Greenberg

Just as he's turning forty, Roger Greenberg (Ben Stiller) finds himself with no real friends, no significant other, and no actual purpose in life. He's also just been released from a mental institution, so you can well imagine that his neuroses are going to be pretty much off the chart as well. A carpenter and former musician who regularly resides in New York City, Greenberg is currently house-sitting at the Hollywood Hills home of his wealthy and successful brother, Phillip (Chris Messina), while the latter is away on business in Vietnam with his family. While he's staying there, Greenberg meets Florence (Greta Gerwig), a sweet but rather unfocused woman almost half his age, who works as a personal assistant – i.e. dog walker, babysitter and all-around gopher - to Phillip and his family.

Greenberg's mental issues manifest themselves through various phobias and idiosyncrasies, all of which lead us to the conclusion that he is generally just afraid of life, of taking a risk when doing so could possibly lead to failure. To that end, he avoids large groups of people, writes endless letters of complaints to companies he feels have somehow screwed him over, overreacts to other people's words and actions, and makes a general antisocial and sociopathic pain-in-the-ass of himself. And to no one is he more psychologically abusive than to Florence, a girl with her own share of vulnerabilities, who in his own crazy way he is obviously trying to impress but who he just keeps pushing away with his eccentric behavior.

It's hard to really get much of a bead on either Greenberg or Florence, and that is both the greatest strength and the greatest weakness of the screenplay by Jennifer Jason Leigh and Noah Baumbach, who also directed the film. On the one hand, one appreciates the complexity of the characters, their refusal to allow themselves to be pigeon-holed into one neatly delineated box or other. On the other, the coolly objective stance the script takes creates a barrier between us and the characters, the result being that we find it hard to identify or empathize much with them, especially Greenberg, who finally becomes as off-putting to us as he is to those he comes in contact with throughout the course of the picture. In drama, there's a fine line between a character who is intriguingly different and one who is just annoyingly self-indulgent, and "Greenberg" crosses over that line with dismaying regularity.

Still, the performances are excellent – this is probably Stiller's best dramatic work to date – and the inconclusive ending is impressively brave enough to erase a multitude of earlier sins.

I was under the impression that this would be another wacky Ben Stiller comedy. When I started watching it and learned that Noah Baumbach (who had previously made the excellent 'Margot at the Wedding') was the director, I knew this was going to be a different kind of movie that would probably reveal a different side of Ben Stiller's acting. Many have described this to be for Stiller what 'Punch Drunk Love' was for Adam Sandler and 'Stranger Than Fiction' was for Will Ferrell.

Baumbach's 'Greenberg' is a character driven piece that centres on Roger Greenberg (Ben Stiller), who recently left a mental asylum and is back in town to housesit for his brother who's away on holiday. He falls for his brother's assistant and tries to pick up the pieces of a life he had once left behind while going through a midlife crisis.

Like he did with 'Margot at the Wedding', Baumbach's execution is lowkey and his narration mostly relies on the interactions between the characters and the protagonist's quiet moments when he/she is alone. The art direction is suitably minimal and the camera-work is solid. The dry humour is very effective and consistent with the atmosphere Baumbach creates.

Ben Stiller does a remarkable job with an effortless performance. This is definitely a departure from what he's familiar with and he proves that he can deliver a restrained performance when required. Rhys Ifans is equally good. Jennifer Jason Leigh (who also co-wrote the screenplay) provides fine support on both counts. Greta Gerwig is competent.

Baumbach has done it again, successfully telling a complex story that appears to be much more than what shows on the surface.

Greetings again from the darkness. Noah Baumbach wrote and directed the excellent "The Squid and the Whale", and it is with "Greenberg" that he really makes a statement as an independent filmmaker to anticipate. The second gem is always the most elusive. That said, I am not sure I can recommend this movie to very many people, despite all the good things I am about to write.

This is the first Ben Stiller role that actually seems to fit him. His typical role is as a punchline. Here, he plays a guy who recently suffered a nervous breakdown and is now house-sitting for his rich brother, whose family is vacationing in Vietnam. Throughout the movie, Greenberg states he is concentrating on doing "nothing" right now. Of course, that is his defense mechanism for being unable to connect or communicate with any real person. Yes, that sounds bleak ... and it is. Yet, it is also fascinating and thought-provoking.

