Madea Goes to Jail

"Madea Goes to Jail" stands out in most of the movies I've seen, for one reason only: It was one of the two movies I've ever walked out on in the theater.

I admit it, I only laughed a couple times...but for the most part ,the humor consisted of nothing but shallow, harshly stereotypical and unclassy "jokes". Tyler Perry's portrayal of African-Americans is almost insulting. Not only that, but Madea was only shown for less than half of it! The only thing saving this from a 1 is Keisha Knight Pulliam's performance. She was the ONLY interesting thing about this crap fest. I look forward to more from her, but please, Tyler Perry, no more.

I found this movie to be lacking severely in plot structure and and in character development. There are many times when the director's attempts to be funny overshadow any chance there may be for character growth. A lot of the acting was wooden and there were many clichés thrown in there that the director was hoping no one would catch onto. The ending was especially horrendous as it appears the director could not come up with anything else so just made something up.

There were two highlights: Viola Davis' role in the film and when the lights came on in the theater and we were allowed to leave. Other than that I wouldn't want to see it again.

I said it before...Let's show respect for each other. We can share our opinions without belittling and insulting one another. In his movies and plays, Tyler brings a lot of serious issues to our attention, and he uses the characters to help a lot of people deal with those issues. Now that we are increasing awareness rather than continuing to hide these issues, it's time to do something about them. Don't support Tyler Perry only to be entertained by Madea, Brown, or other characters, or to critique their work. Personally, I wasn't entertained by MGTJ. However, I did leave the theatre with an increased awareness of a very serious issue in our society. There's always a message, worth hearing, in Tyler's work.

If you like APF's (audience participation films), this is the movie for you, and by all means see MGTJ at the theatre. You'll enjoy the commentary, hysterical laughter in anticipation of the punch lines, ab-libbing, etc. Otherwsie, I recommend viewing on cable or satellite - with an open mind. See the bigger picture and ask yourself, "Does this film present issues that I can do something about?" Your commitment doesn't have to be large-scale. Maybe you resolve to challenge your old views.

If you don't like MGTJ, or you don't respect TP as a film maker. Make a better film addressing these issues and calling people to action.

Blessings, ~VP

Tyler Perry has really outdone himself this time, making the deep artistic statement "I'm black, and I have a fatsuit." Sure, this statement has been made before by Eddie Murphy, Martin Lawrence, and others, but Perry adds a certain panache to the blackness and the fat suit that makes this more than just a movie about a black guy in a fat suit: it is THE movie about a black guy in a fat suit.

There may be other movies out there which you are tempted to see: "Slumdog Millionaire" may have won several acadmey awards, but where's the black guy in the fatsuit? How is that a movie? Tyler Perry continues to push the boundaries of artistic excellence with drag AND a fat suit, and we can only hope some day he decides to throw bad accents and white face into the mix.

I guess I should start off by admitting that I've never seen any of the previous Madea films, and that I went into this movie knowing nothing about it except that it's the latest in a long line of similar films which have gotten about the same public response as your average Steven Seagal movie. And that's not good, in case you're wondering. That's okay though, because during the opening credits we see various headlines zooming across the screen, like "Super-Sized Stripper Smacks Spectator," and we get the general idea. Madea has always been a problem for the police, she has a rap sheet a mile long and doesn't feel any need to change her behavior.

The movie comes dangerously close to being another one of those intolerable comedies where Eddie Murphy or Martin Lawrence star as every character in the movie. Madea's family are clearly meant to resemble the Klumps, although I would be lying if I said that they were not entertaining. Uncle Joe in particular is a goofy caricature, but he's a hilarious one.

The problem with the movie is that it tries to be two very different kinds of films, and it succeeds in being those two kinds of films, but the combination of the two styles kills this one completely. Half the movie is a light-hearted comedy in the vein of the Nutty Professors and Big Momma's House, but the other half of the film is a very serious drama that deals effectively with very serious issues. Life Is Beautiful is the only movie I've ever seen that really succeeds brilliantly at this story-telling technique, but that movie worked because it tied the two genres together. Life also comes close. This one, on the other hand, just throws the two halves in the same room and then sits back while they sit there not working.

Dr. Phil makes a surprisingly hilarious cameo as a therapist that tries in vain to get Madae to admit that she has an anger management problem, which ultimately lands her in jail. Meanwhile, Josh Hardaway, the Assistant District Attorney, is experiencing a wonderfully developing career, until he meets Candace, a childhood friend who has fallen into a desperate situation after years of drugs and prostitution. He tries as hard as he can to help her despite the hysterical and ridiculous whining of his horrid fiancé.

This is one of the worst parts of the movie, by the way. There is nothing worse than a romantic comedy that pits two suitors (male or female) against each other for the love of the main character, when one of the suitors is clearly tailor made to be the right choice and the other is an intolerable jerk-off. See 27 Dresses and you'll know what I mean. Josh's fiancé in this movie is unfortunately such a nagging, conniving wench that it's impossible to have any feelings towards her other than animosity. This is not a good start for a movie whose story is driven by the characters. Almost from the moment she enters the movie I was just waiting for Josh to come to his senses and boot her to the curb where she belongs.

The issues of prostitution and drugs and drugs are taken very seriously, there's even a pretty intensely emotional scene involving one of the key male characters, who breaks down completely under the weight of a tragic event for which he has never been able to forgive himself. The acting is superb in this scene, but it is genuinely bizarre when Madea shows up again and we realize what the rest of the movie is like.

It's impossible to tell if this is supposed to be a comedy or a drama, because both elements are done fairly well but they simply don't work when put together. I don't need my movies to be categorized, in fact I am pleasantly surprised when films cleverly bend genres, but this one gives us one character with a truly frightening history of drugs and prostitution and another character who lifts a car up on giant forklifts and then drops it 30 feet onto the pavement when a callous owner steals her spot at K-Mart.

Ultimately Madea and Candace get locked up in the same prison, and the two stories attempt in vain to come together. I won't say that all of the character are utterly uninteresting, although there are several points where a stupendous lack of screen writing ability is made abundantly clear. Consider this exchange between Candace and her new cell-mate, who happens to be one of her old, close friends –

Candace: "You look good." Cellmate: "Yeah, I'm doin' good. How you doin'?"

Are you serious? I'm doin' good? How you doin'? Is this an inside joke? You're both in prison! Who says they're doin' good or asks someone else how they're doin' when both of them are in prison?

But maybe I'm nitpicking. There are moments of fun in the movie, there are a few laugh out loud moments, and there are some moments of pretty impressive acting, but the movie as a whole, unfortunately, adds up to something much, much less than the sum of its parts.