K-20: Kaijin nijû mensô den

American remakes of Asian movies are becoming common nowadays... well, take this Hollywood! "Japanese Batman-meets-Spiderman" pretty much describes this movie. Explanation of plot not necessary.

Despite the lack of originality and the absurdity of the story, it turned out to be a very entertaining movie for me. The cast is all-star, and not only that, they fit their part very well.

One thing I really have to praise about this movie is the CG. The special effects in this movie was by far the best I have seen in any Japanese films. It's true this is nowhere near the Hollywood level, but at least it's not ridiculously fakey like every other Japanese movies that attempted to create an entire world with CGI.

A funny and exciting thriller, don't think too much and just enjoy the movie.

There's no stopping Takeshi Kaneshiro in charming the socks off everyone, especially since new fans were won over by his heartfelt performance as the Grim Reaper in Accuracy of Death last year, and following that with his Zhuge Liang in Red Cliff. This year in Singapore, he marquees a big budgeted action-mystery masked vigilante movie, and while his powers and abilities to hark back to the Batmans and Spidermans, K-20 turned out to be rather entertaining for its liberal use of special effects, comedy and some fantastic action sequences, set against at alternate Japanese universe.

Which is interesting because other than the unmistakable Tower, Tokyo now known as Teito, is quite unrecognizable, and plaguing the country is a huge class and income divide between the aristocrats, and everyone else, which reads the Poor and have nots. It's set after WWII which never happened since Japan signed a peace treaty with the US and the UK, and hence what we have is some strangely futuristic backdrop, and some peculiar background on everyone being conditioned for pre-determined jobs and not having the ability to switch careers. Doesn't make a difference actually to the story, but gives you the feeling that everything is centrally planned.

While the title points to K-20, the fiend with 20 faces, the story's actually focused on Heikichi Endo (Kaneshiro) as a poor circus acrobat. And if Bat-fans would see some similarities here, I'd say his character's more like Dick Grayson and with putting his abilities to fighting crime, it's almost exactly how a Nightwing would behave. But back to Japan, Heikichi gets set up by K-20 himself, and gets framed into allowing everyone to believe he's actually the masked villain himself. Breaking out of prison thanks to a merry bunch of thieves whom he soon allies himself with, Heikichi makes it his quest to flush out K-20 and to clear his name, with the help of a nifty grappling hook and rope device.

Not being sexist here, but I was pleasantly surprised to learn that K-20 is directed by a female - Shimako Sato, who also adapted the screenplay from a novel by So Kitamura. It's a fresh perspective having to watch an action movie directed by a female at the helm, and the focus here was of course on the characters. We have Takako Matsu as the Duchess Yoko Hashiba, who isn't your standard fare damsel-in-distress, and Toru Nakamura as the police inspector Akechi Kogoro, the arch-enemy of and resident expert on K-20.

It's a classic action mystery which like The Prestige has Russian scientist Teslar providing the object of tussle, a device capable of harnessing and transmitting vast electrical power across locations without the use of cables. K-20 wants it to rule the world, and it's up to our heroes to crack the mystery as to where the device is, and to stop the villain from achieving his goal. The plot's fairly simple, which includes an origin story for Heikichi including the antics of a hero in training, but what made it palatable was the excellent delivery by the cast, together with gorgeous sets and edge-of-your-seat action. A key element here too is the identity of K-20, having nobody actually seen the villain in the flesh except for Heikichi himself.

The story however does sag a little when it lingers on the more dramatic moments, and you'd know for sure when Kaneshiro gets replaced by stuntmen for most of the action shots not on closeup. But as far as big-budgeted movies like these go, K-20: Legend of the Mask still came across as pretty entertaining and all primed for sequels and a franchise should the box office prove to be successful.

When I bought "K20: The Legend of the Black Mask" I believed it to be a Japanese superhero movie, but usually Takeshi Kaneshiro is great in movies, and that was the main reason for buying it, plus it was a live-action Manga movie, so what could possibly go wrong here?

"K20: The Legend of the Black Mask" is not a superhero movie, not by a long shot. And the black masked person known as K20 wasn't even the actual main character. The movie is about Heikichi Endo (played by Takeshi Kaneshiro) who is a circus performer getting framed for the crimes done by K20. Out to prove his innocence, Endo teams up with the police in order to take down K20 and clear his name. The story takes place in Japan, and World War II haven't taken place, which was an unusual approach to the story, but in overall, that fact actually didn't reflect much in the story. There were German words seen here and there, such as Polizei and the writings on the Tesla contraption, and they had changed the atomic bombs exploding to another disaster (though still an atomic disaster).

The story is actually quite good, and it is well written and well directed. And the people cast for the various roles really did great jobs in fleshing out their characters and making the story come to life on the screen. And the way the story is told is in a manner that keeps you riveted to the chair wanting to see what happens next. There is a lot of action in the movie, but also a lot of character development, which is really nice.

"K20: The Legend of the Black Mask" really surprised me, and it turned out to be much better than I had initially anticipated. And it was a great thing that it wasn't a superhero movie.

The effects used in the movie were really great, believable and in your face. That worked well for the movie. And the props and costumes were also nicely made, lots of nice touches and details, which I like.

"K20: The Legend of the Black Mask" is a great action movie, and it has a lot of entertainment value right from the very beginning. If you like Japanese movies with lots of action, then this movie is well worth checking out. And it is one of those types of movies that actually have enough entertainment value to be seen more than once.

Thumbs up for this movie! Great fun! Great entertainment!

I watched this at a Fantasy Film Festival and was surprised how funny it was. The action part was expected, but the silly things in the movie really do work. You could say "Spirit" silly, although the overall movie is not as silly as Spirit of course.

It's a really great "Origin" movie and I guess you don't have to know the Mangas this is based on (I hadn't read/seen anything about this character, before I watched the movie). Great action set pieces, great actors, nice editing, of course mostly foreseeable, but still quite a few crazy ideas. If you like fun action movies, you can't go wrong with this one!

K-20 was the most fun I had in a movie theater in a long time. Yes, there are deeper movies, and definitely more expensive ones, especially on this side of the ocean. But K-20 kicks Spiderman's butt (or any other recent costumed hero movie) any day of the week. Special effects are there, but this is first of all a movie about people.

Set in an alternate 1949, where Word War II never happened, K-20 takes place in a poorer Japan, that bears many signs of the alliance with the Reich. The sets are very well done, imagine a steampunk Blade Runner mixed with post-Dickens, post-Industrial revolution London. This is Teito, the capital of Japan, where orphans roams the streets and the Imperial aristocracy rules with fear and armed men. One ruthless vigilante roams the streets (well, perhaps the roofs): K-20, who in spite of his professed Robin Hoodism is less than loved by the population, who'd rather root for his arch-enemy, the aristocrat Inspector Akechi. Yet K-20 is not the main character here: the hero is Heikichi Endo, who is framed for the crimes of K-20, beaten and imprisoned. How he will be able to escape, clear his name (and save the world, in passing) keeps you glued to your seat for the over two hours and fifteen minutes of the movie.

The retro atmosphere reminded me a little of Chabon's Kavalier & Clay, if a movie could ever do it justice. Parkour lovers will definitely enjoy the antics of the hero in training. Everyone else, manga fan or not, will have fun.