एक 17 वर्षीय लड़की अपने परिवार के साथ एक आकर्षक रिसॉर्ट शहर में स्थानांतरित होती है, लेकिन वहां की आमंत्रक आवरण के नीचे विचित्र रहस्य छिपे होते हैं.एक 17 वर्षीय लड़की अपने परिवार के साथ एक आकर्षक रिसॉर्ट शहर में स्थानांतरित होती है, लेकिन वहां की आमंत्रक आवरण के नीचे विचित्र रहस्य छिपे होते हैं.एक 17 वर्षीय लड़की अपने परिवार के साथ एक आकर्षक रिसॉर्ट शहर में स्थानांतरित होती है, लेकिन वहां की आमंत्रक आवरण के नीचे विचित्र रहस्य छिपे होते हैं.
- पुरस्कार
- 3 जीत और कुल 14 नामांकन
Marton Csokas
- Luis
- (as Marton Csókás)
Astrid Bergès-Frisbey
- Ed
- (as Àstrid Bergès-Frisbey)
फ़ीचर्ड समीक्षाएं
I went to the "Secret Screaming" screening of "Cuckoo" last night, though I was pretty confident, based on the fact it's already out in the US, that this would be the film that Cineworld were going to show. My feelings about the film remain mixed, even having taken a night to ruminate on it.
Following the death of her mother, Gretchen (Hunter Schafer) moves with her father Luis (Marton Csokas), Stepmother Beth (Jessica Henwick) and Stepsister Alma (Mila Lieu) to a cabin resort in the German Alps. The family are there to design an expansion to the complex, at the request of Herr Konig (Dan Stevens), the owner of the resort. Konig offers Gretchen a job working at the hotel's reception, but on the strict understanding that she must not work the late shift, and definitely won't cycle home through the woods at night.
Just because it's an easier place to start, I will say that I don't think I found "Cuckoo" particularly scary. There's an excellently framed set piece near the start of the film - that was unfortunately mostly featured in the trailer, and a couple of body horror moments that work, but it's really more of a thriller than a genuine horror film.
I will say that I imagine that a fair proportion of people will be shaken off by the film. It's not particularly accessible, being wilfully stylish and trippy and taking a while to get to its explanations - though if you stick with it, they are coming. Dan Stevens, always amazing, is back again (for this, my third film of his this year) and he's having a great time as the eccentric Herr Konig. Schafer (also, ironically in a third film of the year for me) carries the movie though, she's in every scene and manages to keep you onside despite her character doing some questionable things. She has some more dramatic scenes as the film progresses and her emotional (and physical) suffering is well done.
I suppose the best I can do is say that I don't regret watching "Cuckoo", which has enough scenes and moments to make up for the slightly unsatisfying whole. I'll never need to watch it again though.
Following the death of her mother, Gretchen (Hunter Schafer) moves with her father Luis (Marton Csokas), Stepmother Beth (Jessica Henwick) and Stepsister Alma (Mila Lieu) to a cabin resort in the German Alps. The family are there to design an expansion to the complex, at the request of Herr Konig (Dan Stevens), the owner of the resort. Konig offers Gretchen a job working at the hotel's reception, but on the strict understanding that she must not work the late shift, and definitely won't cycle home through the woods at night.
Just because it's an easier place to start, I will say that I don't think I found "Cuckoo" particularly scary. There's an excellently framed set piece near the start of the film - that was unfortunately mostly featured in the trailer, and a couple of body horror moments that work, but it's really more of a thriller than a genuine horror film.
I will say that I imagine that a fair proportion of people will be shaken off by the film. It's not particularly accessible, being wilfully stylish and trippy and taking a while to get to its explanations - though if you stick with it, they are coming. Dan Stevens, always amazing, is back again (for this, my third film of his this year) and he's having a great time as the eccentric Herr Konig. Schafer (also, ironically in a third film of the year for me) carries the movie though, she's in every scene and manages to keep you onside despite her character doing some questionable things. She has some more dramatic scenes as the film progresses and her emotional (and physical) suffering is well done.
I suppose the best I can do is say that I don't regret watching "Cuckoo", which has enough scenes and moments to make up for the slightly unsatisfying whole. I'll never need to watch it again though.
I had high hopes for this movie. It starts off pretty well, slow paced, setting the isolated stage in a good way, odd characters and an eerie setting. I liked it. Then it started getting creepier and creepier and it felt like I was in for something good and different, and I was. Just not consistently the way I hoped for as it only lasted up to a certain point, and then it dropped the ball. Suddenly it felt like the movie didn't know what it wanted to be, as it went in different moods and directions.
