होने वाले पिता पीटर हाईमैन को समय पर अपने बच्चे के जन्म के लिए सड़क यात्रा पर महत्वाकांक्षी अभिनेता एथन ट्रेम्बले के साथ सवारी करने के लिए मजबूर होना पड़ता है।होने वाले पिता पीटर हाईमैन को समय पर अपने बच्चे के जन्म के लिए सड़क यात्रा पर महत्वाकांक्षी अभिनेता एथन ट्रेम्बले के साथ सवारी करने के लिए मजबूर होना पड़ता है।होने वाले पिता पीटर हाईमैन को समय पर अपने बच्चे के जन्म के लिए सड़क यात्रा पर महत्वाकांक्षी अभिनेता एथन ट्रेम्बले के साथ सवारी करने के लिए मजबूर होना पड़ता है।
- पुरस्कार
- 7 कुल नामांकन
Sharon Conley
- Airport X-Ray
- (as a different name)
फ़ीचर्ड समीक्षाएं
I think that Due Date operates under the main premise that the viewer has never heard of Planes, Trains, and Automobiles, for if they had, they'd be wondering why they were watching the same movie with all the jokes stripped out. Due Date is, in total, neither a terrible nor an offensive film. Its problem is that it's a little too bitter, thus eliminating with surgical precision any empathy we might have for its two protagonists. It's a road trip with an obvious end in sight and somewhat unpredictable wacky hijinks in between. You could do worse, but you could do much better.
Peter Highman (Robert Downey, Jr.) is an architect who's attempting to fly out of Atlanta back home to Los Angeles to be with his wife Michelle Monaghan, who's about to give birth. But thanks to a bag mixup with a fellow traveler named Ethan Trembley (Zach Galifianakis), Peter finds himself stranded in Atlanta, placed on the national No Fly list (minor misunderstanding, of course). Ethan offers him a cross-country ride in his rental, and off we go.
The movie uses the trope of mismatched people enduring a common experience. Peter is uptight, dithering endlessly about what to name his newborn. Ethan is, well, flighty. In fact, Galifianakis seems to be playing the same character he played in the two Hangover films: childlike, maybe psychopathic and/or sociopathic, not all there. He's wildly misinformed about such things as the Grand Canyon and the Hoover Dam, but he is heading west to try to make it as an actor in Hollywood. Oh, and did I mention he's carrying the ashes of his deceased father in a coffee can to dispose of along the way? Well, there's that, too.
You and I both know that there's no way Peter and Ethan will make it from Georgia to California without any problems. But Peter has no choice - his wallet was confiscated at the airport, and his bags are on their way to LA. He has no cash and no ID. It could happen to anyone. So he's essentially at Ethan's mercy. Along the way, we learn much about the characters and what makes them tick, but whereas the earlier Planes, Trains got melancholy without getting maudlin, this one achieves no such feat.
Downey, Jr. and Galifianakis give it their best shot, and to tell the truth they're not bad. They make an okay team; it's just that it's a teaming we've seen before, and much better. Steve Martin and John Candy got into their share of situations that would never happen to a normal person, but they also ran into problems with which we could all relate; here, it's more of the former than the latter. It's as if the movie keeps daring itself to get weirder and weirder.
The final, near-fatal flaw of the movie is that it really doesn't give you anyone to root for - except of course at the end. It's a comedy, after all. But these guys do some rather nasty things to each other, and not in the oh-no-he-didn't sort of way, either; rather, in the scowling, almost hateful way. It's a little disconcerting at times. But the actors do their best, as I said, and you could do worse.
Peter Highman (Robert Downey, Jr.) is an architect who's attempting to fly out of Atlanta back home to Los Angeles to be with his wife Michelle Monaghan, who's about to give birth. But thanks to a bag mixup with a fellow traveler named Ethan Trembley (Zach Galifianakis), Peter finds himself stranded in Atlanta, placed on the national No Fly list (minor misunderstanding, of course). Ethan offers him a cross-country ride in his rental, and off we go.
The movie uses the trope of mismatched people enduring a common experience. Peter is uptight, dithering endlessly about what to name his newborn. Ethan is, well, flighty. In fact, Galifianakis seems to be playing the same character he played in the two Hangover films: childlike, maybe psychopathic and/or sociopathic, not all there. He's wildly misinformed about such things as the Grand Canyon and the Hoover Dam, but he is heading west to try to make it as an actor in Hollywood. Oh, and did I mention he's carrying the ashes of his deceased father in a coffee can to dispose of along the way? Well, there's that, too.
