IMDb रेटिंग
6.2/10
62 हज़ार
आपकी रेटिंग
न्यूयॉर्क शहर के स्ट्रीट नर्तकियों का एक मजबूती से जुड़ा समूह खुद को एक उच्च-दांव वाले प्रोग्राम में दुनिया के सर्वश्रेष्ठ हिप हॉप नर्तकों के खिलाफ खड़ा पाता है.न्यूयॉर्क शहर के स्ट्रीट नर्तकियों का एक मजबूती से जुड़ा समूह खुद को एक उच्च-दांव वाले प्रोग्राम में दुनिया के सर्वश्रेष्ठ हिप हॉप नर्तकों के खिलाफ खड़ा पाता है.न्यूयॉर्क शहर के स्ट्रीट नर्तकियों का एक मजबूती से जुड़ा समूह खुद को एक उच्च-दांव वाले प्रोग्राम में दुनिया के सर्वश्रेष्ठ हिप हॉप नर्तकों के खिलाफ खड़ा पाता है.
- पुरस्कार
- 2 कुल नामांकन
Adam Sevani
- Moose
- (as Adam G. Sevani)
Stephen Boss
- Jason
- (as Stephen 'tWitch' Boss)
Oren Michaeli
- Carlos
- (as Oren 'Flearock' Michaeli)
Joseph Slaughter
- Julien
- (as Joe Slaughter)
Chadd Smith
- Vladd
- (as Chadd 'Madd Chadd' Smith)
फ़ीचर्ड समीक्षाएं
STEP UP 3D – CATCH IT ( B ) Step Up 3D has the most mind blowing and jaw dropping dancing. The music and dance performances of the movie are par excellence. All the dances are so fun to watch but Obviously the End Dance wins it all, it was Super Fantastic. The only thing Step up 3D lacked big time is its acting department, obviously all them can dance exceptionally well but their acting was quite poor except for Adam G.Sevani Aka. Moss and Alyson Stoner Aka. Cam. Adam and Alyson has prior acting experience so they were great along with their dancing. Adam and Alyson's road dance was one of the sweetest dance performance I've ever seen. Stunning looking Sharni Vinson danced really well and in some scenes she acted quite well. Gorgeous Boy Rick Malambri was the weakest Actor and Dancer among them all. His dancing with Sharni Vinson was great but in whole group he was the weakest link. Sadly, he had no expressions on his face whether he is serious, sad, happy or funny, he had the same expressions except when he Smiles. I think he got this job because of his looks because he is a terrible actor. One thing besides his good looks saved him was his awesome chemistry with Sharni Vinson. All the other dancers were great in dancing and terrible in acting. Overall its highly enjoyable because of its Incredible dance routines so, if we forget the terrible acting by most of them, its pretty good.
Okay, first of all, remember folks, that dancers aren't actors. And apparently no one was a writer either because the script sounded like it was written in about 10 minutes, BUT, this movie was thoroughly entertaining anyway.
Me and my hip hoppers saw this movie after dance class and we were NOT disappointed! When we weren't watching the mesmerizing dance routines, we were laughing out loud at the horribly cheesy dialogue and plot.
The best part of the movie,(besides the dancing), is the character Moose. He is our main protagonist and is the most believable in regards to acting and character development. He and his BFF have a more convincing romantic storyline than their two older beautiful people counterparts.
If you can kick back, relax, and enjoy the dancing and not take this movie too seriously, you will love it! Especially if you are a dancer.
Me and my hip hoppers saw this movie after dance class and we were NOT disappointed! When we weren't watching the mesmerizing dance routines, we were laughing out loud at the horribly cheesy dialogue and plot.
The best part of the movie,(besides the dancing), is the character Moose. He is our main protagonist and is the most believable in regards to acting and character development. He and his BFF have a more convincing romantic storyline than their two older beautiful people counterparts.
If you can kick back, relax, and enjoy the dancing and not take this movie too seriously, you will love it! Especially if you are a dancer.
If you've seen one break-dance flick, then let's be frank, you've seen them all. The blue print is the same each and every time, lots of awesome dance sequences with gap-filling scenes of excruciating acting, non-existent plot and direlogue that wouldn't feel out of place in a Z-grade horror film. With those standards in mind, the most effective entries into this genre do two very simple things: maximise the eye-boggling dance routines and minimise the yawn-inducing guff that fills the rest of the runtime.
Step Up 3D only gets half of the above equation right. An unnecessary amount of time is wasted on boring dross like predictable plot twists and deep and meaningful (read: long and laughable) conversations about how profoundly dancing can affect people. Honestly, who cares? From the moment the main character tells his new BFF that "he's BFAB, born from a beatbox" in the first ten minutes, all further dialogue should've been ceased immediately. I'm serious, they should've let the music and moves do the talking for the remaining 90 minutes. That way our gag-reflex wouldn't have been tested by Vinson (ex-Home and Away star) and Malambri's acting.
