IMDb रेटिंग
6.1/10
45 हज़ार
आपकी रेटिंग
तेरहवीं शताब्दी के इंग्लैंड में, एक नाइट्स टेम्पलर और सामंतों के लोग रोचेस्टर कैसल की रक्षा में अत्याचारी राजा जॉन के विरुद्ध लड़ते हैं.तेरहवीं शताब्दी के इंग्लैंड में, एक नाइट्स टेम्पलर और सामंतों के लोग रोचेस्टर कैसल की रक्षा में अत्याचारी राजा जॉन के विरुद्ध लड़ते हैं.तेरहवीं शताब्दी के इंग्लैंड में, एक नाइट्स टेम्पलर और सामंतों के लोग रोचेस्टर कैसल की रक्षा में अत्याचारी राजा जॉन के विरुद्ध लड़ते हैं.
- निर्देशक
- लेखक
- स्टार
फ़ीचर्ड समीक्षाएं
I am not an expert on the period this film covers but reading reviews on here and then reading up on the period it is clear that it is not historically accurate. I can see why this would upset some people but for me watching a film is just pure entertainment not a history lesson so it is not something that concerns me too much. The fact that someone makes a film about a specific period in history may, as it did with me, make them get the facts for themselves.
As for the film itself it is nothing if not entertaining. The plot is made clear and therefore unlike some historical action films you actually get to know what's going on and why. In a nutshell a small band of knights have to defend a castle against hordes of King Johns men something along the lines of Zulu. There is a fair bit of tension and the fights are bloody and brutal.
The acting is nothing special though I thought Paul Giamatti was good as King John. The camera work is at times annoyingly shaky especially during the battle scenes but there is also some nice scenery in the few quieter spells.
Ironclad might fail historically but it does succeed in entertaining and that ultimately is what counts.
As for the film itself it is nothing if not entertaining. The plot is made clear and therefore unlike some historical action films you actually get to know what's going on and why. In a nutshell a small band of knights have to defend a castle against hordes of King Johns men something along the lines of Zulu. There is a fair bit of tension and the fights are bloody and brutal.
The acting is nothing special though I thought Paul Giamatti was good as King John. The camera work is at times annoyingly shaky especially during the battle scenes but there is also some nice scenery in the few quieter spells.
Ironclad might fail historically but it does succeed in entertaining and that ultimately is what counts.
Definitely shot in a Ridley Scott fashion this is an effective medieval pot-boiler with some moral vision and lots and lots of gruesome full-on combat scenes - without a doubt some of the more bone-crunching, blood squelching fights of recent memory.
Is a great movie? No. It never quite delivers on its promise, and though extremely competent it just can't quite produce that true magic that better films can. It is, however, a highly competent and interesting historical drama. I have some quibbles with costuming etc; but that kind of goes with the territory.
All in all, this is a full-on medieval siege account of the Siege of Rochester -it is well made is most respects and if medieval battles are your thing then you'll be into it.
Is a great movie? No. It never quite delivers on its promise, and though extremely competent it just can't quite produce that true magic that better films can. It is, however, a highly competent and interesting historical drama. I have some quibbles with costuming etc; but that kind of goes with the territory.
All in all, this is a full-on medieval siege account of the Siege of Rochester -it is well made is most respects and if medieval battles are your thing then you'll be into it.
This hack and slash classy English historical movie set in the year 1215, tells the mostly true story of the vile King John,played with wonderful abandon by the great actor Paul Giamatti with a perfect English accent,who for reasons to many for this review lays siege to Rochester Castle in Kent.The castle looks the real deal, but it was built for the film in the beautiful countryside of Wales.The budget was small in USA terms,£20 million, but the film looks fantastic and belies it's low budget.The main theme music by Paul Brady is beautiful.The cast is the cream of British actors, the likes of James Purefoy,Brian Cox,Derek Jacobi,Charles Dance and Jason Fleming.Mackenzie Crook and new young actor Aneurin Barnard shine in supporting roles along with female lead Kate Mara.It is a very gory movie with proper stunt work rather than reliance on CGI.Here in UK it got a 15 cert.If you like this sort of film, think a smaller version of El Cid, then your in for a treat.For reasons i don't understand this cracking good film sat on a shelf for over a year to get a release.In my view, a must see.
Ironclad is a fictionalized medieval war movie set in Britain during the second rebellion against King John, brought about by his dismissal of the Magna Carta he was forced to sign in the first rebellion against him and his attempts to punish those who forced him to sign it.
