IMDb रेटिंग
5.7/10
9.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAfter his wife's sudden death, a bestselling author returns to his cabin retreat, where he receives paranormal visitations and becomes involved in a custody battle.After his wife's sudden death, a bestselling author returns to his cabin retreat, where he receives paranormal visitations and becomes involved in a custody battle.After his wife's sudden death, a bestselling author returns to his cabin retreat, where he receives paranormal visitations and becomes involved in a custody battle.
- पुरस्कार
- 2 जीत और कुल 2 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
BAG OF BONES is made even more painfully slow by a slew of commercials that keep interrupting the flow of the story in its A&E presentation. And the first half of the story is so depressingly maudlin, that not even the fine acting of Pierce Brosnan can save it from being dreadfully dull.
Brosnan is the writer whose wife is killed in a sudden street accident and then suffers from a nervous breakdown of sorts. The tale hinges on him returning to a haunted lakehouse where he communicates with his dead wife.
The story is more depressing than frightening, even with the usual shock interludes thrown in to keep the viewer awake. It's quite a showcase for Brosnan's ability to handle some convincing moments of emotional distress but nobody else really has a chance to shine in supporting roles. It's no help that pretty Melissa George tends to mumble most of her lines.
Rustic views of Maine lakes and cabins are welcome eye appeal but the story never gets up enough steam until the last forty minutes and by that time most viewers will be disappointed in the whole project, unless they're die-hard King fans. As for the story itself, little of it makes real sense and the story is seriously damaged by the constant commercial breaks.
All technical aspects are fine, including the photography and the background score but the script is a confusing mess, especially for anyone who hasn't read the book.
Brosnan is the writer whose wife is killed in a sudden street accident and then suffers from a nervous breakdown of sorts. The tale hinges on him returning to a haunted lakehouse where he communicates with his dead wife.
The story is more depressing than frightening, even with the usual shock interludes thrown in to keep the viewer awake. It's quite a showcase for Brosnan's ability to handle some convincing moments of emotional distress but nobody else really has a chance to shine in supporting roles. It's no help that pretty Melissa George tends to mumble most of her lines.
Rustic views of Maine lakes and cabins are welcome eye appeal but the story never gets up enough steam until the last forty minutes and by that time most viewers will be disappointed in the whole project, unless they're die-hard King fans. As for the story itself, little of it makes real sense and the story is seriously damaged by the constant commercial breaks.
All technical aspects are fine, including the photography and the background score but the script is a confusing mess, especially for anyone who hasn't read the book.
As with other reviewers, I read the novel and enjoyed it thoroughly. I even recommended it to friends, even if they didn't like King. I felt that the novel didn't overly rely on its horrific themes, but did a wonderful job of evoking a time, place and mood.
I have no problem with movies that change events from the book, even when I have loved the book. To tell the truth, I read this novel so many years ago that I don't have firm recollections of a lot of the incidents in it.
So along comes Mick Garris who ignores all the interesting parts of the story and character development so that he can focus on the purely horror aspect. He trots out all the old, stale horror clichés: from the raccoon (instead of the usual cat) jumping out from a dark space to scare the hero; to the jittery camera jump cuts intended to provoke a fright; to the sudden loud music stings; and, of course, the climactic storm. The ringing bell quickly becomes repetitious and tiresome, as do the rearranging fridge magnets. As the writer, and occasional director, of the TV series Fear Itself and Masters of Horror, I suppose this focus was to be expected.
Pierce Brosnan gives it a game try but has too little to work with. The other characters are given far too little screen time to even try to create a characterization. Garris doesn't help matters by having most of them just glower or look ominous. Anika Noni Rose has a couple good moments, but is mostly relegated to vamping it up on stage as she sings. And Melissa George needed to be reined in with her hyperactive performance.
My advice is to stick with the Frank Darabont filmed adaptations of King and just read the novel Bag of Bones.
I have no problem with movies that change events from the book, even when I have loved the book. To tell the truth, I read this novel so many years ago that I don't have firm recollections of a lot of the incidents in it.
So along comes Mick Garris who ignores all the interesting parts of the story and character development so that he can focus on the purely horror aspect. He trots out all the old, stale horror clichés: from the raccoon (instead of the usual cat) jumping out from a dark space to scare the hero; to the jittery camera jump cuts intended to provoke a fright; to the sudden loud music stings; and, of course, the climactic storm. The ringing bell quickly becomes repetitious and tiresome, as do the rearranging fridge magnets. As the writer, and occasional director, of the TV series Fear Itself and Masters of Horror, I suppose this focus was to be expected.
Pierce Brosnan gives it a game try but has too little to work with. The other characters are given far too little screen time to even try to create a characterization. Garris doesn't help matters by having most of them just glower or look ominous. Anika Noni Rose has a couple good moments, but is mostly relegated to vamping it up on stage as she sings. And Melissa George needed to be reined in with her hyperactive performance.
My advice is to stick with the Frank Darabont filmed adaptations of King and just read the novel Bag of Bones.
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Novelist Mike Noonan (Pierce Brosnan) suffers terrible writer's block following the death of his wife and finds himself drawn by terrible dreams in the aftermath to Dark Score Lake, the serene little area where he and his wife own a summer house. He runs into Mattie (Melissa George) a young mother who's locked in a bitter custody battle with local millionaire Max Devore (William Schallert) who has the place in his grip. But Kyra (Caitlin Carmichael) the young girl at the centre of the battle, Devore himself and the tale of Sara Tidwell (Anika Noni Rose) a local blues singer from the 1930s, and the memory of his dead wife are all drawn together in one devastating revelation.
