La horde

I have watched this film moments after seeing a low budget German zombie flick and so I could see the differences between the two immediately. While Rammbock was low budget, this one had lots of weapons and effects and plenty of gore; La Horde had superviolent gangsters and cops (the French kind, a la Luc Besson), the other one had painfully average people; the Germans had natural reactions, while the French were complete idiots; German film had believability while La Horde was ridiculous just when starting to like it. And so on and so on...

Bottom line: La Horde had the ingredients for a great movie. I was expecting (maybe that was my problem) a combination between From Dusk Till Dawn and Nid de Guêpes. It was neither, as the characters wasted bullet after precious bullet shooting zombies in the body (even if they noticed the only effective shots where legs and head) or shouting in anger and/or fear. And the thing is, in France, old men and young women are a lot scarier than zombies. Eriq Ebouaney was the highlight of the movie, but mainly because of his almighty blackness and acting, not his script lines.

The film has a frantic pace and the first scene is the discovery of a police officer found dead in a rubbish pit. At the funeral his colleagues vow to kill the men responsible and track them down to a condemned and abandoned tower block on the city outskirts. The raid isn't too successful and the police find themselves at the mercy of the violent gang members. However, something stirs outside in the night and within minutes all hell breaks loose. The cops and gang members must reluctantly work together if they want to escape from the tower block alive. There are one or two scenes of complete overkill and plenty of blood to keep zombie fans happy. Don't really know to refer to them as zombies or not but they are like the infected in 28 days later. The film only really slows down in the middle for a short period before heading to a bloody and violent conclusion.

Certainly one of the better zombie films to be released in the last few years and very enjoyable.

There is always an argument among zombie purists. Should the walk slow as in most zombie films, or can they run? This is the running type, so the purists may be disappointed.

Yes, there was blood and gore - plenty of it. No self-respecting zombie movie can exist without it, just as no self-respecting vampire movie would eschew blood for glitter.

It was non-stop action from start to finish. As you would expect in real life, it was loud, very loud. These people were literally screaming for their lives.

The ending was predicable, but effective nonetheless. Just could not take my eyes off Claude Perron (Amélie) throughout the film. She did a superb job, as did Eriq Ebouaney (Lumumba, Hit-man, Transporter 3).

a very good french zombie film. It ticks all the boxes and has enough gore and dark humor for 'zombie' and horror fans. A cult film that is well acted, shot and is so much more fun than Dawn of the Dead style Hollywood films.

PLOT - a gang in a high rise flat are busted by undercover police. When the gang kill one of the cops it all goes wrong. Cue hundreds of zombies, weapons and hack and slash survival gore (with sick humor thrown in). Oh and of course there is the old clichéd 'has been bitten' rows.

Don't take it seriously and enjoy this mindless zombie survival fest, in a council tower block. It is like a French version of 28 Days Later.

Like Zombies? Bored? Try THE HORD :)

Not recommended for fans of typical zombie films.

Recommended for those who have been waiting for an independent horror film which does not simply make fun of the genre.

A team of angry Parisian police officers vow revenge against a gang lead by two Nigerian brothers who have recently killed a friend of theirs. They lead a seemingly suicidal, unsanctioned, raid on the gang's compound and are almost immediately captured. As the torture, interrogation, and killing of police slowly reaches an apex, it becomes apparent that the cops and gangsters should probably be the least of each other's worries. Inexplicably, zombies are destroying civilization, and Paris is burning. Don't be fooled by the complete absurdity of this premise. The Horde, though redolent with the usual genre-defining campiness and cliché, is not a self-parody, and does not bother to explain itself.

Aside from Mr. Romero's more serious efforts, I have rarely seen a zombie film which was created with the level of TLC that went into The Horde. Most of the characters actually have their own personalities and the acting is good. The script is, though predictable, a lot less absurd than the usual horror film, and never insults your intelligence. Though the film is not utterly humorless, it stops well short of comedy, and carries its plot admirably. The visual effects and choreography are excellent. Claude Perron's fight scenes are especially entertaining.