ओवेन एक एकाकी जीवन जीता है, जिसे उसके सहपाठी तंग करते हैं. उसकी मुलाकात अपनी नई मददगार पड़ोसी एबी से होती है, और वह उससे दोस्ती कर लेता है, लेकिन उसे एबी के राज़ का पता नहीं होता.ओवेन एक एकाकी जीवन जीता है, जिसे उसके सहपाठी तंग करते हैं. उसकी मुलाकात अपनी नई मददगार पड़ोसी एबी से होती है, और वह उससे दोस्ती कर लेता है, लेकिन उसे एबी के राज़ का पता नहीं होता.ओवेन एक एकाकी जीवन जीता है, जिसे उसके सहपाठी तंग करते हैं. उसकी मुलाकात अपनी नई मददगार पड़ोसी एबी से होती है, और वह उससे दोस्ती कर लेता है, लेकिन उसे एबी के राज़ का पता नहीं होता.
- पुरस्कार
- 14 जीत और कुल 28 नामांकन
Jimmy 'Jax' Pinchak
- Mark
- (as Jimmy Jax Pinchak)
फ़ीचर्ड समीक्षाएं
As a fan of the 2008 Swedish film "Let The Right One In", I was originally very frustrated when I heard the news about the upcoming remake. "How do you ameliorate something that is already perfect?", I asked myself. I treated the remake with hostility and vowed to stay away from it. And then, I decided to open my mind.
I attended the world premiere of this film at the Toronto International Film Festival on Monday, September 13. I am very lucky to live in the proximity. This was the first year that I've attended the festival. Before seeing "Let Me In", I saw "127 Hours".
I liked the idea of seeing the remake of a film that I recently gave a second viewing. I thought it would be a fun challenge to sit there and compare both films while watching.
Before the screening (or it might have been after), the director, Matt Reeves (who launched his career with "Cloverfield"), was welcomed on stage to say a few words. It surprised me to find out that he, too, thought the original was fantastic and didn't understand why he was asked to remake it. However, after reading the book as well, he had the desire to work on his interpretation of it. After this speech, I gained a significant amount of respect for this man.
When the movie began, I was only expecting something satisfactory. But as the story progressed, I was breathless. It was a very captivating, interesting take, and I loved all the little modifications. I honestly believe that "Let Me In" is one of the greatest American remakes of all time.
Nevertheless, I still see the original, "Let The Right One In", as a superior film. Although it may be a biased opinion, I preferred the mood, atmosphere, and cinematography in the original. While the remake seemed to take a greater interest in the horrific violence, the original had the perfect blend of genres (thriller, romance, horror, fantasy). Both films had many beautiful contrasts: coldness vs warmth, chaos vs peace, guilt vs innocence, darkness vs delicacy, and despair vs hope.
I must also mention that I preferred the sense of ambiguity presented in the original. Very few questions were answered, and the whole film was more of a mystery left to interpretation. In contrast, Matt Reeves was more clear and direct in his screenplay with the mystery surrounding his characters. It's all a matter of personal preference, though. I believe that most people will prefer what Matt did, since the original has a certain style that less people can appreciate.
Despite the comparison, I believe that they are both great movies that can be enjoyed by everyone. Fans of the original-- rather than being narrow-minded and boycotting this version-- should give it a chance and appreciate it for what it is. Wouldn't you want more people in North America to discover this mesmerizing vampire tale, anyway?
I really enjoyed every aspect of "Let Me In". The child actors, Chloe Moretz (Kick-Ass) and Kodi Smit-McPhee (The Road) were both excellent choices. They proved to us, once again, that they are among the only child actors who actually have talent. Now that I think of it, the only thing that didn't impress me was the music. For an original score composed by Michael Giacchino (Up), I was quite disappointed. It was mediocre, in my opinion. It didn't convey the same emotion as Johan Soderqvist's music in "Let The Right One In".
Aside from that, "Let Me In" is a surprisingly great film for the fans of the original. And it would probably be a bloody masterpiece for those who haven't seen it. And yes, that lame vampire pun was definitely intended.