When the bodies are twirling, contorting, flinging, jumping, smashing or moving like a robot the film unsurprisingly finds its legs. Choreographed with flair and panache, the set-pieces incorporate the 3D technology decently enough by having dancers approach the camera with fast, whippy hand movements, however the depth of the stage was employed more successfully by its British counterpart StreetDance 3D. Regardless, there are still a handful of entertaining dance-offs that impress on varying levels.
Replete with the freshest hip-hop tunes and sporadic inventiveness – mainly in the form of illuminated costumes – this trilogy-closer may tickle your fancy, but that is wholly reliant on whether you're BFAB or not.
2.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
Step Up 3D only gets half of the above equation right. An unnecessary amount of time is wasted on boring dross like predictable plot twists and deep and meaningful (read: long and laughable) conversations about how profoundly dancing can affect people. Honestly, who cares? From the moment the main character tells his new BFF that "he's BFAB, born from a beatbox" in the first ten minutes, all further dialogue should've been ceased immediately. I'm serious, they should've let the music and moves do the talking for the remaining 90 minutes. That way our gag-reflex wouldn't have been tested by Vinson (ex-Home and Away star) and Malambri's acting.
When the bodies are twirling, contorting, flinging, jumping, smashing or moving like a robot the film unsurprisingly finds its legs. Choreographed with flair and panache, the set-pieces incorporate the 3D technology decently enough by having dancers approach the camera with fast, whippy hand movements, however the depth of the stage was employed more successfully by its British counterpart StreetDance 3D. Regardless, there are still a handful of entertaining dance-offs that impress on varying levels.
Replete with the freshest hip-hop tunes and sporadic inventiveness – mainly in the form of illuminated costumes – this trilogy-closer may tickle your fancy, but that is wholly reliant on whether you're BFAB or not.
2.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
I have to say that I am a fan of the series. The dancing in the first movie was great, but the subsequent films has had amazing numbers. I could see why Chu would want to do the film in 3D. 3D is the "it" thing these days, and the dance sequences were enhanced by the technology. That being said, 90% of the film didn't require 3D. I hate wearing the glasses unless I'm on a ride at Disney. I feel like a lot of the films that employ 3D technology also release a 2D version (a good thing for people like me). I wish Step Up 3D would have given the option, even if the name denotes the extra dimension. As for the cast, I was disappointed in the male lead but not because of his acting or looks. He is beautiful and can act. However, he apparently can't dance. I felt like if he was going to stand on the sidelines during battles or have obvious doubles they could have played him even heavier as the "director". Moose and Camille pulled off what could have been an impossibility: tying the first and second film together with the third in a realistic manner. Unlike Channing Tatum's cameo to tie the first and second films together, making Moose and Camille besties going to college together was brilliant. The soundtrack is great (even though some of the songs you'll recognized from other recent shows: Glee and Sex and the City). All in all, I enjoyed the movie and left the theater wanting to dance. The film (like any self- respecting franchise) leaves it wide open for a fourth. A word of advice: make like The Fast and the Furious and wait 'til you're missed and can get the entire cast together to go for #4.
"Step Up 3D" maybe the best 3D movie since "Avatar". You laugh. For one thing "Step Up 3D" was filmed in 3D—no post production enhancement. Seeing amazing street dancing is visually stunning in 3D. One distinguishing sequence has Moose (Adam G. Sevani) splashing his moves on the water flooded stage. In another electrifying sequence the dance troop Pirates move in unison in LED lit costumes. One sees "Step Up 3D" for the 3D—entirely.
No ground breaking storytelling here. Amy Anderson and Emily Meyer's screenplay barely eclipses perfunctory. This is the coming of age story of misunderstood young people overcoming the odds to compete in the First Annual World Dance Jam. The dialogue is awful. We endure the speaking interludes throughout the movie to get to the dancing, which is spectacular. Director Jon Chu has a dramatic sense of line and chaos with a provocative and flourishing visual style.
The dancing is spectacular. Jon Chu has assembled some of the best street dancers in the world. The Santiago Twin (spirited Martin and Facundo Lombard) just kill in the World Dance Jam. Chadd Smith as Vlad, whose specialty is the Robot dance, is absolutely awesome—in 3D the effect is mesmerizing. Sharni Vinson, who plays stunningly beautiful and ripped nomad street dancer Natalie, is elevation and grace combined. The capoeira practice she performs with Luke (cool and handsome Rick Malambri) is high velocity precision. Chu is also a student of the classic musical. He films an homage to "Singing in the Rain" in a single take with Moose and his almost girlfriend Camile (Alyson Stoner) as they duet down the street. Chu also provides such visual texture and touch in the World Dance Jam itself mixing the Wushu influenced Asian street dancers along with the breakers and the poppers.