It did try to get back on the creepy track here and there, but it was not enough. The illusion of a really creepy and eerie setting was over, and the rest was a rather bland mix of pointless motions which had me simply waiting for the end of the movie so I could go and do something else. It's a shame, I wanted it to keep on the way it initially did. That would have set it apart from other horror movies, but alas no, it wasn't meant to be. It just had to try to add some action into the mix, and not in a good way. The whole premise was explained and I lost interest in it.
One of the rules when making creepy and unsettling stories; do not explain! Do not! That ruins everything. I don't want to know what the monster or horror is, I want my mind to try to fill in the blanks. I don't want it explained to me. I can take the fact that I don't know what I just saw is, that makes the effect that much greater. The thing about not knowing what the evil really is, not knowing where it came from, that's a great part of the horror it represents. The fear of the unknown is as old as all living things and should not be ruined when making these movies. Once you explain it, it's over. How copywriters and directors misses this point again and again in movie after movie is completely beyond me. If you can avoid it, don't show the monster, but if you do, make sure it gets maximum effect and not for shock value. Ever since Alien there's not a monster in any movie that tops that one, so don't go over the top trying to beat it, because you won't succeed. In this one the monster worked, it was creepy as hell, even though we got to see it so it was well done in this circumstance, until they explained it. Do not ever explain the monster!
Just like the movie Smile, which also showed a great initial promise, this movie simply faded away into just another horror movie that explains a really good and mysterious premise and then ruins it because of it, that couldn't keep itself together, and so became just another easily forgotten movie. It is indeed a real shame as it showed such promise from start.
Perhaps the director will learn from his mistakes and do better next time.
It did try to get back on the creepy track here and there, but it was not enough. The illusion of a really creepy and eerie setting was over, and the rest was a rather bland mix of pointless motions which had me simply waiting for the end of the movie so I could go and do something else. It's a shame, I wanted it to keep on the way it initially did. That would have set it apart from other horror movies, but alas no, it wasn't meant to be. It just had to try to add some action into the mix, and not in a good way. The whole premise was explained and I lost interest in it.
One of the rules when making creepy and unsettling stories; do not explain! Do not! That ruins everything. I don't want to know what the monster or horror is, I want my mind to try to fill in the blanks. I don't want it explained to me. I can take the fact that I don't know what I just saw is, that makes the effect that much greater. The thing about not knowing what the evil really is, not knowing where it came from, that's a great part of the horror it represents. The fear of the unknown is as old as all living things and should not be ruined when making these movies. Once you explain it, it's over. How copywriters and directors misses this point again and again in movie after movie is completely beyond me. If you can avoid it, don't show the monster, but if you do, make sure it gets maximum effect and not for shock value. Ever since Alien there's not a monster in any movie that tops that one, so don't go over the top trying to beat it, because you won't succeed. In this one the monster worked, it was creepy as hell, even though we got to see it so it was well done in this circumstance, until they explained it. Do not ever explain the monster!
Just like the movie Smile, which also showed a great initial promise, this movie simply faded away into just another horror movie that explains a really good and mysterious premise and then ruins it because of it, that couldn't keep itself together, and so became just another easily forgotten movie. It is indeed a real shame as it showed such promise from start.
Perhaps the director will learn from his mistakes and do better next time.
While its narrative and style feels incoherent, the interesting atmosphere, beautiful camera work, and bizarre stylistic choices does offer some genuine fun moments.
Tilman Singer's direction on the camerawork, atmosphere, and style does offer some fun in-sights with its narrative, concept, and the characters in the setting and environment. Including great sound designs and great performances from Hunter Schafer & Dan Stevens. Schafer's energy and Stevens chaotic devilish personality within his character was entertaining to observe. Including some solid dialogue moments.
The writing and concepts are interesting but unfortunately loses focus within itself and feels way too silly. There are clear tones that it's being approached as a B-movie or giallo horror approach but the movie does take itself a bit too seriously at times which makes it not understand what it wants to be at times. Including dull characters and pacing problems.
Nevertheless, it's still a decent German horror flick with some great moments but I wish it did feel more coherent.
Tilman Singer's direction on the camerawork, atmosphere, and style does offer some fun in-sights with its narrative, concept, and the characters in the setting and environment. Including great sound designs and great performances from Hunter Schafer & Dan Stevens. Schafer's energy and Stevens chaotic devilish personality within his character was entertaining to observe. Including some solid dialogue moments.