You and I both know that there's no way Peter and Ethan will make it from Georgia to California without any problems. But Peter has no choice - his wallet was confiscated at the airport, and his bags are on their way to LA. He has no cash and no ID. It could happen to anyone. So he's essentially at Ethan's mercy. Along the way, we learn much about the characters and what makes them tick, but whereas the earlier Planes, Trains got melancholy without getting maudlin, this one achieves no such feat.
Downey, Jr. and Galifianakis give it their best shot, and to tell the truth they're not bad. They make an okay team; it's just that it's a teaming we've seen before, and much better. Steve Martin and John Candy got into their share of situations that would never happen to a normal person, but they also ran into problems with which we could all relate; here, it's more of the former than the latter. It's as if the movie keeps daring itself to get weirder and weirder.
The final, near-fatal flaw of the movie is that it really doesn't give you anyone to root for - except of course at the end. It's a comedy, after all. But these guys do some rather nasty things to each other, and not in the oh-no-he-didn't sort of way, either; rather, in the scowling, almost hateful way. It's a little disconcerting at times. But the actors do their best, as I said, and you could do worse.
Due Date takes a while to really find it's footing and it's humour but once it does it offers a really good comedy with enough great laughs and memorable set pieces in director and co-writer Todd Philips' classically mean spirited style as well as surprising emotional heft.
Robert Downey Jr. Gives a great lead performance, successfully leaning into a different kind of comedy. Zach Galifianakis plays squarely to his strengths with a character that is almost identical to his iconic Hangover character, for better and for worse.
Todd Philips' direction is really good, the film looks nice overall with some surprising scale and relatively epic set pieces. The soundtrack is another memorable part, a solid selection fo songs that definitely make the adventure more enjoyable.
Robert Downey Jr. Gives a great lead performance, successfully leaning into a different kind of comedy. Zach Galifianakis plays squarely to his strengths with a character that is almost identical to his iconic Hangover character, for better and for worse.
Todd Philips' direction is really good, the film looks nice overall with some surprising scale and relatively epic set pieces. The soundtrack is another memorable part, a solid selection fo songs that definitely make the adventure more enjoyable.
Decent watch, probably won't watch again, and can't whole-heartedly recommend.
This is an interesting movie to look at critically. The writing, mostly in the character work, feels weak. It actually has an interesting plot, for the most part: an idiot, through deceit, drags a jerk with him on a cross country road trip. It's a decent story, and I'd like to think of it as an spiritual predecessor to "The Hangover". The problem I have with it is that it feels like if there were better actors, then the characters would sell better. Then I remember it was Robert Downey Jr and Zach Galifinakas, and I'm not sure how much "better" you can get for these characters, meaning that they've probably already elevated the characters somewhat.
It feels like a lot of the movie is unnecessary, like antithetical Chekov's guns. Either it's for a tiny one time joke with little payoff, or it's part of a lot of work for situational comedy.
An example would be the dog, it really only has one significant joke in the entire movie (maybe 2), otherwise it's just a lot of maintenance.
The coffee can on the other hand is repetitively used to throughout the movie as it's part of the character themes.
I'm not saying it's not funny, if you like "Anger Management", then you might like this one, but I just think there are a lot better movies out there to watch.
This is an interesting movie to look at critically. The writing, mostly in the character work, feels weak. It actually has an interesting plot, for the most part: an idiot, through deceit, drags a jerk with him on a cross country road trip. It's a decent story, and I'd like to think of it as an spiritual predecessor to "The Hangover". The problem I have with it is that it feels like if there were better actors, then the characters would sell better. Then I remember it was Robert Downey Jr and Zach Galifinakas, and I'm not sure how much "better" you can get for these characters, meaning that they've probably already elevated the characters somewhat.
It feels like a lot of the movie is unnecessary, like antithetical Chekov's guns. Either it's for a tiny one time joke with little payoff, or it's part of a lot of work for situational comedy.
An example would be the dog, it really only has one significant joke in the entire movie (maybe 2), otherwise it's just a lot of maintenance.
The coffee can on the other hand is repetitively used to throughout the movie as it's part of the character themes.
I'm not saying it's not funny, if you like "Anger Management", then you might like this one, but I just think there are a lot better movies out there to watch.
The critics are being pretty harsh on this film, and yet they give high praise to such films like Role Models and Get Him to the Greek, so go figure. But I had a lot fun with Due Date, It was a fun slapstick misadventure, almost what we loved about The Hangover, so it is clear to say I don't agree with the critics on this one.
Peter(Robert Downey Jr) an architect looking to get home to his pregnant wife(Michelle Monaghan) who is expecting in a week. And when he gets on a plane, he quickly gets kicked off, when he gets into an unfortunate incident with Ethan(Zach Galifianakis) a pot smoking moron, and wanna be actor, who is obsessed with the show Two and a Half Men. When Peter is looking for new ways to get home. Ethan has a car and offers to drive him. Although it is against Peters better judgment, but feeling there is no other way, he goes with him. Will Peter make it on time for his child's birth, or will Ethan drive him nuts during this?
