एक महिला के हत्यारे की तलाश में एक युवा महिला हैकर द्वारा एक पत्रकार की सहायता की जाती है।एक महिला के हत्यारे की तलाश में एक युवा महिला हैकर द्वारा एक पत्रकार की सहायता की जाती है।एक महिला के हत्यारे की तलाश में एक युवा महिला हैकर द्वारा एक पत्रकार की सहायता की जाती है।
- निर्देशक
- लेखक
- स्टार
- 1 BAFTA अवार्ड जीते गए
- 18 जीत और कुल 35 नामांकन
Sofia Papadimitriou Ledarp
- Malin Eriksson
- (as Sofia Ledarp)
Tomas Köhler
- Plague
- (as Thomas Köhler)
फ़ीचर्ड समीक्षाएं
This film was very well-made with superb cinematography. The actors all portray their respective characters perfectly, although Noomi Rapace as Lisbeth Salander, Michael Nyqvist as Michael Blomkvist and Sven-Bertil Taube as Hanrik Vanger deserve a special mentioning. They are all very likable and believable.
The films story is very exciting and puzzling (for those that haven't read the book) and the pace is steady with some really tense situations. The investigation part of the story is excellent. Although it is 2.5 hours long it is never boring.
The soundtrack was also very fitting and helped to set the mood of the film. This is far above any other Scandinavian thriller production, and I look forward to the rest of the films/series.
I recommend it to anyone!
The films story is very exciting and puzzling (for those that haven't read the book) and the pace is steady with some really tense situations. The investigation part of the story is excellent. Although it is 2.5 hours long it is never boring.
The soundtrack was also very fitting and helped to set the mood of the film. This is far above any other Scandinavian thriller production, and I look forward to the rest of the films/series.
I recommend it to anyone!
Awesome Swedish film with a intelligent story. a journalist and a troubled young female hacker works together on resolving a 40 year old mystery involving a disappearance, murders, Nazis and one hell of a dysfunctional family. the storytelling by the director was great and captured my attention for almost 2,5 hours. the character buildup is thorough and makes a solid foundation for the rest of the film. in addition the characters are straightened by a superb cast played by Michael Nyqvist and especially Noomi Rapace. Camera work and the overall look of the film is astounding, especially on bluray. the movie takes you to it's locations and doesn't let go until the story is complete. a must see for those who likes an intriguing edge of your seat thriller.
The Girl with the Dragon Tattoo has been a worldwide phenomenon for a while now. In book form, the original film, and the Hollywood remake. It is a disturbing, yet riveting tale, as is the story behind the author who made it. While Fincher's version is visually and stylistically more striking, I feel this original Swedish film does a better job bringing the disturbing mystery to the silver screen. Structured much more fluidly than the Hollywood version, the mystery of a missing girl flows and develops slowly, dishing out red herrings and suspense with each turn (something lacking in the Fincher version). It also stays closer to the original title of the book (and theme) Men who Hate Women. In the end, this is a dark tale of what rape does to women and to the world. Not everyone's idea of 'entertainment,' but a thought-provoking mystery for those with strong stomachs.
I went to see this film having heard nothing about it at all and another film I wanted to see wasn't on the Sunday matinée bill...so, this looked interesting...best 5 Euros I've spent in a long time. Very, very good thriller but NOT FOR CHILDREN and I was genuinely surprised how much I enjoyed it - well filmed and well acted by the main protagonists; I know nothing of Swedish actors but apparently Michael Nyqvist is well known and I thought Noomi Rapace was brilliant (a young, headstrong, tattooed and "talented" computer hacker Lisbeth Salander with a traumatized past) I thought the film was superbly directed (Niels Arden Oplev); I am already looking forward to the second film later this year AND I will go and buy the books...
I am among, I guess, those very few people in Europe who have not read the best-selling novel by Stieg Larsson, but, not feeling in the mood to see another too emotionally engaging romance or drama, although its being my favourite genre, I went to see what is depicted by Larsson's fans as a captivating and gripping thriller.
