Casino Jack

Movies like this, Spinning Boris, Barbarians at the Gate, Recount, bla bla bla... A lot of the reviewers on this board are treating this like a real movie and complaining about the style, the pacing, the acting, or whatever. They don't realize that the HBO docudrama is a genre of its own, and they all are directed like this, and have this kind of music and structure and pacing and so on. If you've seen one, you've seen them all. They are fakey, boringly executed accounts of real things that happened, they feel like they take a million years to watch, and they really only appeal to people the first time they see one.

Republican culture is full of sleazy, cynical con artists with big dreams that hinge on manipulating people and ripping them off. This movie is about two such men, Jack Abramoff and Mike Scanlon, and they are worthless people that no one with a soul can empathize with or relate to at all. Watching them make their plans and cheat people and be disloyal to their friends and lovers is boring. there's no entertainment value to it.

In movies like this it is important for the screenwriters to feel that they've painted their main character as an irascible, charismatic character, rascally and witty, full of little zinger lines and whatnot. The real Jack Abramoff seems to be a boring douchebag, and he probably did constantly do impressions of celebrities, but I doubt he was as interesting to watch as Kevin Spacey (who is not interesting enough to save this movie).

Kevin Spacey is truly an actor to adore. The Two-Time Academy-Award Winner has proved his talent time and again. In 'Casino Jack', he gets even better and delivers a superb performance.

'Casino Jack' is based on Jack Abramoff. Abramoff, is one of the most notorious lobbyist's ever. 'Casino Jack', however focuses, on the time when Abramoff & his protégé went down hard...as their schemes to peddle influence lead to corruption and a brutal murder.

Director George Hickenlooper does a good job, while Norman Snider's writing is flawed. The writing in the first hour is spot-on, but in the second hour, it falters. Even the culmination for that matter, doesn't leave the desired impact. Acting wise, as told, Spacey owns the film. He plays Abramoff superbly. He truly is an Icon! Barry Pepper is Excellent.

On the whole, 'Casino Jack' can be viewed once, for it's lead star's performance. Must for Spacey Fans!

2010 seems to be the year that Hollywood universally decided to take its look at one of the great government scandals this past decade, producing both the documentary Casino Jack and the United States of Money, and this accompanying (albeit more fictionalized) account of disgraced lobbyist Jack Abramoff. After seemingly searching for a juicy role since his duel Oscar winning performances in the mid to late '90s with The Usual Suspects and American Beauty, Kevin Spacey is back in fine form and dominates the screen in this frequently enjoyable, though heavily flawed, rise and fall fable.

Oddly, what makes this movie great also represents its largest shortcomings. The acting is as varied as Abramoff's excuses pertaining to the generous "donations" he receives in the film itself. Barry Pepper as Jack's right-hand man Michael steals scenes at a whim when given the chance and could have easily elevated the film further if given more screen time. Spacey is superb bringing a delicious blend of pompous charm and sleazy anger to the role, and even manages to deliver both a credible Sylvester Stallone and Al Pacino impression amidst the political turmoil his character eventually encounters.

On the other hand, there are some disastrously misguided casting choices, beginning with Kelly Preston as Jack's wife and even though she exhibits some swagger towards the beginning to the film, she is unable to keep up with more skilled thespians as situations escalate towards the finale. The most egregious error is most certainly the inclusion of Jon Lovitz as the owner of a cruise line and casino who undertakes business dealings with Abramoff. Lovitz has proved himself a skilled comedian in supporting roles and did consistently great voice work on The Simpsons. Here, he is an unmitigated disaster, single handily sinking the picture on multiple occasions. He seems oblivious as to when to calm down, his camera mugging and inflections are grinding, and he is apparently unable to quit being Jon Lovitz and simply shut up; this is simply a poor choice by late director George Hickenlooper.

The story at play is a fascinating one, and seeing Jack at his manipulative best even as his world comes crashing down is engrossing. The middle portion however does its bookend acts an injustice, sagging down the segments exploring the infamous lobbyist rise and his inevitable fall. Hickenlooper seems unable to decide how to structure the transition; not how Spacey handles the material pertaining to his character's downfall, but rather the jumble of events by which it is precipitated. Though the event itself makes for inspired reading in venues such as the news or a fact-based doc, perhaps there is not enough substantial material (or maybe too much) to make a fully compelling fictionalized account.

Though ultimately less than the sum of its parts, Casino Jack is timely, passionately constructed and true to its source events. Abramoff is successfully made into the three-dimensional character that those close to him likely knew, and that the media was never able to (or more likely never wanted to) capture. Spacey is without a doubt a large part of this indelibly fiery characterization and strangely (obviously for reasons we will never know) seems more invested in this character than he has in any during the last ten years. Casino Jack's follies are all the more disappointingly glaring considering how strong the hard-hitting portions were, and though better than the average fact-based account, good enough is never good enough when greatness seems to be within reach.

Both gobsmakingingly awesome in its (true) take on Washington and just way OTT look at the Beltway, CJ is just so good. Honestly, if this had been made as fiction you'd shoot it down as implausible - the stink goes how high? - but here we see lobbyist and senators in cahoots to get the dollar in their pocket at the expense of just about every body else.

Spacey is in fine form, with a sterling support cast, and the film is best viewed as a buckle up and grin fair ride to the underbelly of politics - it really is so way beyond your standard black comedy or satire that it's just jaw dropping.

We enjoyed CJ - it doesn't aim to be a political thriller or have any great message but it is a lot of black comedy and seriously messed-up situations from beginning to end.....

Have fun now.....

How long can you screw someone before you get caught? The true story of super-lobbyist Jack Abramoff (Spacy) and his partner Michael Scanlon (Pepper). After finding a contribution loophole, Abramoff and Scanlon begin to exploit this and become very, very rich. I enjoyed this movie. I like true story movies, and I really enjoy political ones too. There was a lot of stuff in here I didn't know about. The amount he took and the favors he gave out are astounding. This movie really exposes the lengths that he and other senators will go to in order to get what they want. The movie is filled with different movie quotes from the "Godfather", "Rocky" and others, which is fun (Spacy is a pretty good impressionist). Overall I really liked this movie, and found myself liking Abramoff even less then before. The amount of money he through around to get his way is enough to make you sick, especially when you think a lot of our tax money went to helping him by a casino boat. Abramoff gets an F, as for the movie, I give it a B+.

Would I watch again? - Yes I would, this is the kind of movie I like