Leap Year

Sometimes after seeing (and enjoying) a particular film several times over a period of years -- which BTW is the real acid test of a film, ie, whether it holds up -- you revisit the IMDb database and discover that, for whatever reason, the critics of the day did not agree.

To which you may be inclined to quote a line of dialog from LEAP YEAR, and respond, the critics are "full of pooh." And indeed they are.

This one has it all -- a subtle script that leads you rather than shoves you, great direction, great stars, and great scenery.

It also features Adams at what may be the peak of her beauty. It would be an understatement to say that "the camera loved her." It would be more accurate to say that, if a camera could talk, it would have asked for her number by the last day of shooting.

The ultimate compliment -- gets better with each viewing.

I saw Leap Year at a screening before the holidays, and found it much more "enchanting" than the typical romantic comedy. The story line is simple - basically, it is "It Happened One Night" in Ireland: apartment "stager" Amy Adams, tired of waiting for her uptight, longtime boyfriend to propose, decides to meet him on business in Dublin on Leap Day when tradition states that a man must accept a woman's proposal. Weather forces her to be diverted, first to Wales and then to the west coast of Ireland, she has to be driven to Dublin by and disgruntled bitter local.

But while the story is straight-ahead, the movie is extremely charming due to the terrific chemistry in between Amy Adams and Matthew Good. Whereas other romantic comedies pander to the lowest common denominator with base humor, this one feels much more like "4 Weddings and a Funeral" or "Local Hero." The characters seem simple at first, but we see the depth beyond them as the movie goes on. The comedy is always sharp, and special kudos to the actors who play the superstitious friends of Matthew Good, but this movie never forces in the pratfalls and dumb jokes that we see in your typical romantic comedy movie. And when there a bigger laughs (a scene at a wedding is particularly funny), the movie delivers.

There are a couple of slow spots, especially at the very beginning, but the last 20 minutes are funny, touching and real. I think it is a very good movie for our times right now, with a message that rebukes control and superficiality and all the trappings of what most of feel makes for a successful life. And our audience was with it throughout, and applauded at the end.

This opinion isn't going to win me any friends but its not as bad as everyone says it is, bear with me.

The thing is with Leap Year is that we all know how this movie is end 20 mins in, the trick is does it make us care to want to watch? I thought it did. Goode and Adams are good together and, yes, there is a little bit too much Irish Tourism advertising going on, but still enough going on to keep us entertained. Feather light yes, but so what, that's not always a bad thing. All movies cannot be Schindlers List.

This film is about an American woman who decides to fly to Ireland to surprise her boyfriend, and to propose to him because an Irish tradition allows it.

"Leap Year" is a predictable romantic comedy that captures female psychology well. I can see women loving this film so much because it is so romantic and full of love. Amy Adams acts well in her role, she portrays her desire to be married so well that even by looking at her face, you know she wants to get a proposal so much.

"Leap Year" showcases amazing Irish scenery, with all the right colours, composition and saturation. I am also impressed by the technical side of it, as the filmmakers paid a lot of details into location scouting, set decoration and composing a scene. It makes "Leap Year" visually so pleasing to watch.

Get over the negative reviews. This is a lovely film, sweet, with charming characters and a lovely setting. If you believe in the power of romance it may even make tears well up in your eyes. Not meant to change the world just meant to be a fun film. Louis, as in Louis Vuitton the suitcase, is one of the best characters right to the end of the film!