Even with the corny dialogue and lame story lines, the opening sequence gets it right. Luke (Malambri) runs a shelter and dance studio for down and out street dancers- his parents' legacy. Luke's passion is film-making. As the movie opens we see Luke film interviews with his dancers. This wonderfully captures that dancers are never more present to life or have more joy than when they are dancing. Authentic passion transcends the written words, and is inspired. In a roundabout way "Step Up 3D" is at its best when it is in the moment in 3D, Otherwise, we are left with that Moose is too stupid, albeit a brilliant engineering student, to see that Camile is in love with him, and that he really loves her. Mysterious Natalie may not be who she appears, and that she and Luke are falling for each other. And does anyone really take a train to Los Angeles from New York?
We kind of know the answers to these questions. So what there is to do is enjoy the dancing.
No ground breaking storytelling here. Amy Anderson and Emily Meyer's screenplay barely eclipses perfunctory. This is the coming of age story of misunderstood young people overcoming the odds to compete in the First Annual World Dance Jam. The dialogue is awful. We endure the speaking interludes throughout the movie to get to the dancing, which is spectacular. Director Jon Chu has a dramatic sense of line and chaos with a provocative and flourishing visual style.
The dancing is spectacular. Jon Chu has assembled some of the best street dancers in the world. The Santiago Twin (spirited Martin and Facundo Lombard) just kill in the World Dance Jam. Chadd Smith as Vlad, whose specialty is the Robot dance, is absolutely awesome—in 3D the effect is mesmerizing. Sharni Vinson, who plays stunningly beautiful and ripped nomad street dancer Natalie, is elevation and grace combined. The capoeira practice she performs with Luke (cool and handsome Rick Malambri) is high velocity precision. Chu is also a student of the classic musical. He films an homage to "Singing in the Rain" in a single take with Moose and his almost girlfriend Camile (Alyson Stoner) as they duet down the street. Chu also provides such visual texture and touch in the World Dance Jam itself mixing the Wushu influenced Asian street dancers along with the breakers and the poppers.
Even with the corny dialogue and lame story lines, the opening sequence gets it right. Luke (Malambri) runs a shelter and dance studio for down and out street dancers- his parents' legacy. Luke's passion is film-making. As the movie opens we see Luke film interviews with his dancers. This wonderfully captures that dancers are never more present to life or have more joy than when they are dancing. Authentic passion transcends the written words, and is inspired. In a roundabout way "Step Up 3D" is at its best when it is in the moment in 3D, Otherwise, we are left with that Moose is too stupid, albeit a brilliant engineering student, to see that Camile is in love with him, and that he really loves her. Mysterious Natalie may not be who she appears, and that she and Luke are falling for each other. And does anyone really take a train to Los Angeles from New York?
We kind of know the answers to these questions. So what there is to do is enjoy the dancing.
क्या आपको पता है
- ट्रिवियाWith an opening weekend tally of $15.8 million, this was the lowest-earning movie of the "Step Up" movies. However, the film went on to international grosses of $159,000,000, making it the biggest earner of its (at the time) films.
- गूफ़At the final battle where Julien takes 2 of his crew members as dogs with chains, he once wears his jacket, the next shot he stands there without it and so on.
- क्रेज़ी क्रेडिटAt the beginning of the end credits there's a scene in which Jay Franco (aka J-Smooth) sits on a chair and performs an impressive catalog of finger tutting moves
- कनेक्शनFeatured in The Tonight Show with Jay Leno: एपिसोड #18.93 (2010)
- साउंडट्रैकEmpire State of Mind
Written by Jay-Z (as Shawn Carter), Alicia Keys (as Alicia Augello-Cook), Angela Hunte, Bert Keyes, Sylvia Robinson, Janet Sewell (as Jane't Sewell), Al Shux (as Al Shuckburgh)
Performed by Jay-Z featuring Alicia Keys
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
Alicia Keys appears courtesy of J Records
Contains a sample of "Love on a Two Way Street"
Performed by The Moments
Courtesy of Sugarhill Records Ltd.
By Arrangement with Warner Music Group Film & TV Licensing
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Step Up 3D?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $3,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,24,00,223
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,58,12,311
- 8 अग॰ 2010
- दुनिया भर में सकल
- $15,92,91,809
- चलने की अवधि
- 1 घं 47 मि(107 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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