Manifest West

Not sure why I need 600 characters, but here goes- It's a relatively well done film loosely based on Ruby Ridge I assume.. The acting is ok, the set acceptable.. The directing is even fine.. I think the problem is in the writing and editing.. The characters aren't fleshed out.. It's very bare bones and the timing seems slightly off.. Just too rushed.. But all of that is minor compared to the laziness of the basic story.. Been there, done that.. We get it already.. The system is broken and too many people fall thru the cracks.. Same ol', same ol'.. Where's the growth..? Where's the evolution of character and education of consciousness..? I want to see a wholistic arc giving us solutions and showing positive change.. This is just the same old negative Hollywood crap.. Where's the hope..? The parts were decent enough here, but they just don't add up to anything.. It's a real problem that would be better served by giving us something positive.. Maybe the budget was small and the producers just wanted to cut it short, but it could have been way better.. For the record I could have said all that with 100 characters or less.. And the younger girl probably did the best acting of all.. Everybody else was a bit cliche for their roles.. She seemed to actually have an idea what to do with her character, so props to her..! 👍

Novice filmmaker duo, co-writers and co-directors Joe Dietsch and Louie Gibson were excellent in directing their cast, gave us beautifully shot scenes and cinematography, but had the writing been much tighter, this film could've been outstanding. For starters, all casting and performances were exceptional - they felt very convincing and real, even the little girls. The score was excellent and complimented the scenes perfectly. Going into this, the promotional description for this film was "a coming of age" story, which it was, but it was also a lot more that was too subtle to make this film great. The narrative was too uneven and incohesive with its subplots, which left many plot holes. It tried biting off more than it chewed in its 91 min runtime. Had the pacing been better, and some irrelevant scenes omitted and others expanded with more depth - even if an extra 15-20 mins were added, it would've made a huge difference. Nevertheless, a great one-time watch that will provoke many thoughts long after the film is over. It's a 7.5 rounded up to an 8/10, specifically for the exceptional performances and rookie mistakes forgiven to the novice filmmaker duo.

A number of recent films have been based on the age-old truism "you can't go home again." This one tackles the issue from the other end -- you can't really leave home, especially if you are leaving with the hope that all your old problems will magically disappear if you simply change locations. The story presents us with a tight-knit family showing genuine chemistry and caring. The father (Milo Gibson, son of Mel) seems to feel that his money problems (not much left) and his wife's medical problems (bi-polar, prone to sudden violent outbursts) will all disappear if he grabs his two young girls and moves the family off grid. Only to find there really is no off-grid in our modern world, you will only end up in someone else's backyard, with lots of folks who will pop up to make darn sure you are following their rules, not yours. A slow burn yarn with a single point to make, but it is very competent, well acted, and it holds interest. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

I must admit, I resent this Twitter type thing of how many characters you have to have but I did want to add my review of this because it's getting harder and harder to find movies where it's just the acting and the plot that either entices you or doesn't I see all these repetitions of popular films done over and over again whether it's the comic universe or films like taken or the Keanu Reeves one that just came out with part four they're the same and they're remanufactured and spit out and those get good reviews and make a lot of money but there are still some of us out there that really want to see a story and this particular movie is a story whether it's a repetition of some stories in the past it's not an exact replica And it caught my attention and the characters were interesting. Not just the two main the mother and father I'm thinking but certainly the children too so now it's not a 10 and it's not gonna make millions of dollars or billions or whatever it's supposed to make these days, but it was worth watching .

In an age of diminishing trust of institutions, this film is surprisingly topical, capturing the doubts and instability of attempting a life "off the grid". Powerful performances throughout. Milo Gibson has his father's emotional intensity, and the powder keg is lit when a government social worker starts asking questions. Annet Mahendru gives a layered performance as a loving mother struggling to hold on to sanity. Both daughters were excellent, making the best of an uncertain future. The cinematography beautifully captures the rural mountain backdrop, while also revealing the many avenues for dysfunction and danger that linger there. A nuanced and unexpected gem.