Baggage Claim

Flight attendant Montana (Paula Patton) is about to turn 30 and just broken up with her boyfriend as he was cheating on her. Her sister is engaged to get married soon and her 5 times married mother is pressuring her to get married.

Egged on by her friends, Montana has 30 days to get proposed by one of her ex boyfriends. Her coworkers conspire with other airline workers and airport staff to fly on planes where her ex-boyfriends happen to be there. This include a rising conservative politician, a hip hop artist and a businessman. However right under Montana's nose is her best friend Bill.

This is the kind of dumb film that gives romantic comedies a bad name. It is not funny nor romantic and hopelessly predictable.

Do you really want to allow your mother pestering you to get married, someone who failed with her own husbands? Why do you want to reconnect with your ex's? There were probably a good reason why you broke up with them in the first place. In fact why does Montana want to get married? She could just live with someone and see what develops. The film has an awful misogynic undertone.

A story about baggage, the emotional type that people carry for not conforming to society's norms. The film deals with the concept of marriage, how we all are made for it and the attractive leading lady has somehow not tied the knot though keenly looking for her Mr Right and though she went far, she seemed to miss what is good and near. Whilst in the quest, she discovers her no-no's in men and how once someone is an ex, it is best he stays an ex.

Ultimately, the question has to arise: do people marry because they want to and are committed to it or because they have to?

Whilst it offers a charming and pleasant experience it is not inventive as a story, succumbing to the rom-com principle of Mr & Mrs perfect live happily ever after. Not a bad experience for viewers who go in couples.

"Baggage Claim" is one of those typical romantic comedies that's predictable you have the girl meets a guy in an unexpected way and falls in love. And true it has plenty of one liners and funny lines to entertain a viewer and it's filled with sugar and spice love scenes to enjoy. As it was a nice eye candy treat seeing the sexy Paula Patton in scenes of sexy lingerie like colored bras. Anyway the story is typical Paula is Montana a flight attendant who's still single and she feels tough when her younger sister is getting married so she starts a plan it's 30 days to find a husband or bust! And this involves trips on airline flights as she sets up meeting after meeting with her past boyfriends to try and reconnect for love in the air! As Montana is tired of being the oldest that's not married! It takes a surprise love twist at the end anyway it's to predictable still watch it for the sexy eye candy scenes of Paula Patton.

I don't know what movie the critics were watching, but the ratings were totally unfair. The audience and I found the movie to be very funny. David Talbert produced a funny, relevant movie. See it with your female friends because they will find things in it are so true. Nothing can be more funny than the truth. So don't take the critics word for this movie see it yourself.

Paula Patton, Adam Brody and Jill Scott were so funny. I expected Adam to be funny because of his work on 'The O.C.", but Paula and Jill were pleasant surprises. Jennifer Lewis delivered another excellent performance and Taye Diggs understated performance was dead-on for his character.

By Jonathan L Hermitt

After watching this movie, the only thing that should be "claimed" is a refund.

Director-writer David E Talbert provided a creatively idle rom-com starring Paula Patton (Montana Moore); as a flight attendant who under the pressure of her mother (Jennifer Lawrence) and the wedding engagement of her younger sister (Lauren London) somehow finds herself in a position where she has to locate and bring a fiancé to her sister's rehearsal dinner in thirty days. In doing so, she uses her friends to set up an arguably illegal "spy network" to find out which of her ex- boyfriends are taking which flights- so she can manipulate herself aboard and hopefully start again with these men.

She wears the long, straight rom-com hair of ignorance with the smile of innocence which I like to call a ritual of rom-com. The story was naturally predictable adhering to every single rom-com textbook story model and so heavily resting on weak humour. Alongside the contemporary traditional female friend and gay male friend duo (similar to Devil's Wear Prada) it's one large equation for mediocre...if that.

I'm not particularly familiar with Talbert and this is the first film I've seen of his, regardless, in this film it's strongly indicative that he's chosen quantity over quality.