Corsage
- 2022
- 1 घं 54 मि
IMDb रेटिंग
6.5/10
11 हज़ार
आपकी रेटिंग
ऑस्ट्रिया की महारानी एलिज़ाबेथ के जीवन का एक काल्पनिक वृतांत. 1877 क्रिसमस पूर्व संध्या पर, सुंदर एलिज़ाबेथ, 40 वर्ष की हो जाती है और आधिकारिक तौर पर बूढ़ी महिला माने जाने पर; अपनी सार्वजनिक... सभी पढ़ेंऑस्ट्रिया की महारानी एलिज़ाबेथ के जीवन का एक काल्पनिक वृतांत. 1877 क्रिसमस पूर्व संध्या पर, सुंदर एलिज़ाबेथ, 40 वर्ष की हो जाती है और आधिकारिक तौर पर बूढ़ी महिला माने जाने पर; अपनी सार्वजनिक छवि बनाए रखने की कोशिश करती है.ऑस्ट्रिया की महारानी एलिज़ाबेथ के जीवन का एक काल्पनिक वृतांत. 1877 क्रिसमस पूर्व संध्या पर, सुंदर एलिज़ाबेथ, 40 वर्ष की हो जाती है और आधिकारिक तौर पर बूढ़ी महिला माने जाने पर; अपनी सार्वजनिक छवि बनाए रखने की कोशिश करती है.
- 1 BAFTA अवार्ड के लिए नामांकित
- 17 जीत और कुल 43 नामांकन
सारांश
Reviewers say 'Corsage' delves into Empress Elisabeth of Austria's conflict with societal norms and personal autonomy, emphasizing beauty, power, and gender limitations. Vicky Krieps' performance is lauded for its depth and complexity. However, the film faces criticism for its sluggish tempo, historical inaccuracies, and disjointed storyline. Some find the anachronistic aspects and historical deviations distracting. Despite these drawbacks, the film's cinematography, costume design, and Krieps' captivating performance are often noted as significant strengths.
फ़ीचर्ड समीक्षाएं
Vicky Krieps just might be the biggest name in European cinema right now: 2021 alone saw her star in six productions, under direction of everyone: from M. Night Shyamalan in ओल्ड (2021) to Mia Hansen-Løve in Bergman Island (2021) and Mathieu Amalric in Hold Me Tight (2021). Her performances have been consistently critically acclaimed, as is bound to be the case with Corsage.
Focussing on one year - 1878, we are reminded throughout the film - Corsage sets out to tell the story of Empress Elisabeth of Austria (1837-1898), known as Sissi, although the movie has no use for that nickname. The picture, written and directed by Austrian film-maker Marie Kreutzer, liberally blends fact and fiction: when asked how much of her work was faithful to history, Kreutzer said in an interview that she could not remember exactly. There are elements to the narrative (such as the ending) that are obvious inventions, while the rest is an amalgamation. The result is credible until it isn't; the background images being most at fault - who knew that electric floor lamps were so popular in the Kingdom of Bavaria. (Comparatively, the intentionally anachronistic music choices, like 'As Tears Go By' played on the harp, succeed in appearing an intrinsic part of the narrative.)
Corsage is very much a story of a person who sees herself as trapped while, possibly, enjoying the most freedom out of everyone we encounter. The visits Elizabeth pays to a psychiatric asylum and to see wounded, bed-ridden soldiers strike as performative, but the choice of her compassionate causes seems rooted in identifying her circumstances with theirs. Why, the empress cannot leave her position either - or can she?
Corsage is very successful in its depiction of a complex, not entirely sympathetic person. It is quite careless about the tools used to achieve that goal - yet, if you watch the film to its very last bit, the end credits include a scene of Vicky Krieps dancing in an empty gymnasium (the flaking paint is supposed to symbolise the decay of the monarchy). She is mesmerising. She is also wearing a false moustache, as a final reminder from Corsage to not take the production too literally.
Focussing on one year - 1878, we are reminded throughout the film - Corsage sets out to tell the story of Empress Elisabeth of Austria (1837-1898), known as Sissi, although the movie has no use for that nickname. The picture, written and directed by Austrian film-maker Marie Kreutzer, liberally blends fact and fiction: when asked how much of her work was faithful to history, Kreutzer said in an interview that she could not remember exactly. There are elements to the narrative (such as the ending) that are obvious inventions, while the rest is an amalgamation. The result is credible until it isn't; the background images being most at fault - who knew that electric floor lamps were so popular in the Kingdom of Bavaria. (Comparatively, the intentionally anachronistic music choices, like 'As Tears Go By' played on the harp, succeed in appearing an intrinsic part of the narrative.)
Corsage is very much a story of a person who sees herself as trapped while, possibly, enjoying the most freedom out of everyone we encounter. The visits Elizabeth pays to a psychiatric asylum and to see wounded, bed-ridden soldiers strike as performative, but the choice of her compassionate causes seems rooted in identifying her circumstances with theirs. Why, the empress cannot leave her position either - or can she?
