Trouble the Water

It begins as a lark. A video camera is switched on to record an approaching storm. We get to meet the smiling faces of videographers as they laugh and cajole. We on the other hand know what's about to confront them. Or at least we think we do.

This is a magnificent use of home video built in to a rage against poverty and illiteracy and racism. You can blame the victims here all you want, but image after image, scene after scene the plight of being an African American in this country is shoved in their faces...and in ours.

The lives of this family in the Lower 9th Ward are vividly drawn by themselves. When they confront what is outside, i.e., the post-segregation South, we are startled at the condescension, scorn and devaluation of human lives...if your skin is the wrong color.

The people here have no apologies for their lives. They lay it out and I suspect many will resist what struggles they face. But scene after scene, you can't walk away from this film without a better understanding of racism in America.

The stubborn will ask "Why didn't they leave when they were supposed to?" And this film records "How were they supposed to?" and "Where were they going to go?" In the face of it all, those who survive manage here to triumph. While the footage of the disaster is why most people will buy the ticket to see this, it's the struggle to survive, not only Katrina, that will last in the viewer's mind.

Hurricane Katrina 2005. The ravage of New Orleans. The flooding of the ninth ward. A couple who did not evacuate tells a story of survival and the consequences.

The couple in question is the subject of this documentary. It blends newsreels and footage taken by the couple and the directors. It's not polished, but it's real.

We see amateur shots of the period immediately preceding the arrival of the hurricane, the storm itself, the rising water, the flood aftermath. The couple moves out of New Orleans not intent in coming back. Eventually they do come back and rebuild.

The problem with this documentary is that the exciting part comes at the start. As it gathers distance from the tragic events, it loses steam and eventually becomes borderline boring.

The most pointed line, said by a mother to her son as regard the occupation of Iraq: "You're not going to fight for a country that does not give a damn about you."

There's quite of bit of rap composed by the wife. If you like rap, it's pretty good.

The story of the U.S. government's response to hurricane Katrina remains shocking at many levels: the poor quality of the flood defences, the complete inadequacy of plans for evacuation, recovery and regeneration; and above all else, the overwhelming sense that at heart, no-one cared because most of those affected were poor and black. The ground has been covered extensively by Spike Lee in his magisterial film 'When the Levees Broke'; 'Trouble the Water' is a more personal account, a video diary shot by a resident during and after the storm. But it still contains plenty of gruesome insights: the failure to evacuate the hospitals and prisons, and the protection of higher ground from homeless citizens by the armed forces of the U.S. navy, are the most terrible details. The film also depicts the huge burden of trying to rebuild a life that has been completely swept away. As a piece of pure cinema, it's limited; but it's a story that needs to be told and re-told until something is eventually done. Nothing we see gives us confidence that next time, it really will be different, and the citizens of New Orleans will get the first-world treatment that America could surely afford to give them, if only it cared.

Everyone saw footage of Hurricane Katrina on the news. Spike Lee's documentary "When the Levees Broke: A Requiem in Four Acts" dealt extensively with the storm and the lack of response. "Trouble the Water" consists mostly of camcorder footage shot by New Orleans resident Kimberly Roberts before during and after the storm. Partly about the hurricane, the documentary also poses the question of what America is supposed to be all about if it lets this happen to thousands of people, most of them poor and black.

Hurricane Katrina, like the September 11 attacks (whose tenth anniversary is in a few days), is something that should always be remembered, maybe more so. It showed how detached the government had become from its most vulnerable citizens. The collapse of the levees and subsequent flooding of the Lower Ninth Ward became an excuse to dismantle New Orleans's public school system and replace it with vouchers. The documentary is even more relevant now, after Louisiana got a second strike in the form of the Deepwater Horizon spill.

Trouble the Water: 8 out of 10: Kimberly Roberts is a 24-year-old rap hopeful who took some incredible footage just before and during hurricane Katrina. Carl Deal and Tia Lessin who came down to Louisiana to film a different project about Katrina and found both her and her footage, they switched gears and this movie was the result.

The most amazing footage is the pre-Katrina scenes. Kimberly knows her neighborhood and is a real person. She asks people what they are going to do about the hurricane her uncle buys another bottle of booze, stumbles home, while a 10-year-old pigtailed niece flashes a gang sign, and declares she is not scared of any water.

While I know that neighborhoods like this exist it is still shocking to see people live like this first hand in America. One of the sad strange truths that ooze out of the film is that Katrina is the best thing that ever happened to Kimberly and her friends. The disaster probably saved her life or at the very least gave her a chance at a new one.

Orphaned at 13 when her mother died of AIDS Kimberly is no shrinking violet and she certainly tells it like it is. While Michael Moore veterans Carl Deal and Tia Lessin add structure and social commentary to the film this is Kimberly’s show. The show is both moving and truly fascinating.