Despite Stiller's strong turn, Greta Gerwig (as Florence) proves to be the heart of the story. She is the family assistant to Greenberg's brother and finds herself oddly attracted to Greenberg's vulnerable state. This is my first exposure to Ms. Gerwig and I find her fascinating as an actress. She has a natural openness on screen and is certainly no glamour-gal. Instead she comes across as a very real 25 year old trying to make sense of life - especially her own.

In addition to Ms. Gerwig, Rhys Ifans provides outstanding support work as Greenberg's long ago band mate. This is the polar opposite of Ifan's character in "The Boat that Rocked" as here is just a guy putting together a grown up life for himself. He struggles with the adjustment, but accurately depicts how choices can make or break us.

I am not sure whether to categorize this as a character study or just an exquisitely written series of scenes that hit the nail on the head. One of the best scenes of the film is when Stiller meets up with Jennifer Jason Leigh and she immediately rebuffs his reconciliation attempts. They had been a couple briefly 15 years ago and she has obviously moved on. Excellent film-making.

The best way I can describe Greenberg the character is that he is a compilation of the dark thought that we all experience from time to time ... a desire to do nothing, wanting to be blunt and direct, dreams of recapturing the magic of youth, and of course, writing complaint letters for everything wrong in the world. Obviously, most of us spend very little real time on these things, but that is the Greenberg character. Let's keep an eye on Mr. Baumbach - he may just be the real deal.

This film was slightly misadvertised. It is not a "funny movie," it is a pseudo-slice of life movie with an eccentric but believable character. It is a comedy in the sense that it is not a tragedy.

I enjoyed this film immensely. I found it very cathartic and realistic. It is "funny" in the sense that Ben Stiller is socially inappropriate at times, but honestly, it's not a "funny" film, and sometimes the film tries to be funny and definitely falls flat. The story is also a little slow to start. That said, it's still a good film.

Some people clearly don't "get" this film...Anyone who says "it wasn't funny!!" or "nothing happened!" is missing the point. This is one of those rare movies based entirely on character, with a very realistic plot progression. It's not the best movie of the year or anything, but it's a really good example of a character-driven story. If you don't care about or "get" Greenberg, there is nothing for you here.

I must protest the people who say the film is unbelievable. It *is* very believable, but not necessarily relatable. It portrays a man bordering on mental instability *very* well.

Ultimately, this movie is similar to Woody Allen pics in affect, although much less "funny." But it still has that "world through the eyes of a neurotic" gimmick, as well as the laissez-faire plot progression.

Ben Stiller also deserves praise for a great, "real" performance as Greenberg, and he is supported by a mixed cast (some great, some poor).

I recommend this film to anyone familiar with OCD, anxiety, or anyone over 40 who asks "what happened?"

Florence Marr (Greta Gerwig) is the Greenberg family nanny in L.A. The family goes on a trip while the brother Roger Greenberg (Ben Stiller) drops by to housesit. She's young trying to find her way. He's a New Yorker misanthrope just out of an insane asylum. He doesn't drive and writes complaint letters. His friend Ivan Schrank (Rhys Ifans) pushes him to go to Eric Beller (Mark Duplass)'s barbecue where he runs into ex-girlfriend Beth (Jennifer Jason Leigh) with her kids. Roger, Eric and Ivan were once in a band but Roger refused to sign a recording deal. Florence and Roger have an on-and-off relationship.

Ben Stiller is going too dark. It's a matter of slight miscalibration. This could be a great indie rom-com but I can't find any likability to Roger. His dialog could have some sharp sarcastic jokes to take off the edge. I need to laugh with him but his dark depressed nature keeps getting into the way. Getting angry over his birthday is probably the only laughable moment although saying Florence's emotional story is pointless gets a small chuckle. His anger needs to have more comedy as an outlet and to balance his dark side. It has some good moments but it could have been better.