Corsage is very successful in its depiction of a complex, not entirely sympathetic person. It is quite careless about the tools used to achieve that goal - yet, if you watch the film to its very last bit, the end credits include a scene of Vicky Krieps dancing in an empty gymnasium (the flaking paint is supposed to symbolise the decay of the monarchy). She is mesmerising. She is also wearing a false moustache, as a final reminder from Corsage to not take the production too literally.
This film was beautifully shot and I enjoyed the aesthetics. The lead actress was entertaining, and sometimes spellbinding. But that's about it.
It can't even be described as a 'slow burn' as that usually includes some ups and downs, but this really didn't. It was such a steady storytelling that I never felt any highs or lows.
I was very confused as this was supposed to be 19th century but had elements of 20th century. That distracted me as I didn't get a sense of place or time to try and plug into the story.
Overall a film that will probably appeal to those more intelligent/informed/interested than I am.
It can't even be described as a 'slow burn' as that usually includes some ups and downs, but this really didn't. It was such a steady storytelling that I never felt any highs or lows.
I was very confused as this was supposed to be 19th century but had elements of 20th century. That distracted me as I didn't get a sense of place or time to try and plug into the story.
Overall a film that will probably appeal to those more intelligent/informed/interested than I am.
It has been many months since I came across a new film as satisfying as this one. The unusual device of seeding a big-budget costume drama with anachronisms to signal that something applicable across time is being communicated does alas lend itself to misunderstanding. It is good enough for this to be merely a vehicle for Ms. Krieps. That being a woman is complicated no matter the time period or the circumstances is enough for a premise.
To best be able to enjoy Corsage, I recommend finding out as little as possible about its many surprises in advance. But I do recommend finding out about the pertinent history and people, and in particular, to see the old Sissi films with Romy Schneider. This film is intended for German speakers, after all. I can easily imagine the two renditions of Empress Elizabeth as the same personality at different points in her life. Cf. Sisi (2021)
Hint: the secondary dictionary meaning of "corsage" is intended.
To best be able to enjoy Corsage, I recommend finding out as little as possible about its many surprises in advance. But I do recommend finding out about the pertinent history and people, and in particular, to see the old Sissi films with Romy Schneider. This film is intended for German speakers, after all. I can easily imagine the two renditions of Empress Elizabeth as the same personality at different points in her life. Cf. Sisi (2021)
Hint: the secondary dictionary meaning of "corsage" is intended.
There are several different ways to watch this movie.
You could analyze its historical accuracy, and you would find grounds for criticism.
You could be bothered by the fact that we're expected to sympathize with an empress, and you would find her personal struggles tiny, even pathetic, compared to the realities of her people.
But you could also decide to enjoy the acting, the script and the beautiful settings. And I did. The brilliantly understated acting by Vicky Krieps forms the core of this movie, and she is supported by great performances by almost the entire cast. All in all, writer/director Marie Kreutzer and the actors make this story believable, even surprisingly relatable.
You could analyze its historical accuracy, and you would find grounds for criticism.
You could be bothered by the fact that we're expected to sympathize with an empress, and you would find her personal struggles tiny, even pathetic, compared to the realities of her people.
But you could also decide to enjoy the acting, the script and the beautiful settings. And I did. The brilliantly understated acting by Vicky Krieps forms the core of this movie, and she is supported by great performances by almost the entire cast. All in all, writer/director Marie Kreutzer and the actors make this story believable, even surprisingly relatable.
Life begins at forty, or so they say, so much living to enjoy from that big day, you can starve yourself to death, injecting drugs, to reduce stress, seduce your cousin, to find he doesn't want to play. As an Empress, you have everything you want, the world outside wants to see what you have to flaunt, but you like to use a double, can't be bothered with the trouble, and you've cut your hair, to ridicule and taunt. It's been observed, that you've become, a little vain, look for compliments, to take away the pain, your husband's disengaged, you often cause him some outrage, you have disdain that you suck in, and then constrain.
Great performance from the wonderful Vicky Krieps but if you're not a huge fan of the character or the era you may find it a little less engaging than you might like.
Great performance from the wonderful Vicky Krieps but if you're not a huge fan of the character or the era you may find it a little less engaging than you might like.
क्या आपको पता है
- ट्रिवियाThe real Empress Elisabeth Of Austria refused all portraits or photographs after the age of 40 to maintain her youthful public image.
- गूफ़Franz Joseph I of Austria never blamed his wife, the Empress Elisabeth of Austria, for the death of Archduchess Sophie of Austria. The criticism of Elisabeth's parenting came from her mother-in-law, Princess Sophie of Bavaria.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Corsage?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Corsage. La emperatriz rebelde
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- €75,00,000(अनुमानित)
- US और कनाडा में सकल
- $7,05,767
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $32,285
- 25 दिस॰ 2022
- दुनिया भर में सकल
- $31,10,623
- चलने की अवधि1 घंटा 54 मिनट
- रंग
- पक्ष अनुपात
- 2.39 : 1
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