अपनी भाषा में प्लॉट जोड़ेंAfter what is supposed to be a no-strings hook up, two men discuss their dreams, what ideal happiness might be like, and maybe a future together.After what is supposed to be a no-strings hook up, two men discuss their dreams, what ideal happiness might be like, and maybe a future together.After what is supposed to be a no-strings hook up, two men discuss their dreams, what ideal happiness might be like, and maybe a future together.
- निर्देशक
- लेखक
- स्टार
फ़ीचर्ड समीक्षाएं
I started watching it thinking it was going to be a how to i erase this.
The back and forth of the conversation on the bench, my thought was this guy should get up and run. But it was brilliantly written that i had to keep watching their exchange. Was the guy not quite right? Were they both not quite right?
The acting of both characters was really spot on and believable.
I have had conversations with someone that I was not sure if i should run away. And stayed.
The fantasy part of doug returning was confusing . Did he really or was it a dream?
I watched it until the end.
And did not think how do I get this time back? As with many movies.
Really liked it.
As to my crazy conversation, we became friends. And i think of him often. And hope he is safe, he moved away.
The back and forth of the conversation on the bench, my thought was this guy should get up and run. But it was brilliantly written that i had to keep watching their exchange. Was the guy not quite right? Were they both not quite right?
The acting of both characters was really spot on and believable.
I have had conversations with someone that I was not sure if i should run away. And stayed.
The fantasy part of doug returning was confusing . Did he really or was it a dream?
I watched it until the end.
And did not think how do I get this time back? As with many movies.
Really liked it.
As to my crazy conversation, we became friends. And i think of him often. And hope he is safe, he moved away.
This movie may have its issues (the dialogue can be somewhat painful at times, as can the direction) but there are two big saving graces in this film that make it worth a watch: Matthew Jaeger and Robert Mammana. Both actors fit into their roles wonderfully and their chemistry feels very genuine; simple, natural, and therefore, it is easy to invest in their characters' main conflict - that is, the idea of love that transcends socially constructed sexual definitions.
The art direction is also fairly interesting - rather than the standard, the film is shot in a direct stage-to-film aesthetic - one set, dramatic lighting, and the simplicity works in it's favour, though it can seem heavy-handed at times.
Overall, I thoroughly enjoyed the movie. Something different, with two amazing performances that will stay with you.
The art direction is also fairly interesting - rather than the standard, the film is shot in a direct stage-to-film aesthetic - one set, dramatic lighting, and the simplicity works in it's favour, though it can seem heavy-handed at times.
Overall, I thoroughly enjoyed the movie. Something different, with two amazing performances that will stay with you.
I tired very quickly of Guy's helplessness and whining and began to focus on that horrific lump on the left side of his face, which I think needs a biopsy.
For a love story, this movie is oddly formal, stylized and cold. It is a lot like kabuki, the highly formal, highly stylized classical Japanese dance/drama. It is the most tightly scripted and choreographed movie I have ever seen: not one word, not one gesture by either character is spontaneous. It feels more like very expertly executed computer animation than like two human men falling in love.
I think the basic problem is the Platonic philosophy that dominates and runs insistently through the whole play. That philosophy - that the body is only a shallow, essentially meaningless reflection of spiritual reality - is itself so cold and so formal that it practically demands a treatment like this.
That is sad. This could have been touching and meaningful, but it ends up being just very well executed technique on the part of everyone involved: the director, actors, set designer, cinematographer, etc. Like kabuki, it is fascinating to watch, but the fascination is purely intellectual, just like Plato. It is a peculiar and unsatisfying way to tell a love story.
I think the basic problem is the Platonic philosophy that dominates and runs insistently through the whole play. That philosophy - that the body is only a shallow, essentially meaningless reflection of spiritual reality - is itself so cold and so formal that it practically demands a treatment like this.
That is sad. This could have been touching and meaningful, but it ends up being just very well executed technique on the part of everyone involved: the director, actors, set designer, cinematographer, etc. Like kabuki, it is fascinating to watch, but the fascination is purely intellectual, just like Plato. It is a peculiar and unsatisfying way to tell a love story.
This was originally a play. The movie is a filmed version. The writing and acting are first rate. Very emotional journey for the two protagonists one of whom is openly gay, while the other is supposedly straight. They meet in a park and decide to hook up for some quick sex. They keep meeting, and the gay guy falls hard for the straight guy. I was pleased with the ending. So many gay themed dramas feel the need to kill one or more of their characters. It was a pleasant change to watch a life affirming story.
क्या आपको पता है
- ट्रिवियासभी एंट्री में स्पॉइलर हैं
- क्रेज़ी क्रेडिटThank you to the late F. Gary Newton and to Players Ring, the wonderful theater he founded in Portsmouth, NH Your daring mission to produce original works for the stage has allowed writers who might otherwise never be heard to come before the public with their ideals and dreams. One of those dreams came to life in July 2005 when you produced the world premiere of JUST SAY LOVE.
- साउंडट्रैकYour Eyes Tell The Truth
Written and Performed by
Robert Beal III (as Robert E. Beal III)
and
Jarrett Osborn
Recorded, Mixed
and Mastered at
BB3 Audio
Newfields, NH USA
© (p) 2008 BMI
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Только скажи... люблю
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $3,944
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,257
- 28 मार्च 2010
- दुनिया भर में सकल
- $3,944
- चलने की अवधि
- 1 घं 15 मि(75 min)
- रंग
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