The Extraordinary Adventures of Adele Blanc-Sec

In 1911, in Paris, the bold journalist Adèle Blanc-Sec (Louise Bourgoin) is assigned by her editor to travel to Peru to write about the Incas, but she goes to Egypt instead to seek out the mummy of a doctor of Ramses II to bring him to Paris. Adèle has an agreement with Professor Marie-Joseph Espérandieu (Jacky Nercessian) that has the ability of bringing the dead back to life to resurrect the doctor to heel her twin sister Agathe Blanc-Sec (Laure de Clermont), who has been catatonic and paraplegic for five years due to an accident caused by Adèle. However, Professor Espérandieu is arrested in prison and sentenced to death after bringing to life a pterodactyl from an ancient egg in Louvre that caused the death of three persons. Now the last hope of Agathe is that Adèle saves Professor Espérandieu from the guillotine.

"Les Aventures Extraordinaires d'Adèle Blanc-Sec" is a highly entertaining and funny adventure by Luc Besson. Last week, I was zapping the television and I saw the last part of the adventure of Adèle Blanc- Sec. Today I have just watched this movie on DVD with my family and we really enjoyed the story. The weird and bizarre characters slightly recall the surrealism of Marc Caro and Jean-Pierre Jeunet in "Delicatessen and "La Cité des Enfants Perdus". My vote is seven.

Title (Brazil): "As Múmias do Faraó"("The Mummies of the Pharaoh")

Funny, wacky, silly adventure comedy, it falls a bit flat during the long parallel montage of Adèle's failed attempts to take Prof. Espérandieu out of jail, while Caponi and Saint-Hubert disguised as lambs wait to catch the pterodactyl. This is clean entertainment, based on a French comic, with robberty of national treasures in foreign lands, deaths, female abuse and enough violence, to keep it rooted to reality, but thankfully it is far from the ideologically offensive and brutish world of Indiana Jones and his bunch. Louise Bourgoin is a beautiful Adèle, Nercessian's performance is a pleasure to watch, Giraud is a charming suitor, Lellouch is a quirky relative of Inspector Clouseau, and Amalric, the perfect villain. Delighfully French main course for a Sunday matinee.

"Les aventures extraordinaires d'Adèle Blanc-Sec" is just the kind of movie you would like to see after a day of hard work. It's funny, crazy without being stupid, rich in adventure. This zany comedy may not be faithful to the original comic (I haven't read it) and the story is hardly believable but it's certainly entertaining with nice costumes, beautiful sets from early 20th century Paris and good actors.Children ten or older will love the adventure thing in the movie, with dinosaurs, talking mummies and secret Egyptian tombs. Weird, freaky, sometimes a little bit scary and always funny. Louise Bougoin(Adèle) is beautifully charming, clever and funny, as well as the rest of the cast.

This movie has got a little "Amélie Poulain" feeling with its fantasy, and if the plot isn't very credible, I still had a very good time watching it for it's always surprising and hilarious.

An interesting alternative to Spielberg's Tintin. This adaption of a French graphic novel compares in many ways. Besson uses actors to represent comic book characters rather than the far more expensive motion-captured, computer-generated people of Tintin.

That's not to say there aren't extensive visual effects in Adèle. CGI portrays impossible characters, like the pterodactyl. Digital compositing is used to present Paris and Egypt of a hundred years ago. And for the more grotesque and bizarre human characters, there are elaborate prosthetic make-ups.

Adèle is on a trip to Peru to complete her latest book. That's what her publisher thinks. She's actually in Egypt raiding tombs. Why has she lied, and what has this to do with a pterodactyl terrorising Paris? The police can't believe that a prehistoric animal has killed a senior politician, they need to solve the case fast, no matter how much Adèle gets in their way...

Like the Tintin stories, there's a detailed and realistic presentation of the past, but with more magical and fantasy elements. Like Tintin, Adèle is also a writer, giving her the opportunity to travel. Similarly, her only real advantages are knowledge, contacts and personality - she doesn't bow to convention. It may not be ladylike to ride a camel, but if she needs to learn, she will. With a burning desire to succeed, she overcomes the odds with little more than an umbrella and a bag of bird seed...

As a newcomer to the stories, I loved the completely unpredictable nature of the story, and it's always nice to see a guillotine in action... This wasn't as consistently funny as it wanted to be, but maybe I was missing out on the Frenchier in-jokes. It could almost be a family film, though some of the more intense drama and some casual nudity might not be for younger viewers.

Luc Besson has mentioned that this story was a childhood favourite of his. He spent many years gaining the trust of the author, Jacques Tardi, who'd already dealt with three film studios trying to adapt the story. While this isn't as dark or as adult as many of Besson's earlier films, I think that's because he's committed himself to being as faithful to the original story as possible. While more likely to be the producer nowadays, after writing the script he couldn't allow another director make this one.

I haven't read any of the original stories yet, but I will. Actress Louise Bourgoin is far more beautiful than the grumpy character in the comics. The first two stories (which combined to form the basis for the film) have been translated into English as one volume.

Mark Hodgson (Black Hole Reviews)

I am a Tardi fan. The comics by his hand are unique. I read the books in Dutch. The translator also changed the names of the characters from French to Dutch. In order to help the reader to understand the meaning. F.i. Adele Blanc-Sec is changed to Isabelle Avondrood. No problem. I still reread them. But now the movie. It is well made and entertaining. That one expect from Luc Besson. But there are some flaws, that the reader notices at once. Like another critic already wrote: the story is a mix of two of the novels and some Egyptian story lines. The actress playing Adele is kind of Rachel Weisz in the Mummy or one of Indiana Jones' sidekicks. That is a pity. Because the real Adele is sarcastic, a little bohemian and not really pretty. She dresses almost shabby. The storyline in the books show a France that is not so nice as the movie makes us believe. The policemen are incompetent, have no trouble beating up prisoners, lunatic scientists roam the street or hang out in the catacombs under the city. Homicidal maniacs want Adele dead, the Great War is not depicted as a heroic event, but one that left an nation with numerous deaths and invalids. That is the atmosphere in the books. And that is something I really miss in the movie. But, like I said already: it is good entertainment.