7.9/10
I attended the world premiere of this film at the Toronto International Film Festival on Monday, September 13. I am very lucky to live in the proximity. This was the first year that I've attended the festival. Before seeing "Let Me In", I saw "127 Hours".
I liked the idea of seeing the remake of a film that I recently gave a second viewing. I thought it would be a fun challenge to sit there and compare both films while watching.
Before the screening (or it might have been after), the director, Matt Reeves (who launched his career with "Cloverfield"), was welcomed on stage to say a few words. It surprised me to find out that he, too, thought the original was fantastic and didn't understand why he was asked to remake it. However, after reading the book as well, he had the desire to work on his interpretation of it. After this speech, I gained a significant amount of respect for this man.
When the movie began, I was only expecting something satisfactory. But as the story progressed, I was breathless. It was a very captivating, interesting take, and I loved all the little modifications. I honestly believe that "Let Me In" is one of the greatest American remakes of all time.
Nevertheless, I still see the original, "Let The Right One In", as a superior film. Although it may be a biased opinion, I preferred the mood, atmosphere, and cinematography in the original. While the remake seemed to take a greater interest in the horrific violence, the original had the perfect blend of genres (thriller, romance, horror, fantasy). Both films had many beautiful contrasts: coldness vs warmth, chaos vs peace, guilt vs innocence, darkness vs delicacy, and despair vs hope.
I must also mention that I preferred the sense of ambiguity presented in the original. Very few questions were answered, and the whole film was more of a mystery left to interpretation. In contrast, Matt Reeves was more clear and direct in his screenplay with the mystery surrounding his characters. It's all a matter of personal preference, though. I believe that most people will prefer what Matt did, since the original has a certain style that less people can appreciate.
Despite the comparison, I believe that they are both great movies that can be enjoyed by everyone. Fans of the original-- rather than being narrow-minded and boycotting this version-- should give it a chance and appreciate it for what it is. Wouldn't you want more people in North America to discover this mesmerizing vampire tale, anyway?
I really enjoyed every aspect of "Let Me In". The child actors, Chloe Moretz (Kick-Ass) and Kodi Smit-McPhee (The Road) were both excellent choices. They proved to us, once again, that they are among the only child actors who actually have talent. Now that I think of it, the only thing that didn't impress me was the music. For an original score composed by Michael Giacchino (Up), I was quite disappointed. It was mediocre, in my opinion. It didn't convey the same emotion as Johan Soderqvist's music in "Let The Right One In".
Aside from that, "Let Me In" is a surprisingly great film for the fans of the original. And it would probably be a bloody masterpiece for those who haven't seen it. And yes, that lame vampire pun was definitely intended.
7.9/10
Let Me In is an emotionally wrenching film. My opinion/review is for this film, not the original.
Hopefully you know that the gist of the movie is about a lonely boy who is bullied at school and then a young girl moves in next door who is a vampire. By emotionally wrenching, I want say how expertly this film made you feel: anger and fury at the bullies, helpless for the boy Owen, sadness at both Owen and Abby's isolation, frustration at Owen's parents, hope for Owen and Abby with their budding friendship, and genuine surprise/horror at the violence of Abby's vampire actions. You will walk out with a lot on your mind after this movie.
Definitely NOT your mindless horror/vampire film and as a movie on its own (not compared to the original) it is capable of pulling lots of different emotions. It also definitely had some jump-in-your-seats moments, too.
This movie for kids? Definite NO - this is not a sappy romance with pretty actors. It is a dark movie with heavy themes. You need to gauge it appropriately for tweens -- it has some heavy plot lines regarding the kids at school and what Abby&'s father-figure is willing to do for her.
Hopefully you know that the gist of the movie is about a lonely boy who is bullied at school and then a young girl moves in next door who is a vampire. By emotionally wrenching, I want say how expertly this film made you feel: anger and fury at the bullies, helpless for the boy Owen, sadness at both Owen and Abby's isolation, frustration at Owen's parents, hope for Owen and Abby with their budding friendship, and genuine surprise/horror at the violence of Abby's vampire actions. You will walk out with a lot on your mind after this movie.
