Händelser vid vatten

As someone who grew up in the 70's ( although not in Sweden ) I like the the sense of the 70's in those parts of the series that play in the 70's. Also the story line ( although slow ) I like. However... the switches between 1973 and 1991 I don't understand when it comes to choice of characters. Characters that are about 30 years old in 1973 are played in 1991 by actors in their end sixties/ seventies. 30+18 is still only 48 to me, so the choice of characters playing the 1991 versions of Annie, the doctor etc are way off, although played well. On the other hand Mia seems to fit in the timeline.

In short... I like the story line by I am not convinced and confused by the timeline.

Hope they do more like this. Didnt wanted it to end. The August family and Lassgård is excellent.

I especially liked the 70's part of it, it felt like I was in that pediod of time with the clothes, music, cars and so on.

Didnt think it was obvious what was going to happen, it is very mysterious and special and I can understand why its not suitable for everyone.

Its a serie where you dont do anything else than whatch it, cause if you look at the phone at the same time you might miss clues. I think I will watch it again sometime just to understand some of the mysterious parts in the beginning and just to se the beautiful nature up in north. And ofcourse dont forget the music its perfect.

Rolf Lassgård and Pernilla August bring passion and authenticity to two of many characters in a remote northern Swedish community, haunted by a murder almost 20 years prior. The story takes us on a journey from the 70's to the 90's without any artificial sensations in favour for a realistic tale of individual ordeals to come to terms with the actions of the past to understand the struggles of the present. Pernilla August is supported by her equally talented daughters. Rolf Lassgård demonstrates again that he delights the viewers with his portrail of an every day character who brings about clarity and truth to a tale where intolerence and injustice cripples people and society.

This Series may not deliver the suspenseful crime thriller some might expect, but it offers a deep, moody experience that's rich in atmosphere and character. The story moves between the 1970s and 1991, exploring a mysterious double murder, a strange commune, and complex people with buried secrets. The timeline, however, is a bit confusing-actors in the '90s scenes look far too old for characters who should only have aged 18 years since the '70s. It's distracting and breaks the immersion.

The commune itself feels intentionally unsettling-sexually exploitative and strangely cultish. Meanwhile, the logging family is almost cartoonishly violent, making some scenes feel over the top. These elements are clearly meant to challenge viewers, but they can be frustrating to watch.

The setting and acting are definite highlights. The 1970s sequences are especially well done, capturing the mood and ideology of that time in Sweden. However, the story doesn't always connect its twists smoothly, and the final scene feels more like a twist for shock value than something truly meaningful.

If you're hoping for a tight crime plot, this might disappoint. But as a slow-moving character drama with Nordic flair, it is more than decent. Just be prepared for some odd character and performer choices (I can only imagine that Alba August is "pushed" into so many films and series due to her parents only).

Overall, okay watching if you enjoy thoughtful pacing, quirky characters, and a moody 70s setting more than a fast-paced mystery.

The series proceeds at a methodical pace akin to travel in the remote area of Sweden that it's set in. It was confusing at first with the jumps from 1973 to 1991 but once one got to grips with who the characters were and how they changed with age, the episodes were easy enough to follow.

I don't care about the anachronisms of certain cars being manufactured after the events or products shown not existing till later in the century. To me, the atmosphere and surroundings evoked by the different years were convincing.

There were two unexplained deaths - murders - in the two years covered by the series. The perp of the earlier incident was clearly not the main suspect but it took me till episode five to be sure of who it really was. Unfortunately, the 1991 murder was signalled far less delicately in the script and it was pretty obvious who'd done it.

I loved the touches such as the party ferries between Finland and Sweden. I've been on them in the 80s and 90s as well as the ones between Finland and Estonia. The remote vastness of the north with its untarmacked roads evoked strong memories of when I lived in Finland - our cottage only had a dirt road to it even though we were in the south. So many of the buildings and landscapes of where I lived were similar to areas in the series.

In short, even without the memories, I'd have loved this and recommend it.