Cinco días sin Nora

A lethargic beginning is never really overcome in this very slight, mildly interesting and amusing film. Complications from the death of the eponymous title character eventually provide some conflict but the main tension for too low is between the ex-husband and his memory of the controlling woman he left 20 years ago, only to move next door, ostensibly to keep an eye on his son. Never bad and not poorly paced for its slight content, the main problem is a concept that just isn't developed enough. The story as presented here could've made a strong short film but is ultimately meager at feature length, despite a few twists and fine acting.

I really liked this movie because of the story, the acting and because I like movies about Jewish people! It's a slow moving movie - not for action movie fans - a movie to me that feels like real cinema. The main character, Jose, is entertaining and interesting - and very well acted. And the other actors also do a wonderful job building this slow moving movie to a satisfying conclusion. I have watched it several times which speaks for what I think of it.

Excellent film, a mixture of comedy and tragedy, with outstanding acting and a well-carved script.

Tender, nostalgic and very witty, with good camera angles. Check for the music, and for the fact, that almost all the 92 minutes of the movie, is shot in the department of Nora.

The movie has been presented in the Lima Cinematographic Festival in August 2009, includes a rather sarcastic point of view of the Jewish belief, as well as the depiction of such important characters as Nora's ex husband, the cousin, the maid and the rabbis and all the Jewish characters that appear in the movie. Is worth to note, that the flashbacks are very well decided, but you never truly understand the love the the ex husband still had, or the reason why Nora decides to take her own life.

This is, without a doubt, one of the best examples of what talented Mexican filmmakers can achieve. Excellent plot, impeccable script, outstanding actors and an amazing director's work. No big sound effects or different locations are needed to tell a deep story that leaves you wanting to know more (Ms. Chenillo, please tell us there will be another film about Jose's life!), as a matter of fact, it takes place inside an apartment in Mexico City, for the most part. Certain aspects of Jewish beliefs and traditions that many viewers would not understand are seamlessly integrated in the dialogs, and yet there's no saturation, no "over explaining". It's a very clean story, almost unadorned, and yet there is so much beneath it! As a viewer, you never lose interest, on the contrary, you get more and more intrigued as the story unveils -flashbacks are a smart element that adds to the anticipation. A thought lingers on after the movie ends: humans beings, regardless of faith or heritage, are rich, complicated and fascinating beyond the limits of life. Standing ovation!!!

"Death hath so many doors to let out life." Beaumont and Fletcher

Jose's (Fernando Lujan) ex-wife, Nora, of 20 years has died, and he is left with the arrangements. Not to worry because she has placed notes on Tupperware in the fridge and left instructions for everyone about the wake. Problem is, as she well knew, Jews may not bury during Passover, so Jose has to deal with preserving the corpse over the weekend and yielding to the strict Jewish prescriptions.

Yet Jose long ago lost his faith along with his wife, who by the way has committed suicide after the 14th try. Under Jewish law, she may not be buried in the main part of the cemetery, just another barrier for Jose.

And so it goes in this small but poignant tale of Judeo-Christian practices in turmoil and more importantly the roiling of Jose's inner dialogue as he realizes his wife was unfaithful to him while they were married. Besides the amusing struggle with the Orthodox Rabbi, Jose confronts a son who is too tied to his father-in-law and a close physician friend with a painful secret. Call it Secret and Lies, for the corpse has planned well to have the past brought to the present through her pre-suicide machinations. For Jose, it's a matter of dealing with his feelings for his ex-wife and his atheism in the presence of believers.

Perhaps the subtlest success of the film is seeing Jose gradually reveal an inner core of feeling and humanity released by his ex-wife in her death. It's a strange irony made probable by underplaying and a powerful script.

For an audience of believers and non, Nora's Will will make you think about the aftermath, just as Depatures (2008) made me think about preparing a body for the final journey. It's all more than we can know before the end, but it is up to art like this to help us prepare.

"A death-bed's a detector of the heart." Edward Young