अपनी भाषा में प्लॉट जोड़ेंNew versions of Alan Bennett's much-loved monologues, with some of the best known British performers of their time.New versions of Alan Bennett's much-loved monologues, with some of the best known British performers of their time.New versions of Alan Bennett's much-loved monologues, with some of the best known British performers of their time.
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I seem to remember I was uninterested in this revamp of Talking Heads when broadcast, thinking why try to improve on perfection. Then I recently learned there was a new monologue included with Sarah Lancashire, who I revere, talking of an incestuous love for her son; a close friend had that experience so I was very interested and acquired the set. It is a very quiet piece, tragic and moving. Of course I then felt it would be silly not to listen to the rest and it was, as I expected, a deeply disappointing experience. Not that the cast is not a stellar collection of current british acting talent, but just that I am far too fond of the originals. They travel through life with me on my ipod of the moment, Routledge, Hird, Wilton, Bennett, Cole, Atkins - Ive listened a hundred times and they really don't stale and though I know what's coming, I travel on. Mostly with these modern iterations I either started or took a slice from the middle, and I confess there wasn't a single one I listened to in its entirety. Except The Shrine, which is new and nicely done. While I can't say along with one amazon reviewer 'the original was the best' I have to say I do think it may be the case, but one is partial. For those reviewers who say they haven't seen the originals, they are available for a song on ebay. Whatever, the writing remains subtle, surprising, and layered, the common theme being, as Bennett said, 'people in situations to which they are not entirely privy.' But that's all of us, no?
Not having seen the original Talking Heads that debuted over 30 years ago, I was keen to watch this special pandemic rendition of Talking Heads which revived 10 of the episodes from series 1 and 2. Alan Bennett wrote 2 new ones pre-pandemic. The tone is subtle yet searing at times. Some episodes work better than others, but still worth watching.
Hopefully it won't take another pandemic for Alan to bring back Talking Heads for another series. I'd like to see Danny Dyer, any of the Harry Potter stars, any of the Spice Girls, Ant or Dec make an appearance in a new series.
Hopefully it won't take another pandemic for Alan to bring back Talking Heads for another series. I'd like to see Danny Dyer, any of the Harry Potter stars, any of the Spice Girls, Ant or Dec make an appearance in a new series.
A series of no-brainers led to the belated rebirth of Alan Bennett's seminal TV monologues series "Talking Heads" in the era of the pandemic. After a quick whip-round and you get some of the finest British actors of the modern era and reduced production crews almost doing a "greatest hits" run through on the hauntingly empty sets of Eastenders.
So - not much new here materialwise and mainly of interest for a series of powerful performances - only some cod northern accents spoil the fun but no one is below excellent and I was particularly moved by both Jodie Comer and Tamsin Greig. The best is still undoubtedly the evergreen Lady of Letters performed by the superlative Imelda Staunton. Of the two "new" ones written in 2019, An Ordinary Woman is rather too disturbingly incestuous to even be engaging and The Shrine is unexpectedly touching and majestically done by Monica Dolan. They hardly feel out of step with the originals, either way.
In British culture the Alan Bennett monologue is a well-trodden presentation - and the sparse magnetism and sharp writing is dulled somewhat by how chokingly regimented the single-person narratives have to be. The very slow zoom. The sitting down and fondling a teacup. Those constant fades to black. It's difficult to make it seem or feel dynamic and in the era of experimental TV anthologies like Inside No. 9 or Room 104 settling in for half an hour of stiff theater can be rather tedious.
However - given the times we are in, no-brainer or not, it does feels very apt and in these loooong barely edited performances you do get to really appreciate just how skilled these actors are, it's just a shame the majority aren't the first ones to read it.
So - not much new here materialwise and mainly of interest for a series of powerful performances - only some cod northern accents spoil the fun but no one is below excellent and I was particularly moved by both Jodie Comer and Tamsin Greig. The best is still undoubtedly the evergreen Lady of Letters performed by the superlative Imelda Staunton. Of the two "new" ones written in 2019, An Ordinary Woman is rather too disturbingly incestuous to even be engaging and The Shrine is unexpectedly touching and majestically done by Monica Dolan. They hardly feel out of step with the originals, either way.
In British culture the Alan Bennett monologue is a well-trodden presentation - and the sparse magnetism and sharp writing is dulled somewhat by how chokingly regimented the single-person narratives have to be. The very slow zoom. The sitting down and fondling a teacup. Those constant fades to black. It's difficult to make it seem or feel dynamic and in the era of experimental TV anthologies like Inside No. 9 or Room 104 settling in for half an hour of stiff theater can be rather tedious.
However - given the times we are in, no-brainer or not, it does feels very apt and in these loooong barely edited performances you do get to really appreciate just how skilled these actors are, it's just a shame the majority aren't the first ones to read it.
Enjoyed a few of these, but they were a little too long and a little dated.
For Example, Jodie Comer (Episode 4) performed superbly, but her talking about "Crossroads" on the tv when she clearly wouldn't have been born, could have been updated to Corrie or Eastenders.
Excellent all the same, except for Jodie's Accent changes, which were All Over the
Place!
I've loved it ! My particular favorite is Martin Freeman in A Chip in the Sugar. Such an amazing performance !
क्या आपको पता है
- ट्रिविया"Talking Heads" was filmed on the "EastEnders (1985)" set, including the pub kitchen, during their hiatus of filming due to the COVID-19 quarantine. Martin Freeman said, "I was in Dot Cotton's bedroom, so that's one thing ticked off the bucket list".
- कनेक्शनRemake of Talking Heads (1988)
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टॉप गैप
By what name was Alan Bennett's Talking Heads (2020) officially released in India in English?
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