एक दंपति, जिन्होंने हाल ही में अपना बच्चा खोया है, वे एक नौ साल की लड़की को गोद लेते हैं, लेकिन उन्हें इस बात का अंदाज़ा नहीं होता कि जितनी मासूम वह दिखती है वह असल में वैसी है नहीं.एक दंपति, जिन्होंने हाल ही में अपना बच्चा खोया है, वे एक नौ साल की लड़की को गोद लेते हैं, लेकिन उन्हें इस बात का अंदाज़ा नहीं होता कि जितनी मासूम वह दिखती है वह असल में वैसी है नहीं.एक दंपति, जिन्होंने हाल ही में अपना बच्चा खोया है, वे एक नौ साल की लड़की को गोद लेते हैं, लेकिन उन्हें इस बात का अंदाज़ा नहीं होता कि जितनी मासूम वह दिखती है वह असल में वैसी है नहीं.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 7 नामांकन
फ़ीचर्ड समीक्षाएं
You either love it or you hate it. That's really the effect of any great twist. I was one of those who absolutely loved it and found this creepy, disturbing movie even more terrifying with the reveal. Vera Farmiga (Conjuring) stars as a mother whose just gone through a miscarriage and with her husband played by Peter Sarsgaard (Skeleton Key) decides to adopt a mysterious young girl played by a very creepy Isabel Fuhrman (Hunger Games). At first Esther seems a little off but it's mostly acceptable until people begin having horrific accidents and some go missing. There is a palpable sense of dread that builds throughout the film and so many setpieces are expertly executed. The scene in the playground is an especially effective one. The film culminates in a surprising and edge of your seat fashion and all though there's a small loop hole here and there. Its completely successful at being a stylish, unique, intense piece of genre.
4/5
4/5
Finally, a horror film about adults. Adults with complex issues and children that act like children and not hyper precocious sex models. The reason to see this film isn't to find out the over advertised " Esther's secret" of the film (a MAJOR misstep in marketing. Too many people now enter the film trying to figure out the "secret" before they normally would have been surprised), but rather to see a well-acted (extremely well acted by Vera F.)slow-building suspense story with excellent direction and cinematography. John Ottman's score also serves the film well, without becoming overpowering in signaling this is a "creepy" film. The actress who plays Esther shows a skill in performance that makes one think we may actually have another Jodie Foster to keep an eye on. This film works because we LIKE the characters (Rob Zombie please take note!) and fear for them and their survival. Dark Castle's best film, and it gives one hope that the horror/suspense genre still can be presented with intelligence and depth. Hollywood take note: we don't want a xerox of this film, but we do want more films that share this films strenghts: good script, likable real characters, excellent acting and nice, tension building direction.
We've seen Orphan many times before (The Bad Seed, The Good Son and, of course, The Omen), yet, somehow, Jaume Collet Serra manages to squeeze something fresh out of an old tale.
There's plenty of shocks and also some laughs and Esther's "secret" is, surprisingly, original.
Orphan doesn't hold a candle to the aforementioned films, but its better than the more recent ones like Joshua (which, coincidentally, Vera Farmiga also starred in, as well as having the same role (mother)).
Don't let the trailer fool you into thinking this is just another "evil kid" movie. Its really much more than that. This is definitely one of the better horror films to come along these days.
My audience loved it, and so did I.
There's plenty of shocks and also some laughs and Esther's "secret" is, surprisingly, original.
Orphan doesn't hold a candle to the aforementioned films, but its better than the more recent ones like Joshua (which, coincidentally, Vera Farmiga also starred in, as well as having the same role (mother)).
Don't let the trailer fool you into thinking this is just another "evil kid" movie. Its really much more than that. This is definitely one of the better horror films to come along these days.
My audience loved it, and so did I.
I had been reading a lot about this film. Internet rumors made "Orphan" sound depraved. Advocacy groups protested that the film is offensive to adoption. "Orphan" is neither depraved nor offensive if you watch it as a thriller.
The plot development and character development are on the same level as most Hitchcock films. Vera Farmiga and Peter Sarsgaard are excellent as the parents. The three child actors also do a good job. Expert direction by Jaume Collet-Serra and first-rate production values also make this film worth seeing.
"Orphan" is not a film where you can take your children. However, it is a decent film if you approach it as a thriller.
The plot development and character development are on the same level as most Hitchcock films. Vera Farmiga and Peter Sarsgaard are excellent as the parents. The three child actors also do a good job. Expert direction by Jaume Collet-Serra and first-rate production values also make this film worth seeing.
"Orphan" is not a film where you can take your children. However, it is a decent film if you approach it as a thriller.
You've decided to adopt, now the pain's begun to stop, after traumas of the past, have resided at long last, like to increase two to three, making five in this family, there's an orphanage that has one, what could possibly go wrong. Esther makes a perfect fit, extremely charming: we shall commit; welcome her to our abode, open doors to a new road, but soon troubles bubbling, and events are troubling, as you sense there's something wrong, with this girl who's quite headstrong...
A perfectly executed escalating thriller, whose vice like grip will keep your hands upon the tiller, a few twists as you'd expect, there's no gruel I could detect, gets you thinking what you'd do, if these things happened to you.
A perfectly executed escalating thriller, whose vice like grip will keep your hands upon the tiller, a few twists as you'd expect, there's no gruel I could detect, gets you thinking what you'd do, if these things happened to you.
क्या आपको पता है
- ट्रिवियाActress Aryana Engineer, who plays Max, their completely-deaf biological daughter in this film, is mostly deaf. She has Cochlear Implants which enhance her abilities to hear and speak.
- गूफ़When Esther is introduced to her new class, she is holding a Nelson Spelling book. These books are not used in the United States, where the film is set; they are, however, used in Canada, where filming took place.
- भाव
Esther: Please... don't let me die, Mommy!
[holds knife behind her back, preparing to kill Kate]
Kate Coleman: [pause] I'm *NOT* your *FUCKING MOMMY!*
[she violently kicks Esther's head]
- क्रेज़ी क्रेडिटAfter the end title sequence, the rest of the credits are, among other things, smeared and splattered with fluorescent paint, lipstick kisses, and Esther's violent artwork. A small heart is also painted next to "John" (Peter Sarsgaard) in the cast list.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- La huérfana
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,15,96,251
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,28,71,483
- 26 जुल॰ 2009
- दुनिया भर में सकल
- $7,79,12,251
- चलने की अवधि2 घंटे 3 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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