La horde

There is always an argument among zombie purists. Should the walk slow as in most zombie films, or can they run? This is the running type, so the purists may be disappointed.

Yes, there was blood and gore - plenty of it. No self-respecting zombie movie can exist without it, just as no self-respecting vampire movie would eschew blood for glitter.

It was non-stop action from start to finish. As you would expect in real life, it was loud, very loud. These people were literally screaming for their lives.

The ending was predicable, but effective nonetheless. Just could not take my eyes off Claude Perron (Amélie) throughout the film. She did a superb job, as did Eriq Ebouaney (Lumumba, Hit-man, Transporter 3).

The French film "La Horde" doesn't exactly bring a fresh approach to the over saturated zombie genre, yet is still entertaining enough for what it is. It benefits from its breakneck pace and intensity, and is just as much about character as it is bloodshed. (Not that it skimps in the gore department at all, though, far from it.) A quartet of detectives - Aurore (Claude Perron), Ouessem (Jean-Pierre Martins), Jimenez (Aurelien Recoing), and Tony (Antoine Oppenheim), find the dead body of a colleague and turn rogue, vowing to avenge his death. Unfortunately, things don't go as planned: first, their quarry, gangster Adewale (Eriq Ebouaney), is able to get the drop on them, and start torturing them, then this big mess becomes an even bigger one when scores upon scores of the living dead start to overwhelm humanity, as the apocalypse seems to have begun. While this is all pretty predictable in terms of the script, "La Horde" does manage to entertain by ensuring that its audience never gets bored. It starts quietly enough, but soon it's kicked itself into a high gear and has stayed there. Some zombie cinema lovers may take exception to the fact that these are very FAST zombies, as well as to the generous array of digital rather than practical carnage, but if you don't concern yourself too much with those elements, you may find this a reasonable viewing experience. The characters, by and large, are NOT sympathetic, including the cops, so the lack of rooting interest may make this hard for some people to follow. Still, as in any film with a similar premise, there is a certain amusement in seeing cops and crooks alike being forced to team up in order to survive - and, as we can see, the crooks aren't completely one- dimensional. The acting is good for this sort of thing. Both Martins and Ebouaney have a formidable screen presence, and Martins has one hell of a great exit where he truly goes down fighting. While "La Horde" may not be among the most stimulating films of its kind - at least in an intellectual way - one could definitely do far worse, as it manages to maintain a fever pitch for much of its duration. Seven out of 10.

La Horde is probably the best action film of the year. It doesn't work as an out and out horror but it is a balls out insane action film. The plot in cops and criminals join forces in a tower block as the End of Days happens and the dead return as bloodthirsty aggressive zombies. If you like action brutal, bloody and violent then see this. The plot isn't anything original but this film has verve by the bucketload. The scares are good and the tension is slowly built higher and higher. The only complaint is that the ending isn't clever despite being different.

Go see it if you love robocop/28 days later/dawn of the dead.

Great fun.

I have watched this film moments after seeing a low budget German zombie flick and so I could see the differences between the two immediately. While Rammbock was low budget, this one had lots of weapons and effects and plenty of gore; La Horde had superviolent gangsters and cops (the French kind, a la Luc Besson), the other one had painfully average people; the Germans had natural reactions, while the French were complete idiots; German film had believability while La Horde was ridiculous just when starting to like it. And so on and so on...

Bottom line: La Horde had the ingredients for a great movie. I was expecting (maybe that was my problem) a combination between From Dusk Till Dawn and Nid de Guêpes. It was neither, as the characters wasted bullet after precious bullet shooting zombies in the body (even if they noticed the only effective shots where legs and head) or shouting in anger and/or fear. And the thing is, in France, old men and young women are a lot scarier than zombies. Eriq Ebouaney was the highlight of the movie, but mainly because of his almighty blackness and acting, not his script lines.

When detective Mathias Rivoallan is found murdered by the gang led by the Nigerian Markudi (Eriq Ebouaney), detectives Jimenez (Aurélien Recoing), Aurore (Claude Perron), Ouessem (Jean-Pierre Martins) and Tony (Antoine Oppenheim) decide to revenge the death of his friend. The vigilantes plot bloodshed, executing Markudi, his brother Bola (Doudou Masta) and the other gangsters in the abandoned building where they are gathered. However, things go wrong when the watchman arrives and the violent gang subdues the quartet and tortures them. Meanwhile, the lookouts of the gang hear explosions, sirens and the weird sound of rabble. Sooner the survivors discover that the building is under siege of a horde of walking dead and the hungered zombies want to eat them. Ouesseem and Aurore team up with Markudi, Bola, Grego (Jo Prestia) and the veteran René (Yves Pignot) and together they have to fight against the zombies trying to find an exit from the building.

"La Horde" is an insanely gore and violent French horror film. The gore recalls "Braindead", but without the black humor of the trash cult movie of Peter Jackson. The plot is full of action, but none of the characters is likable. The origin of the walking dead is not developed and has only a minor explanation on television that mentions an epidemic. On the contrary of George Romero's slow zombies, in this flick they run like hell. My vote is six.

Title (Brazil): "Legião do Mal" ("Legion of the Evil")