The movie is basically about a Templar and a small group of soldiers who are attempting to hold Rochester Castle, the key to southern England, against the siege of John's superior army and Danish mercenaries. Ironclad is nothing special, but it's entertaining enough. There are a few faces you'll probably recognize among the cast, like Brian Cox, Paul Giamatti, and Kate Mara. I doubt any of the actors or actresses will be up for many awards (though Giamatti, as King John, does get a memorable scene or three), but they do good enough jobs that I had no complaints.
The look of the film is reminiscent of other recent similarly set action movies, like Black Death and Centurion. Very bleak, grey, and violent. Blood splashes all over the place during the frequent battle scenes, limbs are hacked off, and gaping wounds abound. This isn't a movie for the squeamish.
As I mentioned before, Ironclad isn't a huge step forward for this kind of film, but it succeeds well enough at what it attempts to do for me to give it a positive review. See it, if you're interested.
The movie is basically about a Templar and a small group of soldiers who are attempting to hold Rochester Castle, the key to southern England, against the siege of John's superior army and Danish mercenaries. Ironclad is nothing special, but it's entertaining enough. There are a few faces you'll probably recognize among the cast, like Brian Cox, Paul Giamatti, and Kate Mara. I doubt any of the actors or actresses will be up for many awards (though Giamatti, as King John, does get a memorable scene or three), but they do good enough jobs that I had no complaints.
The look of the film is reminiscent of other recent similarly set action movies, like Black Death and Centurion. Very bleak, grey, and violent. Blood splashes all over the place during the frequent battle scenes, limbs are hacked off, and gaping wounds abound. This isn't a movie for the squeamish.
As I mentioned before, Ironclad isn't a huge step forward for this kind of film, but it succeeds well enough at what it attempts to do for me to give it a positive review. See it, if you're interested.
Ironclad is directed by Jonathan English who also wrote the story and co-adapts the screenplay with Erick Kastel and Stephen McDool. It stars James Purefoy, Brian Cox, Derek Jacobi, Kate Mara, Paul Giamatti, Jason Flemyng, Mackenzie Crook, Jamie Foreman and Vladimir Kulich. Music is scored by Lorne Balfe and cinematography by David Eggby.
1215 and having been forced to sign the Magna Carta, King John (Giamatti) enlists an army of Danish mercenaries and plots revenge against all involved. As John lays bloody waste to the South of England, a small band of rebels led by William d'Aubigny (Cox), plot to defend the Southern stronghold of Rochester Castle in the hope they can delay John long enough for the French army to arrive from the sea to depose him.
The history, as is often the case in movies of this ilk, is sketchy and exaggerated, we are in true cinematic granted licence here as Rochester Castle is defended by less then 20 men and a couple of gals (in truth there was a considerable army defending Rochester). Yet Ironclad's sheer willingness to blend historical and period notices with blood and mud is very appealing to the swords and shields genre fan. The recreation of 13th century England is most impressive, as is the adherence to the brutality of the times. Armour and swords do clank with aural sharpness, quickly followed by blood and dismemberment; the body horror is certainly not in short supply throughout the running time. The colour is deliberately muted to capture a realistic feel, and although the shaky-cam technique used for the fight scenes (is this now written in the historical epic director's 101 handbook?) will irritate many, it does aid the grit and grue atmosphere that director English goes for. In fact he has achieved much with only a modest budget.
A splendid cast has assembled for the production, all thankfully attired with thought from the costume department. Purefoy cuts a fine rugged figure of machismo, brooding for all he's worth as he battles not only the enemy, but also his own duel with his Templar faith. Cox is, no surprise, full of gusto and leadership qualities, and the likes of Flemyng (whore chaser as brave as a lion), Crook (ace archer) and Foreman (no fear thief) add considerable grungy brawn to proceedings. Charles Dance and Jacobi lend thespian support and Kulich is a towering presence as axe wielding leader of the Danes, Tiberius. Highlight, though, is Giamatti. True enough to say that as written it's a portrait of a vicious King we have seen plenty of times before, but Giamatti elevates this one to better heights with a glint in his eye and thunderous moments of anger. For his delivery of "I am God's right hand" speech this begs respect. His accent holds as well, always a bonus is that.
