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Vals Im Bashir

  • 2008
  • A
  • 1 घं 30 मि
IMDb रेटिंग
8.0/10
62 हज़ार
आपकी रेटिंग
Vals Im Bashir (2008)
This is the theatrical trailer for Waltz with Bashir, directed by  Ari Folman.
trailer प्ले करें2:06
8 वीडियो
93 फ़ोटो
इतिहास का वृत्तचित्रएडल्ट एनिमेशनकंप्यूटर एनिमेशनट्रेजेडीडॉक्यूड्रामापीरियड ड्रामामनोवैज्ञानिक ड्रामामिलिट्री डॉक्यूमेंट्रीहाथ से बनाया गया एनिमेशनइतिहास

अपनी भाषा में प्लॉट जोड़ेंAn Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

  • निर्देशक
    • Ari Folman
  • लेखक
    • Ari Folman
  • स्टार
    • Ari Folman
    • Ron Ben-Yishai
    • Ronny Dayag
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.0/10
    62 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Ari Folman
    • लेखक
      • Ari Folman
    • स्टार
      • Ari Folman
      • Ron Ben-Yishai
      • Ronny Dayag
    • 181यूज़र समीक्षाएं
    • 235आलोचक समीक्षाएं
    • 91मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर के लिए नामांकित
      • 46 जीत और कुल 63 नामांकन

    वीडियो8

    Waltz with Bashir: Trailer
    Trailer 2:06
    Waltz with Bashir: Trailer
    Waltz With Bashir: Dump The Dead
    Clip 1:38
    Waltz With Bashir: Dump The Dead
    Waltz With Bashir: Dump The Dead
    Clip 1:38
    Waltz With Bashir: Dump The Dead
    Waltz With Bashir: Waltz With Bashir
    Clip 1:46
    Waltz With Bashir: Waltz With Bashir
    Waltz With Bashir: Boy With An Rpg
    Clip 1:19
    Waltz With Bashir: Boy With An Rpg
    Waltz With Bashir: Ron Ben-Yishai
    Clip 1:31
    Waltz With Bashir: Ron Ben-Yishai
    Waltz With Bashir: 26 Dogs
    Clip 1:05
    Waltz With Bashir: 26 Dogs

    फ़ोटो93

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 88
    पोस्टर देखें

    टॉप कलाकार9

    बदलाव करें
    Ari Folman
    Ari Folman
    • Self
    • (वॉइस)
    Ron Ben-Yishai
    • Self - Interviewee
    • (वॉइस)
    Ronny Dayag
    • Self - Interviewee
    • (वॉइस)
    Ori Sivan
    • Self - Interviewee
    • (वॉइस)
    Shmuel Frenkel
    • Self - Interviewee
    • (वॉइस)
    Zahava Solomon
    • Self - Interviewee
    • (वॉइस)
    • (as Prof. Zahava Solomon)
    Dror Harazi
    • Self - Interviewee
    • (वॉइस)
    Miki Leon
    Miki Leon
    • Boaz Rein-Buskila
    • (वॉइस)
    Yehezkel Lazarov
    Yehezkel Lazarov
    • Carmi Cna'an
    • (वॉइस)
    • निर्देशक
      • Ari Folman
    • लेखक
      • Ari Folman
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं181

    8.062K
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    फ़ीचर्ड समीक्षाएं

    9GHCool

    Great, personal film about the horrors of war

    I saw this film at the AFI Film Festival a couple of months ago and it stayed with me since then. This is not your typical war movie, nor is it your typical animated film. I'd say its kind of a cross between Waking Life and Grave of the Fireflies.

    The film takes place in the present. The film's director, Ari Folman, comes to the realization that he cannot remember anything from the time he served in the Israeli army during the 1982 Lebanon War. The bulk of the movie are his interviews with his old army friends where he asks them what they remember from that time. Folman tries to see in their memories something in himself that has been missing, deadened, or dulled. Like Waking Life, there is no "plot." The filmmaker prefers a more interview-based film. This is an "idea film," a poetic film, and traditional narrative style takes a back seat.