The writing and concepts are interesting but unfortunately loses focus within itself and feels way too silly. There are clear tones that it's being approached as a B-movie or giallo horror approach but the movie does take itself a bit too seriously at times which makes it not understand what it wants to be at times. Including dull characters and pacing problems.
Nevertheless, it's still a decent German horror flick with some great moments but I wish it did feel more coherent.
My wife and I watched the German film 🇩🇪 Cuckoo (2024) in theaters last night. The story follows a young American woman who is forced to move in with her father, stepmother, and stepsister at a resort in the mountains of Germany. As she struggles to find her place in this new environment, she takes a job at the resort to pass the time while searching for her own direction. However, her new life takes a dark turn when a strange police officer starts lurking around the premises, and a mysterious woman tries to kill her at night. Her parents think she's losing her mind-but is she?
Written and directed by Tilman Singer (Luz), Cuckoo stars Hunter Schafer (Euphoria), Dan Stevens (The Guest), Márton Csókás (The Amazing Spider-Man 2), Jan Bluthardt (Luz), Jessica Henwick (Glass Onion), and Greta Fernández (The Next Skin).
This movie had so much potential. The concept is original, unique, and well set up. Hunter Schafer is a phenomenal actress (she's fantastic in Euphoria as well). She delivers a perfect performance, capturing the desperation and isolation of her character from beginning to end. The subplots involving the mother and stepsister are smartly executed, and the type of "monster" that haunts this film is both fun and unique. The twist and reveal of the "cuckoo" element are brilliant and well-written, much smarter than I anticipated. However, when it comes to the "big finale," the film becomes predictable and ultimately disappointing. The ending falls flat and feels like a bit of a letdown.
In conclusion, Cuckoo is a unique and worthwhile addition to the horror genre, but it doesn't fully reach its potential. I would score this film a 7/10.
Written and directed by Tilman Singer (Luz), Cuckoo stars Hunter Schafer (Euphoria), Dan Stevens (The Guest), Márton Csókás (The Amazing Spider-Man 2), Jan Bluthardt (Luz), Jessica Henwick (Glass Onion), and Greta Fernández (The Next Skin).
This movie had so much potential. The concept is original, unique, and well set up. Hunter Schafer is a phenomenal actress (she's fantastic in Euphoria as well). She delivers a perfect performance, capturing the desperation and isolation of her character from beginning to end. The subplots involving the mother and stepsister are smartly executed, and the type of "monster" that haunts this film is both fun and unique. The twist and reveal of the "cuckoo" element are brilliant and well-written, much smarter than I anticipated. However, when it comes to the "big finale," the film becomes predictable and ultimately disappointing. The ending falls flat and feels like a bit of a letdown.
In conclusion, Cuckoo is a unique and worthwhile addition to the horror genre, but it doesn't fully reach its potential. I would score this film a 7/10.
Few nice ideas are falling apart with really bad scenario at the end. The movie wants to be a horror, but at the end it becomes kinda bad and silly action movie. With a bad acting, non logic actions and hilarious staging.
I really live the ideas of creatures. Instead of fierys from debut picture of "Watchers", "Cuckoo" really has something new to offer.
And it evolving really good until 75% of the movie when everything starts to fall apart. Seems like screen writer did not know what to do with all of the beautiful concept he made.
Never let the movie break into different genres when you don't know what to do Mr. Screenwriter.
I really live the ideas of creatures. Instead of fierys from debut picture of "Watchers", "Cuckoo" really has something new to offer.
And it evolving really good until 75% of the movie when everything starts to fall apart. Seems like screen writer did not know what to do with all of the beautiful concept he made.
Never let the movie break into different genres when you don't know what to do Mr. Screenwriter.
क्या आपको पता है
- ट्रिवियाThere was a brief misconception online that the movie was to be released in four different parts after Neon released four characters posters titled "Part 1, Part 2, Part 3, and Part 4."
- गूफ़Dr. Herr König tells Gretchen that there are "English schools across the border in Italy". This is incorrect, Italy is not across the German border from Bavaria, as the country Austria is in between.
- साउंडट्रैकString Quartet No. 1 in F Major, Op. 18/1 II. Adagio affettuoso ed appassionato
Written by Ludwig van Beethoven
Performed by Vlach Quartet
Published by Sonoton Music, Munich, Germany
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Cuckoo?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Зозуля
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $70,00,000(अनुमानित)
- US और कनाडा में सकल
- $62,17,733
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $30,30,437
- 11 अग॰ 2024
- दुनिया भर में सकल
- $65,59,163
- चलने की अवधि
- 1 घं 42 मि(102 min)
- रंग
- पक्ष अनुपात
- 2.39 : 1
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