अपनी भाषा में प्लॉट जोड़ेंYuta, a young master at the Tsukiji Fish Market, accidentally drops his meal of mixed seafood into the Sumida River. Some time afterwards a gigantic mutated squid monster arises from the dep... सभी पढ़ेंYuta, a young master at the Tsukiji Fish Market, accidentally drops his meal of mixed seafood into the Sumida River. Some time afterwards a gigantic mutated squid monster arises from the depths and begins to wreak havoc upon an awe-stricken Tokyo. Attempts by the Japan Self-Defen... सभी पढ़ेंYuta, a young master at the Tsukiji Fish Market, accidentally drops his meal of mixed seafood into the Sumida River. Some time afterwards a gigantic mutated squid monster arises from the depths and begins to wreak havoc upon an awe-stricken Tokyo. Attempts by the Japan Self-Defense Forces to stop the creature prove futile. As it seems things couldn't get any worse an ... सभी पढ़ें
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- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
I want to try some of that sushi!
Yes, this is quite as silly as it sounds; at a short 84 minutes, it packs in a bunch of visual hilarity - especially the "monsters," who are gigantic puppet-type thingies that make the viewer laugh on sight! Turns out that the father of director Minoru Kawasaki was himself a fugu chef, so the seafood preparations are no doubt completely spot on. With a charismatic and not-afraid-to-be-silly cast, and plenty of goofy special effects, this is one feast of a film!
It's only redeemable possibility is that it was intentionally made to be so bad it would be outrageously funny (irony; burlesque).
From the obviously-sewn padded monster suits to the goofy lines and plot devices, this show is funny one scene after another. The official naming of the monsters (along with calligraphy signs)-- as if it's a national priority-- is one example of the subtle humor in this movie that makes fun of everything from monster movies to politics.
That the actors play the parts so seriously and hold straight faces while uttering such ridiculous lines is a winner. And the plot twists-- at first they're fighting ludicrous monsters... then the whole film takes on the trope of culinary documentary as it switches (for quite some time) to discussing the wondrous taste of monster meat... then back to trying to destroy those monsters. That's rich.
It's a gutsy satire that seems to have escaped a number of viewers. I enjoyed it all the way through (and no, I have no affiliation with the movie). I rate it 10 stars not because it's one of the best movies ever made-- but because it achieves exactly what the writers and director set out to achieve-- ludicrous on a sushi platter.
This is a movie to watch with friends with comments wide open. It is a humorous flick that reminds me somewhat of Schlock and Attack of the Killer Tomatoes. I find it difficult that anyone would watch a film so obviously cornball as this-- then down-rate it because it's exactly what it is presented to be: a goofy Japanese movie about absurd giant monsters (and the equally silly people who fight them). If ya don't like that kind of thing-- this isn't the movie for you. If you think Godzilla in a rubber suit is funny-- this is going to be a feast. With ramen.
And maybe too good in a way that'll make the director's lesser films pale in comparison. Here, the plot is like a spoof of a kaiju movie, where three small sea creatures get made giant. Then they rampage around like smellier, wetter Godzillas. Then much of the movie becomes about producing these monsters to create more meat, to feet starving populations. Then it goes back to being an action kaiju vs men movie (it feels like Neon Genesis Evangelion at times, except with giant seafood instead of Angels).
It's not very good, and might well be unwatchable to most sane people. But I got some entertainment out of it, and there were a few decent laughs and goofy costumes to marvel at. But the mockumentary format added surprisingly little, and it wasn't as gleefully or consistently absurd as the aforementioned Calamari Wrestler and Executive Koala, which were just funnier and also more frequently funny throughout. Monster Seafood Wars needed to push a little harder a little more of the time to live up to those earlier films.
क्या आपको पता है
- ट्रिवियाFor the films North American video release artist Matt Frank designed the cover as a reference to the film Space Amoeba, specifically its American poster, Yog, the Space Monster.
- कनेक्शनReferences San Daikaijû Chikyû Saidai no Kessen (1964)
टॉप पसंद
- How long is Monster SeaFood Wars?Alexa द्वारा संचालित