खौफ़नाक साया

While I was always waiting to see what happened next and interested in how the good guys would overcome the challenges they faced I felt completely detached from the main character, Michael Kovak. I don't need to like the main character but I still need to connect. Unfortunately, Michael was very emotionally inaccessible and therefore I never really cared for him.

On a positive note, Anthony Hopkins had a very good performance and the little field trips that he took the "doubter" on were some of the best parts of the movie. I loved how Kovak hung on to his doubt even when faced with an example of the possessed knowing the unknowable. The pacing was slow and gradually ratcheted up the tension as it went along. For some this may be boring but I was comfortable with it as it made the events unfolding feel natural instead of forced or rushed.

Overall, it was an alright movie that could have been great but just wasn't.

The Rite is a good and very atmospheric exorcism film. Although released clearly not in a good time for this sub-genre, it still holds up well even 10 years later.

The setting is nice, the cinematography is great. It's not a demon-slasher like the more recent pieces of this sub-genre (like The Nun) and it plays more into the psychological aspect (just as the director did with 1408), this is how I like my exorcism films.

But what really makes this work for me, it's the performances. This film is carried by acting, and although most of the cast did a great job, O'Donoghue, Hauer...Hopkins stole the show. You get completely immersed in his performance, every detail, every emotion is projected through it. It is clearly one of his best if not the best roles since The Silence of the Lambs.

The story itself of course isn't perfect, and it has some elements reminiscent of the time, but when Hopkins is on screen, you just completely forget about everything else.

Personally, I think the film is way underrated on IMDB, especially if you compare the rating to more recent entries in this sub-genre.

A strong recommendation.

Sometimes you read reviews, but want to see the film so bad, you go, and because your expectations are so low. You enjoy the movie. Reviews seems to be on the good side, with earlier reviews being very bad.

This is a good movie. The acting is good. The directing is good. Unfortunately some people are bothered by the lead in the movie. But that's his job. And he did his job well. He was picked for a good reason. I would only be guessing why. But those/the director/writer who created this movie did a good job. The feel of this film, the length. I had a good time.

I would give this film a decent 7 out of 10. It does not rely on gore to scare you, or major special effects, or 3D. No doubt Anthony Hopkins is great in this film.

I enjoyed it. You get what you paid for. Your not going to get The Exorcist. But in the HORROR film library, if you ask me, 80 - 85% of them all are garbage, or slasher, gore, which I do not consider a "Horror Movie."

Well done everyone involved. It will not win awards. But so far it's a decent film that I will remember as one of the good ones from 2011.

Lastly....anyone talking during the movie...were silenced.

This is a movie that deals with the "delicate" theme of exorcism (i.e. the practice of evicting a demon from a person they are believed to be possessed). I describe it as delicate because it seems very difficult to distinguish a person with a mental illness from someone who is possessed, IF such thing exists at all in real life.

In past times, demonic possession was a common belief to explain the abnormal behavior of a person. Even nowadays, when everything else has failed, and the science can't provide a solution, people in some parts of the world still believe in that and seek help to practices of mysticism like exorcisms.

In this movie exorcism is presented in conjunction with lost faith. It is inevitable that the non-believer has to see with his own eyes for his faith to be restored.

The atmosphere of the movie is eerie from the start. Even before the demons...present themselves! The reluctant hero and the universe that conspires so he can find his way to God, is presented in a solid way.

The cast is good. Anthony Hopkins is as excellent as ever. The music helps to establish the theme of the movie and Rome and the Vatican look majestic as ever, maybe the best set to place such a movie.

There are some grisly images but you want be scared because of them. The director bets on the atmosphere if not anything else.

Overall: Not a great movie, but not bad either. It won't help your faith to become stronger. For that look elsewhere.

Review of "The Rite" DVD Rated PG-13 114 minutes By Leticia Velasquez Catholic Media Review

Michael Kovak (Colin O'Donoghue) has always been "a man of sorrows and acquainted with grief." (Isaiah 53:3) The only son of a Chicago funeral director, Itsvan Kovak (Rutger Haer) Michael lived literally down the hall from death his entire life. Unlike most young men who never experience death close hand, Michael is steeped in it, preparing bodies for burial with his father. As a young boy, Michael is coaxed by his father into helping prepare the corpse of his mother, by gently blowing on the red fingernail polish his father applies as he lovingly prepared her body, while whispering endearments into her ear. The image is forever seared into his memory, tainting his adulthood with a lack of faith and a sense of detachment.