Having very recently finished reading Bag of Bones, I was very eager to see this film adaptation of it, despite Stephen King novels having a poor history of translating in to films, with a handful of exceptions. The warning lights sort of felt on with this one from the off set, but I was willing to give it a chance. While staying pretty faithful to the source material, director Mick Garris has taken some creative licence with some of the material here, which anyone who has read the book will notice. This is just to be expected, though, and fundamentally the film (the first part, anyway) does nothing wrong, with a fairly decent lead performance from Brosnan and a more than willing supporting cast.
The troubles become more clear in the second part, where the translation difficulties become more apparent and the script fails to hold up to the book, from which memorable events appear on screen without half their dramatic impact, which just leaves an impression of lameness. There's also the TV movie constraints, in the shape of some laughable special effects.
It's a shame that the bad stuff lets it down, because a worthy go has been had here and the film is capable of some intense, dramatic writing and style. It's simply a case that, as ever with King, reading the book will be so much better. **
Novelist Mike Noonan (Pierce Brosnan) suffers terrible writer's block following the death of his wife and finds himself drawn by terrible dreams in the aftermath to Dark Score Lake, the serene little area where he and his wife own a summer house. He runs into Mattie (Melissa George) a young mother who's locked in a bitter custody battle with local millionaire Max Devore (William Schallert) who has the place in his grip. But Kyra (Caitlin Carmichael) the young girl at the centre of the battle, Devore himself and the tale of Sara Tidwell (Anika Noni Rose) a local blues singer from the 1930s, and the memory of his dead wife are all drawn together in one devastating revelation.
Having very recently finished reading Bag of Bones, I was very eager to see this film adaptation of it, despite Stephen King novels having a poor history of translating in to films, with a handful of exceptions. The warning lights sort of felt on with this one from the off set, but I was willing to give it a chance. While staying pretty faithful to the source material, director Mick Garris has taken some creative licence with some of the material here, which anyone who has read the book will notice. This is just to be expected, though, and fundamentally the film (the first part, anyway) does nothing wrong, with a fairly decent lead performance from Brosnan and a more than willing supporting cast.
The troubles become more clear in the second part, where the translation difficulties become more apparent and the script fails to hold up to the book, from which memorable events appear on screen without half their dramatic impact, which just leaves an impression of lameness. There's also the TV movie constraints, in the shape of some laughable special effects.
It's a shame that the bad stuff lets it down, because a worthy go has been had here and the film is capable of some intense, dramatic writing and style. It's simply a case that, as ever with King, reading the book will be so much better. **
I am used to movies/series about books but this is an another case. If I did not read the book I think I do not understand the storyline at all. Because all the necessary and crucial relationships are missing in this mini series. This series could be longer than a 2 episode series. Because 2 episodes did not provide the background of the story as it should. I know book based products are different and should be than the books itself but this is an exception. If you really want to understand wats going on you should read the book. After you read that it is enjoyable to watch and criticize the series.
I read the other reviews which were very negative due to the fact this mini series apparently doesn't really follow the book's storyline properly, but honestly I haven't read the book yet (despite being a Stephen King's fan) and from my perspective this part was not bad at all.
I am sure that, as with every other movie that is inspired by a book (and in saying this I even include The Shining, which was considered a great movie yet still is incredibly inferior to the book), this is also a case in which things have been left out or poorly adapted. However, not being able to make that comparison, I can judge the mini series simply for what I see, and I am pleased. The acting is very good (especially for a mini series! If you have had the chance to watch Rose Red you know why this is not something I'd necessarily expect) and the storyline is intriguing. I didn't find this confusing, more like mysterious in an interesting way. It would be a let down if they ended up not explaining anything at the end either, though, that is for sure. However, if they are just not including all the book's details to be able to adapt it to the movie kind of media, I am not complaining, just as long as we get the whole story in the end.
I can say so far the first part was interesting and that I am waiting to watch what happens next. Hopefully it won't let us down!
I am sure that, as with every other movie that is inspired by a book (and in saying this I even include The Shining, which was considered a great movie yet still is incredibly inferior to the book), this is also a case in which things have been left out or poorly adapted. However, not being able to make that comparison, I can judge the mini series simply for what I see, and I am pleased. The acting is very good (especially for a mini series! If you have had the chance to watch Rose Red you know why this is not something I'd necessarily expect) and the storyline is intriguing. I didn't find this confusing, more like mysterious in an interesting way. It would be a let down if they ended up not explaining anything at the end either, though, that is for sure. However, if they are just not including all the book's details to be able to adapt it to the movie kind of media, I am not complaining, just as long as we get the whole story in the end.
I can say so far the first part was interesting and that I am waiting to watch what happens next. Hopefully it won't let us down!
क्या आपको पता है
- ट्रिवियाKelly Rowland was originally cast as Sara Tidwell.
- गूफ़When Noonan touches the tree with his right hand and gets hurt by whatever, he jogs away; in the next scene his left hand is in pain.
- कनेक्शनReferenced in Gerald's Game (2017)
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