American Violet

Somewhat preachy, but revealing story of how DAs in rural Texas in particular and maybe South in general have and use the power to make their statistics look good by picking on African Americans. The first half has the ambiance of a taut documentary. Less so after the civil lawsuit began. It should have been a civil rights suit in the federal court, but this wasn't made clear at first. The deposition scenes really detracted from the impact, but maybe that's the way depositions are conducted in Texas. Alfra Woodard as the Grandmother takes the top acting honors. However, the acting was first rate from top to bottom.

Jim Madison, Menlo Park, CA

Based on a true events, American Violet tells the story of Dee Roberts, played by Nichole Beharie, a young black single mother living in the poor neighbourhood of a small town in Texas. Dee Roberts, whilst life has not been easy for her, lives a model life, working hard, providing for her daughters and going to church on Sundays. Then, one day Dee finds her life turned upside down when she is arrested for drug dealing. Although innocent of the charges against her Dee is railroaded by the legal system and told plead is faced with a choice, accept the plea bargain of guilty and serve a suspended sentence, or fight to prove her innocence and risk 18 years to life. A poor single black mother in a fundamentally racist state she is backed up against a wall.

There are a couple of subplots intertwined with the main story, which help to keep it moving smoothly along, they do not distract from the main plot line but neither do they enhance it. Nichole Beharie, is not only stunningly beautiful, but solidly convincing as the true life character Dee Roberts, proof that beautiful women can act and don't rely on looks alone to land roles. There's some good strong supporting roles, all round performances, and nowhere does the film get too carried away with itself that it becomes over the top. Occasionally powerful, for instance some of the scenes involving Dee's child's father and the "deposition scene" had me leaning forward out from my seat. I did feel however, not powerful enough and nothing was made of the tension which would have undoubtedly arisen between Dee and the establishment in such a small town.

Although the story is based on true events, centering around Dee Roberts there's room for a more profound thread in the fact that the US legal system is so intractably flawed and combined with a penitentiary system which makes money from incarcerating increased numbers of felons> The US now has 1% (2.6 million) of it's population in prison, substantially higher than any other country in the world and 96% of inmates never stand trial but are forced into accepting plea bargains simply because they neither have the knowledge or the money to fight. Prisons make money from prison labour and the majority of those incarcerated are of black or latino origin, begging the question, has the US penal system simply become a modern day slavery? The film itself does not address this aspect directly, rather it skirts around the edges and attacks the shadow of this institutional racism and corruption not with a sword but a pocket knife. And here lies the biggest problem this film faces, how do you tackle a subject so complex as institutional racism and fit it into a glossy hour and 45 minute Hollywood movie without alienating most of the people you want to pay money at the box office? it's not easy, director Tim Disney, fails to find a solution to that problem electing to go with a non confrontational glossy approach, making me feel that perhaps someone more used to tackling these difficult social issues should have directed American Violet and giving it the punch it so desperately needed. You're left feeling slightly disturbed as you know how very true these issues are, but sadly not disturbed enough. Still, it's worth watching even if only for the delightfully beautiful Miss Beharie.

6/10

It has nothing to do with the actors and the director, because the performances were dead on. I was very extremely disgusted with the racists and racist system that allowed this type of injustice to happen.

However, what I also found myself disgusted and distracted by, was the main character herself. I struggled with rallying behind a single mother who chose (that's right, chose) to have four children on a waitress' salary and 3 different baby daddies (Before anyone feels the need to point out that there are men out there not taking care of their responsibilities, that just means that there are two, or in this case, 4 guilty parties. It doesn't absolve her of any guilt). I also struggled with the fact that the victims in the movie were driven more by concern about the loss of their food stamps and other public support, rather than justice actually being served. I guess my general bottom line issue is that they managed to create a movie where I didn't particularly like or care what happened to a single character. On one hand, you have a pack of the nastiest type of racists, and on the other, you have a bunch of walking stereotypes that supply them with ammunition.

I was honored to have the opportunity to catch a screening of American Violet's Texas premiere at the Paramount Theatre during Austin's SXSW Film Festival. The film tells the important story of Dee Roberts drug arrest in Melody, Texas in 2000. The story of the abuse of power by the criminal justice system is an important one that most Americans are not terribly familiar with. The story is generally well-acted and compelling as we are drawn through the story of Dee's clearly false arrest and prosecution. The line between fact and dramatic license does remain a little foggy and there is particularly unbelievable scene in which the local district attorney acts as some sort of family court judge who oversees a hearing to determine the custody of Dee's 4 children.

The legal focus of the film does tend to bounce around from one issue to another – the problem of forced plea bargaining, the misuse of Federal drug task forces, the use of dishonest informants, the problem of fighting a "war on drugs," and finally focusing on blatant racism of District Attorney. All of these issues are certainly present in the criminal justice system, but the relationship and role of each is often confusingly presented and blurs the legal focus of the film. Nevertheless, the story remains powerful and the presentation is a potent one.

Regardless of the limitations, some of which are inherent in the criminal docudrama, the film is well worth seeing, because of the important story that it tells about complex interaction between race, poverty and the criminal justice system that is often obscured from the view of much of the American public. The film deserves to be seen by those who still doubt the critical role of racism in American society - particularly in the criminal justice system.

After seeing this movie at an Atlanta, Georgia screening, it was like being sucker punched and having all the wind knocked out. And this is a docu-drama based on a real like event. I've seen all that mess and more, have a better understanding of how and why 92 year old Katheryn Johnston was murdered. Why I see the police all the time except when I call them for help (that's not why they are in my neighborhood). The truly false perception of how well the DA's, Judges and police are doing their jobs but what they do is no more than busy work, never accomplishing a thing. And jails are the only industry in America that is growing. When was the last time you went to the store to buy a prison? Stopped in a showroom to look at the latest model prison? I don't recall asking for new prisons or more prisons; they was the ideas of politicians and investors (so you know there's money involved somewhere). And the 2 Federal Judges that were convicted for taking bribed (paid $2.5 million) to lengthen sentence in juvenile cases. We need to talk about this or we'll all end up behind bars. And this is all allowed, by law, because of the wording in the 13th Amendment giving slavery and involuntary servitude a legal place in America.