A Frozen Flower

I've just finished watching it it's such a great move it's like an emotional rollercoaster but the movie has a lot of erotic scenes I love their acting God their facial expressions were priceless the ending was full of emotion gooood I'm dying here I love the movie

I didn't think that a film about a homosexual king persuading his lover to sleep with the Queen to produce an heir would be very exciting. But as so often happens, it was. I've watched this twice now, and appreciated the film a lot more the second time around.

The lead characters are well drawn, the dialog is interesting, the acting is excellent - heck, I even liked the music. There's not an over-abundance of battle and fight scenes, but what scenes there were were well -staged, and I thought the final scenes were as good as anything I've seen.

And, of course, there's sex - lots of bare-bottomed bare-breasted, tongue in tongue, man on man, man on woman sex. But none of it descends into sleaziness and perhaps because Ji-hyo Song is such a beautiful woman (and, dare I say it, In-seong Jo is such a beautiful man) the scenes don't become tedious as they do in so many other other movies. The scenes are completely integral to the movie. Funnily enough, I've always thought of the French as being the only ones capable pf handling sex in cinema properly. The Germans and Spanish and Australians always tend towards crudity, the Americans invariably imbue their sex scenes with their childish puritanism, and sex in Asian cinema can be downright ludicrous. But having said that, the most erotic and interesting sex scenes I've seen have all been in Asian movies - "Samsara", "Erotic Ghost Story", "A Frozen Flower".

I really like this film - it gets a 9/10 from me.

A Frozen Flower got billed here as "The Year's Sexiest Blockbuster", and writer-director Ha Yu's movie could probably be also billed as an equivalent to Zhang Yimou's Curse of the Golden Flower, given its period setting and schemes within a royal household, plenty of gorgeous costumes, opulent production sets, with a tinge of wire-fu martial arts and a chock load of mixed romances thrown in for good measure too.

Set in the Korean Koryo era where it's under the control of the Mongol's Yuan Dynasty, the current gay Koryo King (Joo Jin Mo) sets up his own elite bodyguard troops, recruiting 36 young boys to undergo extreme training and eliciting pledges of unfettered loyalty from this group of trusted men. Amongst all he favours Hong Lim (Jo In Sung), and spent plenty of personal and quality time with his pet, from the open plains hunting to the courtyards training, right down to the games both play in the royal bedroom. Nepotism runs in the royal household, since it's an open secret as to why the King appoints Lim as chief of his bodyguards, undoubtedly also because of the advantage of up close and personal already from within the royal chambers.

The male-centric world soon got shaken by the introduction of the Yuan princess to be Queen (Song Ji Hyo) in an alliance forged by marriage, and I guess you can see how this third party could cause severe problems. Pressure mounts when the royal family is expected to bear an heir, otherwise a successor to the throne will be appointed. This displeases the King of course, given someone on the outside waiting in the wings for his demise, but then his sexual preference also meant that he can't get it up. So in desperation, he crafts a crazy plan in over to hang onto power, and that's to order his lover Hong, to impregnate the Queen and produce an heir whom he will accept as his own, thereby protecting his throne. The Queen reluctantly agrees of course, but as a woman who accepted to be loyal to the kingdom, she's got to do what is best for her husband. As for Hong, well, it's duty toward both King and Country.

What this does is in fact to push both the Queen and Hong into an uncontrollable sexual awakening, which the rest of the film pretty much centres upon, dealing in relationships, and the vast emotions that come along with it, including the negative ones like jealously and ultimately, rage and hatred. While at first Hong couldn't get himself to betray his first love, I guess it probably is easier for any guy to treat sex as sex without an emotional baggage, though it did tickle Hong's heart that perhaps the female of the species was more interesting, and his breakaway from a male-centric relationship, was seen as a betrayal and treason to the King.

As for the Queen, the power of fleshly pleasures from this perverse consummation of a marriage, sees to it that she gains some strength in taking over some control in her restricted life, and plots to seduce Hong even more so that she could satisfy her lust, which for both parties, transform into a healthy heterosexual relationship in which the King obviously despises. I suspect there will be some quarters cheering the film in depicting that homosexuality can be cured by a good dose of sex to open their minds, but I thought it was more of a matter of choice and opportunity being presented here, since the sexual preference get contrasted between Hong and the King's is quite clear – one's obviously following the heart, the other his orders, which slowly developed into silent insubordination, before the heart fully takes over. In any case this romantic triangle will push and probe when you're viewing this, as there are plenty of insights to gain from if you were to put yourself into the shoes of either party, and determine how you would react to the sequence of lustful events.

The film of course goes beyond love and lust issues, although Hong and the Queen go at each other like jackrabbits. There's also a subplot involving the usual political intrigue (having the film set in a period setting and not dwelling on this seems wasted), with political assassinations bringing about some major set action sequences. I felt it would have probably benefited audiences with no clue about the Yuan dynasty control over Korea at the time if this was given a little more focus, but I suppose it's left to further reading on our own. Or had a bit more about the bodyguard unit because they were being utilized for a lot more activities like counter-espionage rather than just plain protection purposes.

This being Singapore, you'll get to see the more explicit heterosexual scenes between the bisexual and the straight woman quite intact, though the only (at least the only one that made it) homosexual one was butchered for the most parts. Those who prefer their films intact could go opt for the DVD instead, as the Koreans have already released this, which includes a limited, unrated 2-disc edition.

About love. Its nuances, price and forms. Beautiful, powerful and aesthetic exercise. Fight scenes makes with delicate attention and the action as mountain river. Nothing new for a Coreean production. ButA Frozen Flower is interesting not only for colors and recreation of an era. Cntemporan questions are parts of a historical drama and the answers are sword blades. The tyrant is not a gray character. The loyal friend is not the traitor without conscience. The child is seal of crisis. Love is not a white page but a drawing in which two men hunt. The happiness and the sense of their search. In fact, a movie of porcelain. Game of emotions and sensitive description of feelings. The end, not special, is ribbon of a military book about peace essence.

"A frozen flower" is a great movie in terms of acting, scenes and directing. The whole combination made this movie a big hit.

1)In acting, two main actors and the actress did a great job. The characters are really complicated while facing opposite emotions such as loyalty and betrayal, love and hate, duty and passion, obey and disobey at the same time. It is not easy to show cruelty and affection at the same time as two main actors did great in this movie. The actress also was great in showing her two different kinds of relationship with them. They all did a great job to reveal these emotions in their mimics and actions. Their internal combat reflects in their acting amazingly.

2) In scenes, the movie includes both sexual scenes and historical scenes. While a lot of discussions has been made about the sexual ones, I believe they serve the purpose of the movie perfectly. They are not similar to some sexual scenes in other movies, when you feel like they are not necessary and are just there to make it an R rate movie. No. Here these scenes reflects the growing emotions and changing winds in the characters' souls. The historical scenes are vivid as well. full of colors, actions and harmony,each and every second of them serves the storyline and events. They help to actually take our minds to that historical era in Korean history. They show us how they pray, socialize and celebrate life events in that time, which is crucial to make us understand the characters, their duties, feelings and social aspects.

3) Directing and editing (metaphored as the second directing) are done perfectly. The camera angles are chosen wisely both in big shots in events and close ups while dealing with characters' mimics and inner feelings. Colors and designs works in harmony to elaborate the settings of that era. Imagine I saw the movie without any background in Korea's history; and it encourages me to search a bit to know more.

Great movie to watch, to enjoy and also to explore a different time era if you are interested.