Where the picture falls down is with a script that contains duff passages of dialogue and the obligatory romance thread. Poor Kate Mara (stepping in when Megan Fox scampered from the production), it's a thankless role that basically asks her to turn the head of Purefoy's Templar Knight, hitch up her skirt and look wistful from time to time, while having Cox bellow out that John "is no more a King than the boil on my arse" hinders rather than aids the mood. But English and the makers get away with the missteps because it's such good rousing fun, a nifty blend of religion, politics and bloody war. The siege itself is very well orchestrated, as catapult engines bombard the castle, arrows penetrate the sky, men leap around on fire or scolded by hot oil, and there's interesting facts and tricks etched into the narrative too (burning of pigs a weapon of war?!). It may never quite reach the ambitions it sets itself, but in an era when swords and shields movies are in short supply, it's an entertaining and bloody romp for sure. 7.5/10
1215 and having been forced to sign the Magna Carta, King John (Giamatti) enlists an army of Danish mercenaries and plots revenge against all involved. As John lays bloody waste to the South of England, a small band of rebels led by William d'Aubigny (Cox), plot to defend the Southern stronghold of Rochester Castle in the hope they can delay John long enough for the French army to arrive from the sea to depose him.
The history, as is often the case in movies of this ilk, is sketchy and exaggerated, we are in true cinematic granted licence here as Rochester Castle is defended by less then 20 men and a couple of gals (in truth there was a considerable army defending Rochester). Yet Ironclad's sheer willingness to blend historical and period notices with blood and mud is very appealing to the swords and shields genre fan. The recreation of 13th century England is most impressive, as is the adherence to the brutality of the times. Armour and swords do clank with aural sharpness, quickly followed by blood and dismemberment; the body horror is certainly not in short supply throughout the running time. The colour is deliberately muted to capture a realistic feel, and although the shaky-cam technique used for the fight scenes (is this now written in the historical epic director's 101 handbook?) will irritate many, it does aid the grit and grue atmosphere that director English goes for. In fact he has achieved much with only a modest budget.
A splendid cast has assembled for the production, all thankfully attired with thought from the costume department. Purefoy cuts a fine rugged figure of machismo, brooding for all he's worth as he battles not only the enemy, but also his own duel with his Templar faith. Cox is, no surprise, full of gusto and leadership qualities, and the likes of Flemyng (whore chaser as brave as a lion), Crook (ace archer) and Foreman (no fear thief) add considerable grungy brawn to proceedings. Charles Dance and Jacobi lend thespian support and Kulich is a towering presence as axe wielding leader of the Danes, Tiberius. Highlight, though, is Giamatti. True enough to say that as written it's a portrait of a vicious King we have seen plenty of times before, but Giamatti elevates this one to better heights with a glint in his eye and thunderous moments of anger. For his delivery of "I am God's right hand" speech this begs respect. His accent holds as well, always a bonus is that.
Where the picture falls down is with a script that contains duff passages of dialogue and the obligatory romance thread. Poor Kate Mara (stepping in when Megan Fox scampered from the production), it's a thankless role that basically asks her to turn the head of Purefoy's Templar Knight, hitch up her skirt and look wistful from time to time, while having Cox bellow out that John "is no more a King than the boil on my arse" hinders rather than aids the mood. But English and the makers get away with the missteps because it's such good rousing fun, a nifty blend of religion, politics and bloody war. The siege itself is very well orchestrated, as catapult engines bombard the castle, arrows penetrate the sky, men leap around on fire or scolded by hot oil, and there's interesting facts and tricks etched into the narrative too (burning of pigs a weapon of war?!). It may never quite reach the ambitions it sets itself, but in an era when swords and shields movies are in short supply, it's an entertaining and bloody romp for sure. 7.5/10
क्या आपको पता है
- ट्रिवियाAccording to Writer and Director Jonathan English, the bloody hackings of arms and legs were not done with CGI, but with old-fashioned prosthetics.
- गूफ़In 1215, Rochester was already a sizable city. When Rochester castle is seen in the film, there is no sign of the dwellings that would have comprised the city, nor of the cathedral, which is a massive building, situated about one hundred yards from the castle. The cathedral was looted by King John's forces, during the siege.
- क्रेज़ी क्रेडिटAs the last end credits roll, there is the following language: No animals were harmed in the filming of this picture. "Especially Newts. "
- कनेक्शनFeatured in Breakfast: 25 फ़रवरी 2011 को प्रसारित एपिसोड (2011)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Ironclad?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Templario
- फ़िल्माने की जगहें
- Tree Tower Manor, वेल्स, यूनाइटेड किंगडम(Archbishop's residence)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- दुनिया भर में सकल
- $51,51,023
- चलने की अवधि2 घंटे 1 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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