Definitely NOT your mindless horror/vampire film and as a movie on its own (not compared to the original) it is capable of pulling lots of different emotions. It also definitely had some jump-in-your-seats moments, too.
This movie for kids? Definite NO - this is not a sappy romance with pretty actors. It is a dark movie with heavy themes. You need to gauge it appropriately for tweens -- it has some heavy plot lines regarding the kids at school and what Abby&'s father-figure is willing to do for her.
Whether you are a fan of Gothic horror or not Let Me In is well worth a viewing and by no means is it just a "scary film" it is so much more than that. Before I go into the film itself I have to comment that this is a re-make of a Swedish film called "Let The Right One In" from 2008 and both films come from the novel of the same name by Swedish author Tomas Alfredson.
The film itself is a masterpiece and hats off to director Matt Reeves for brilliant work on what was a difficult task re-making an already loved film for American audiences (and all those who don't like subtitles). The film is shot in the eerie Los Alamos, New Mexico snow, mostly at night time and it is truly gorgeous and the dark, cold land gives a real genuine vibe to the tale and you feel Owen's despair .
The story itself centers on Owen (Kodi Smit-McPhee) who is a twelve year old child whose parents are going through a divorce and is a victim of bullying, he lives with his mother and is dangerously isolated and becoming slightly weird. All his problems are answered when the amazing Abby (Chloë Moretz) moves into the apartment next door. She is a self assured twelve year old who helps Owen overcome his bullying problems, gives him someone to love and their friendship blossoms.
However all is not right with Abby who is played by the highly capable Chloë Moretz, (Hit Girl in Kickass) her performance is remarkable and the chemistry with her and Kodi Smit is all the more special when you take into account they are only children. You feel every touch, you love every second Abby and Owen are together their bond is beautiful yet you know all is not well. Abby is a vampire, she "needs blood to live" and she will do anything to get it, indeed even jump on an innocent persons back as they go for a nice jog and feast on their blood. Yes there are plenty of shock moments in this film it is scary but its more than that.
Like Owen we (the audience) has to see past the fact Abby is a vampire and become immersed in this special and beautiful friendship and we do; thanks to the performances of both Kodi and Chloë, that are nothing short of brilliant, and long may they succeed.
The film itself is a masterpiece and hats off to director Matt Reeves for brilliant work on what was a difficult task re-making an already loved film for American audiences (and all those who don't like subtitles). The film is shot in the eerie Los Alamos, New Mexico snow, mostly at night time and it is truly gorgeous and the dark, cold land gives a real genuine vibe to the tale and you feel Owen's despair .
The story itself centers on Owen (Kodi Smit-McPhee) who is a twelve year old child whose parents are going through a divorce and is a victim of bullying, he lives with his mother and is dangerously isolated and becoming slightly weird. All his problems are answered when the amazing Abby (Chloë Moretz) moves into the apartment next door. She is a self assured twelve year old who helps Owen overcome his bullying problems, gives him someone to love and their friendship blossoms.
However all is not right with Abby who is played by the highly capable Chloë Moretz, (Hit Girl in Kickass) her performance is remarkable and the chemistry with her and Kodi Smit is all the more special when you take into account they are only children. You feel every touch, you love every second Abby and Owen are together their bond is beautiful yet you know all is not well. Abby is a vampire, she "needs blood to live" and she will do anything to get it, indeed even jump on an innocent persons back as they go for a nice jog and feast on their blood. Yes there are plenty of shock moments in this film it is scary but its more than that.
Like Owen we (the audience) has to see past the fact Abby is a vampire and become immersed in this special and beautiful friendship and we do; thanks to the performances of both Kodi and Chloë, that are nothing short of brilliant, and long may they succeed.
I have seen the original Let The Right One in, and when I heard of a remake I was skeptical. Why did we need a remake this soon? However, I approached it with open eyes, as I have seen very faithful remakes in the past. I thought that the Swedish version was a good, sometimes very good film, but I ended up loving this new version.