    Like Grave of the Fireflies, the animation in Waltz With Bashir shows the horror of war and its effect on individuals in ways that a live action recreation could never replicate. The film's themes of human memory and its elasticity are served well by this technique. Rather than a soldier escaping death by hiding in the sea, we get the larger-than-life memory of a soldier escaping death that would look too "real" in a live action reenactment.
    10MaxBorg89

    An extraordinary achievement that redefines the documentary genre

    Let's get one thing straight from the beginning: Waltz With Bashir is an animated documentary. It may sound like a paradox, but hey, when the film played at the Cannes Film Festival (which it left with rave reviews but zero awards) it was inevitably compared to Persepolis, which is an animated autobiography. The comparison was also caused by both movies having open anti-war messages, but they couldn't be more different in concept and execution. They do have one important thing in common, though: they are animated not because it looked good, but because it was the best artistic choice the directors could make.

    In the case of Ari Folman, the choice was dictated by the unique angle from which he chose to tell the story: subjectivity. Folman, like many young Israeli men in the '80s, joined the army to fight in Lebanon when he was merely 18 (this was in 1982), thinking he could serve his country in the best way possible. Once the war was over, Folman's new career began, and he is now a successful actor, director and writer (among other things, he worked on the TV show that inspired HBO's In Treatment). However, he still wasn't able to completely get over the war experience, and so he decided to make Waltz With Bashir in order to exorcise his demons, so to speak. In doing so, he delivered one of the strongest, boldest documents about the true nature of conflict.

    Folman's introspective journey begins with the lack of memory: apparently, he and many of his fellow soldiers have trouble remembering the exact details of what happened in Lebanon. All they have left is dreams, like the haunting nightmare that opens the movie (26 murderous dogs surrounding the apartment of a former soldier, who believes it to be a subconscious punishment for his killing 26 dogs during a mission) or Folman's eerie flashback of himself and his friends emerging from the water after a massacre he can't (or perhaps doesn't want to) remember. Engaging in a pursuit of the truth, the director locates several people with first-hand recollections of those events, and all these people (minus two) supply their own voices for their animated counterparts.

    The stream of personal anecdotes and, as said earlier, dreams, made it impossible for Folman to show real footage of what he was trying to say. After all, how do you show a live-action dream sequence in a documentary without making it look corny? Hence the winning choice of rendering the whole story through animation, with just one exception (the final scene, the one that justifies the film's existence, consists of real filmed material). This gives the picture a feel that is both evocative and down-to-earth, a bizarre but powerful combination that has earned Waltz With Bashir comparisons with the similarly merciless Apocalypse Now. Like few other films about war (Folman has openly stated he despises Hollywood's treatment of the Vietnam conflict, not counting Coppola's masterpiece), this strange, captivating opus depicts it without making it look cool: it's ugly, it's reprehensible, it's the stuff nightmares are made of - not for nothing does it still haunt Folman and his friends.

    Journey of self-discovery, cinema as psychoanalysis, a document about the past, a warning for the future: Waltz With Bashir is all those things and much, much more. It's a unique piece of cinema, unmatched in its seamless mixture of raw power and peculiar visual beauty.
    10crappydoo

    A great blend of the real and the unreal.

    Waltz With Bashir is amongst the finest animation films I've seen. It is a very disturbing comment on war and its consequences both on countries and on people of both sides. No doubt this approach has been taken by numerous other film makers; however what sets Waltz With Bashir apart is that it takes a documentary approach and compares Israel's activities in Lebanon with atrocities in the past wars.

    Other than documenting events, the film also consists of surreal dream sequences and real life incidents. Thus the film emerges as a unique combination of the real and the unreal. The hand drawn animation also makes it a delight to watch. The colour gave it the right atmosphere of claustrophobia in open spaces and the background score is fabulous.

