecurity associated with adolescence. Each of the main characters is given their own screen-time to grow and develop, and as a result there is much more substance.

'Dare' is at its strongest when the audience gets to see the characters go about their own lives, without the hassle of narrative development. On their own, the three individual segments of the film could have easily been short, John Hughes-esque films about different teenagers and their approaches to the issues of growing up.

The character of Alexa goes from innocent, uptight bookworm to sexy party girl too quickly, but Rossum plays both 'versions' just fine. Springer does a good job portraying Ben's struggle to deal with his homosexuality, and it is touching to see him find confidence in himself. Gilford gives the most convincing and layered performance of all as Johnny. He channels Marlon Brando and James Dean in his sensitive tough-guy act and it is effective, especially when it becomes apparent that he has severe rejection issues.

The problem with this kind of narrative structure is that there's too much characterisation for the love-triangle storyline. There is too much attention on each individual personality and not enough on mixing those personalities together. The characters end up changing too quickly, and it is clear that this is merely for the sake of pushing the love story along.

The film's attempt to be a coming-of-age drama and a love story at the same time backfires. It is too much of a character piece for the love-triangle story not to seem forced. By the time the abrupt ending comes around, one can't help but feel cheated, or disappointed by the wasted potential.

As a character study 'Dare' certainly excels, but as a narrative it is never compelling enough to be remembered. This film is likely to resonate with anybody who has ever been a teenager, but just because it resonates does not guarantee that it will be memorable. For his first feature-length effort, Adam Salky has done a decent job. It will be interesting to see what he comes up with in the future.