I knew what story was coming, but I also knew that the journey is in the experience. Let Me In does a great job of creating a mood and tone that, while similar to the original's, it also adds a fresh perspective on it. That is in part thanks to the director Matt Reeves. I have only seen his previous film Cloverfield and while it is entertaining and rewatchable, I had no idea he was capable of the subtlety that is needed for this story. The cinematography is itself also amazing, and there are some shots that will linger in my memory.
Part of what I liked better in this version were the performances. Honestly, I think Chloe Moretz is just as great as the original performance, but I think the film definitely belongs to Kodi Smit- McPhee. He gives an incredible performance full of nuance and longing, and I do not recall being this impressed with the boy in the original version. I also feel the need to stop comparing them because a film should stand-alone on it's own, and this certainly does. It is a horror film, a drama, and a love story all in one, and along with the original, are vampire films to be celebrated among all the others in this time.
I knew what story was coming, but I also knew that the journey is in the experience. Let Me In does a great job of creating a mood and tone that, while similar to the original's, it also adds a fresh perspective on it. That is in part thanks to the director Matt Reeves. I have only seen his previous film Cloverfield and while it is entertaining and rewatchable, I had no idea he was capable of the subtlety that is needed for this story. The cinematography is itself also amazing, and there are some shots that will linger in my memory.
Part of what I liked better in this version were the performances. Honestly, I think Chloe Moretz is just as great as the original performance, but I think the film definitely belongs to Kodi Smit- McPhee. He gives an incredible performance full of nuance and longing, and I do not recall being this impressed with the boy in the original version. I also feel the need to stop comparing them because a film should stand-alone on it's own, and this certainly does. It is a horror film, a drama, and a love story all in one, and along with the original, are vampire films to be celebrated among all the others in this time.
Matt Reeves, who is most famous for his monster film "Cloverfield", took on the task of adapting and directing this film. Two years ago, film festivals were in love with the Swedish Horror film "Let the Right One In" and it was almost a given that it was needed to be made American. In our culture vampires have kind of turned into more of romantic figures and a lot of times represent sexuality. This film goes back to basics and makes this vampire what I think they are sup post to be, which is completely scary and messed up. What is very impressive is that Reeves takes this and in a way, his changes actually enhance the story and kind of makes it better and more entertaining. Kodi Smith-McPhee who was spectacular in last year's "The Road" and Chloe Moretz who received most of her fame as Hit-Girl in this year's "Kick-Ass" carry this film and both of these kids bring a type of eeriness; these kids both knew exactly how their characters were sup post to be and they hit it spot on. This gory, terrifying, and dark film turns into some type of odd entertainment and represents why people would even want to see a horror film; it has a strong story and an even stronger scare. Instead of going over the top Reeves bends this movie into a tension roller-coaster more than anything. Very rarely can a foreign film be successfully adapted and made a success in America, but Reeves made something that can stand a distance from the original, but still he true to its origin. It is a great movie for the Halloween season, it will most likely refresh people who are used to "American Vampires" and give them a real vampire movie
क्या आपको पता है
- ट्रिवियाElias Koteas, who plays the police detective, also provides the voice of Owen's father John.
- गूफ़In the first hospital scene the policeman is not out of the room long enough for the events in the second version of that scene (Abby visiting her "father" Thomas) to take place.
- क्रेज़ी क्रेडिटThe movie's end credits are in the form of black text on a white background, which is the opposite of most movie credits, which are usually white text on a black background.
- साउंडट्रैकLet's Dance
Written by David Bowie
Performed by David Bowie
Licensed by Arrangement with Jones Music America
(ASCAP) admin. by ARZO Publishing
Courtesy of RZO Music
टॉप पसंद
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बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,21,34,935
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- $51,47,479
- 3 अक्तू॰ 2010
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- $2,70,93,592
- चलने की अवधि1 घंटा 56 मिनट
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- 2.35 : 1
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