A lot of people said this is a Plane,Trains and Automobiles ripoff, but you know what who cares. This was a funny laugh out loud film. Downey and Galifianakis have funny chemistry, they just play off each other perfectly. Like The Hangover it is one entertaining misadventure, I say don't listen to the critics, see this movie and form your own opinion.
Peter(Robert Downey Jr) an architect looking to get home to his pregnant wife(Michelle Monaghan) who is expecting in a week. And when he gets on a plane, he quickly gets kicked off, when he gets into an unfortunate incident with Ethan(Zach Galifianakis) a pot smoking moron, and wanna be actor, who is obsessed with the show Two and a Half Men. When Peter is looking for new ways to get home. Ethan has a car and offers to drive him. Although it is against Peters better judgment, but feeling there is no other way, he goes with him. Will Peter make it on time for his child's birth, or will Ethan drive him nuts during this?
A lot of people said this is a Plane,Trains and Automobiles ripoff, but you know what who cares. This was a funny laugh out loud film. Downey and Galifianakis have funny chemistry, they just play off each other perfectly. Like The Hangover it is one entertaining misadventure, I say don't listen to the critics, see this movie and form your own opinion.
Saw it today at an advance screening in CU.
On one hand is a businessman, Peter Highman, who's trying to take a flight to LA to meet his wife who is about to have their child. On other hand is an aspiring actor, Ethan Tremblay, trying to make it big in Hollywood. They meet at the Atlanta airport and the adventure begins.
Having being denied boarding the flight, the reason for which I won't spoil here, they are forced to take a road trip to LA. Plus there's a dog with Ethan. Peter's already regretting the decision but has no choice. The next couple of days are full of surprises neither of them is ready for.
Feeling completely out of place, Peter is harassed by endless questions and embarrassed by outrageously hilarious behavior. He has no idea he will end up from a businessman in Atlanta to a guy with ripped clothes, a broken arm, a gunshot wound with handcuffs two days later.
There's never a dull moment in this movie, even though it has a few serious moments. It brings a refreshing feel to the movies this year and will make you laugh as much as, if not more than The Hangover. RDJ as always, is brilliant with the role of the utterly frustrated businessman who would kill Ethan if it was legal to do so. Zach is, well, perfect as the plump wannabe actor who says and does inappropriate things at the most inappropriate times. Get ready for another hilarious adventure from Todd Phillips! Oh and check yourself before you wreck yourself with laughter!
On one hand is a businessman, Peter Highman, who's trying to take a flight to LA to meet his wife who is about to have their child. On other hand is an aspiring actor, Ethan Tremblay, trying to make it big in Hollywood. They meet at the Atlanta airport and the adventure begins.
Having being denied boarding the flight, the reason for which I won't spoil here, they are forced to take a road trip to LA. Plus there's a dog with Ethan. Peter's already regretting the decision but has no choice. The next couple of days are full of surprises neither of them is ready for.
Feeling completely out of place, Peter is harassed by endless questions and embarrassed by outrageously hilarious behavior. He has no idea he will end up from a businessman in Atlanta to a guy with ripped clothes, a broken arm, a gunshot wound with handcuffs two days later.
There's never a dull moment in this movie, even though it has a few serious moments. It brings a refreshing feel to the movies this year and will make you laugh as much as, if not more than The Hangover. RDJ as always, is brilliant with the role of the utterly frustrated businessman who would kill Ethan if it was legal to do so. Zach is, well, perfect as the plump wannabe actor who says and does inappropriate things at the most inappropriate times. Get ready for another hilarious adventure from Todd Phillips! Oh and check yourself before you wreck yourself with laughter!
क्या आपको पता है
- ट्रिवियाAlan Arkin filmed scenes as Peter's (Robert Downey, Jr.'s) long lost father, but they did not make the final cut of the film.
- गूफ़The Mexican police would never have followed them across the border into the United States since it is out of their jurisdiction.
- भाव
Ethan Tremblay: [from trailer]
[talking to a can full of his dad's ashes]
Ethan Tremblay: Dad... You were like a father to me.
- कनेक्शनFeatured in The Rotten Tomatoes Show: Salt/Ramona and Beezus/Summer Doc Round-Up (2010)
- साउंडट्रैकHold On I'm Comin'
Written by Isaac Hayes and David Porter
Performed by Sam & Dave
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Due Date?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Todo un parto
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $10,05,39,043
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,26,89,406
- 7 नव॰ 2010
- दुनिया भर में सकल
- $21,17,80,824
- चलने की अवधि
- 1 घं 35 मि(95 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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