When time came to make a decision about his profession in life, Michael knew well that his options were limited, as he told a friend, "in my family; you either become an undertaker or a priest". Michael chose the priesthood, not out of sense of mission, but as a way out of his bleak existence and a means to pay for college. After he is ordained as a deacon, Michael's guilt over deceiving his superior about his intentions impels him to write Fr Matthew (Toby Jones) about his decision to leave the seminary. He admits he has no faith and feels he has no vocation to the priesthood.

But fate intervenes before Fr Matthew can act. The two men are involved in a car accident where a young woman is fatally wounded and Fr Matthew looks on stunned silence as Michael blesses the victim reluctantly yet tenderly as she dies. He is impressed by this and convinces Michael to delay leaving the seminary until after he has taken a two month course in Rome. A course in exorcism; "you're an undertaker, so you're not squeamish" he adds with a gleam in his eye.

Not at all squeamish, Michael plays the role of devil's advocate in his exorcism class in Rome, challenging his instructor over whether the possessed are suffering from psychosis, and is nonplussed over a sudden power outage when the demon Baal is mentioned. In order to help Michael overcome his doubts about the existence of Satan, his professor, Fr Xavier (Ciaran Hinds) sends him to observe veteran exorcist Fr Lucas Trevant (Anthony Hopkins). Michael is joined in his doubts by Italian journalist Angeline (Alice Braga) who wants him to share his experiences at Fr Lucas side for the purposes of an article. These two young cynics are about to engage in a life and death struggle which will evoke deep- seated fears and upend their world view

An eccentric Welshman, Fr Lucas lives a lonely existence in an obscure corner of Rome, occupying an ancient villa whose courtyard is overrun by cats. Fr Lucas takes Michael's cynicism in stride, and advises Michael not to engage in conversation with the demon who possesses the pregnant teen who has come with her sister for her regular exorcism session. Michael is so captivated by her predicament that he finds himself drawn into a life and death struggle with the devil whose very existence he denies.

Although the movie trailer plays like a high-tech adaptation of "The Exorcist", to which exorcism films will inevitably be compared, there is more spiritual and emotional depth to director Mikael Hafstrom's work than Blatty's. "The Rite" more closely resembles the cinematic subtlety and theological accuracy of "The Exorcism of Emily Rose", according to Fr. Gary Thomas, the priest from the book on which the film is based. Michael is a sympathetic character and the film's dramatic exposition of the tragic origins of his faith crisis help the audience sympathize with him as he confronts demons both within and without his tortured soul. Even eccentric Father Lucas, played compellingly by Hopkins is more vivid than the ghostly older priest in "The Exorcist", yet the pairing of priests to defeat Satan is a familiar theme. Fr Lucas even makes a sarcastic reference to "The Exorcist" telling Michael, "You'll see no spinning heads and pea soup here!" What will enliven Catholic viewers is the authenticity of the phenomena of the exorcisms and the splendor of the priesthood when contrasted against the darkness of pure evil. Special effects enhance but do not overpower this compelling thriller and magnificent architecture of Rome augments the timelessness of the story.

For the many fans of the book by AP journalist Matt Baglio, on which the film is loosely based, screenwriter Michael Petroni has respected the basic story while raising the emotional stakes to great dramatic effect when combined with excellent cinematography and the masterful presence of Anthony Hopkins. Priests who watched the film in the theater with me had a positive reaction but pointed the following theological errors; as a deacon, Michael could not give absolution as he appears to do in the case of the dying woman, and that an inexperienced priest with emotional wounds and of questionable faith would never be chosen to become an exorcist. Too many weaknesses for Satan to exploit, they explained. The manifestations of possession (vomiting nails and frogs, unearthly voices, superhuman strength and knowledge of inner weaknesses) are absolutely accurate, according to Fr Gary Thomas, the real priest from Baglio's book, who had a less dramatic change of heart about the existence of Satan. When I asked him in an interview whether he believed that the devil was a being he responded, "I believed when I met him".

For older teens and up for frightening and macabre scenes, appropriate but vivid sexual innuendo (verbal references to incest and rape) and foul language. This film is best seen with parental supervision.