    It is certainly not, as the Director of NZ Film Festival announced before the screening, a 'feel-good film'. It should appeal to people who have an interest in animation, documentaries, war and current affairs. 10 out of 10.
    9leo-dor

    Powerful

    Waltz with Bashir may not deliver everything you expect after seeing the trailers, but it is powerful. Director Ari Folman presents a personal view of historic events in which he took part as a young soldier, but which he cannot remember due to repression. A full-length documentary, filmed with animation over the recorded speech of actual participants in the 1982 Lebannon War, Waltz with Bashir is beautifully done and get its message across clearly.

    It's a shame that some of the stronger artistic points in the movie were left undeveloped, such as the imaginary ghost of the soldier's ex-girlfriend following him around (as seen in the trailer). The way comedy and tragedy are interspersed in the latter parts of the film may also seem inappropriate to some viewers. The film presents a highly personal point of view for a documentary, justified partly by staying true to the factual material, and partly by its author having been there on the scene.

    Overall, despite its shortcomings, this film makes a strong statement and is definitely worth seeing for its visuals and score.
    10Hige_Akaike

    Irritating? What are you on?

    I think working on this movie for 4 years is long enough. You obviously missed the whole point. The point of the movie is not to point the blame at anyone, it is about showing the reality of war and what the affect it has on Soldiers.

    It's not about who won, who was right, or who did what wrong. Its about how people react to it and how it affects the people who are involved in it. Yes it showed only the Israeli side of things, but hey, its because it's on the Soldiers point of view, how they saw it, not how everyone saw it, not how the other soldiers. It shows his point view, and the interviewers points of views. Thats why its like this.

    And that is why it makes it so real. It is very well done.

    इस तरह के और

    Persepolis
    8.0
    Persepolis
    Les triplettes de Belleville
    7.7
    Les triplettes de Belleville
    Exit Through the Gift Shop
    7.9
    Exit Through the Gift Shop
    Made in Israel
    6.4
    Made in Israel
    Ajami
    7.2
    Ajami
    Le scaphandre et le papillon
    8.0
    Le scaphandre et le papillon
    Lebanon
    6.9
    Lebanon
    Clara Hakedosha
    6.9
    Clara Hakedosha
    The Act of Killing
    8.2
    The Act of Killing
    Anomalisa
    7.2
    Anomalisa
    Citizenfour
    8.0
    Citizenfour
    Paradise Now
    7.4
    Paradise Now

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The first animated film to be nominated for Best Foreign Language Film Oscar.
    • गूफ़
      The narrator refers to the transport helicopter as a "Hercules helicopter", which is a confusion of the C-130 Hercules cargo plane with the CH-53 Stallion helicopter, the latter being the true transportation device.
    • भाव

      Anonymous soldier: What to do? What to do? Why don't you tell us what to do?

      Ari Folman: Shoot!

      Anonymous soldier: On who?

      Ari Folman: How should I know on who? Just shoot!

      Anonymous soldier: Isn't it better to pray?

      Ari Folman: Pray and shoot!

    • कनेक्शन
      Featured in 2009 Golden Globe Awards (2009)
    • साउंडट्रैक
      Organum
      Written and Performed by Max Richter

      Published by Mute Song Ltd

      Courtesy of Fatcat Records

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल20

    • How long is Waltz with Bashir?Alexa द्वारा संचालित
    • Is "Waltz with Bashir" based on a book?
    • Who is Bashir?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 12 जून 2008 (इज़राइल)
    • कंट्री ऑफ़ ओरिजिन
      • इज़राइल
      • फ़्रांस
      • जर्मनी
      • यूनाइटेड स्टेट्स
      • फिनलैंड
      • स्विट्ज़रलैंड
      • बेल्जियम
      • ऑस्ट्रेलिया
    • आधिकारिक साइट
      • Official site
    • भाषाएं
      • यहूदी
      • अरेबिक
      • जर्मन
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Waltz with Bashir
    • उत्पादन कंपनियां
      • Bridgit Folman Film Gang
      • Les Films d'Ici
      • Razor Film Produktion GmbH
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $15,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $22,83,849
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $50,021
      • 28 दिस॰ 2008
    • दुनिया भर में सकल
      • $1,11,79,372
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 30 मि(90 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 1.85 : 1

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