Indeed, I can't say whether the movie proves adherence to the novel, which is something by the way difficult, considering the length of the book, however, I can say that the product is a well-crafted piece of cinema, which leaves also interesting food for thought. Used as we are, as southern Europeans, to see at Northern, and mainly Scandinavian countries, as models of democracy, economic progress and social welfare, it's quite surprising to see a modern Sweden stained by corruption and unscrupulous tycoons. Moreover, it is quite upsetting to get to know how Nazi extremist and insane ideas were rooted not so much in the history of the country, but in the conscience of people, in this case of a powerful and wealthy family, where the hatred towards the Jews has mixed with the hatred towards women, turning the lives of whole generations into a hell of ferocious violence and horror.
As far as the thriller story, it's engaging, but carried on very carefully, every aspect being under control, with flashbacks constantly reassuring us about aspects we have already perceived, without moving a little apart from a well consolidated stylistic model of this kind of movie genre. Sometimes a little slow, sometimes too indulging in violent scenes, but with a strong directing consciousness supporting it. Convincing and really good the performances offered by the whole cast, unknown to the great public, but I would underline the actress playing Lisbeth as really outstanding and upsetting in her mental and emotional distress. On the whole, it's not a masterpiece, but a good and well made movie.
Indeed, I can't say whether the movie proves adherence to the novel, which is something by the way difficult, considering the length of the book, however, I can say that the product is a well-crafted piece of cinema, which leaves also interesting food for thought. Used as we are, as southern Europeans, to see at Northern, and mainly Scandinavian countries, as models of democracy, economic progress and social welfare, it's quite surprising to see a modern Sweden stained by corruption and unscrupulous tycoons. Moreover, it is quite upsetting to get to know how Nazi extremist and insane ideas were rooted not so much in the history of the country, but in the conscience of people, in this case of a powerful and wealthy family, where the hatred towards the Jews has mixed with the hatred towards women, turning the lives of whole generations into a hell of ferocious violence and horror.
As far as the thriller story, it's engaging, but carried on very carefully, every aspect being under control, with flashbacks constantly reassuring us about aspects we have already perceived, without moving a little apart from a well consolidated stylistic model of this kind of movie genre. Sometimes a little slow, sometimes too indulging in violent scenes, but with a strong directing consciousness supporting it. Convincing and really good the performances offered by the whole cast, unknown to the great public, but I would underline the actress playing Lisbeth as really outstanding and upsetting in her mental and emotional distress. On the whole, it's not a masterpiece, but a good and well made movie.
Who Was Almost 'The Girl with the Dragon Tattoo'?
Who Was Almost 'The Girl with the Dragon Tattoo'?
Lisbeth Salander has been played by three different actresses, including Clarie Foy in the newest version of the film The Girl in the Spider's Web. Who else was up for the role?
क्या आपको पता है
- ट्रिवियाNoomi Rapace got her motorcycle license as a preparation for the movie.
- गूफ़When Lisbeth Salander is sending her encrypted mail to Plague, the screen shows "decrypting" instead of "encrypting".
- भाव
Mikael Blomkvist: [about Martin Vanger] For fuck's sake, Lisbeth. His father trained him to murder at age sixteen. Anyone would be sick in the head with that kind of upbringing.
Lisbeth Salander: Shut up about the victimisation! He almost killed you. He raped and murdered and he enjoyed it. He had the same chances as us to choose what he wanted to be. He was no victim. He was a sadistic motherfucker who hated women.
- इसके अलावा अन्य वर्जनExtended/TV version runs 30 min. longer and has its aspect ratio changed to 1.78:1.
- कनेक्शनEdited into Millennium (2010)
- साउंडट्रैकLjus I Varje Hjärta
Text and Music by Misen Groth (as Misen Groth)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Män som hatar kvinnor
- फ़िल्माने की जगहें
- Tabernas, Almería, Andalucía, स्पेन(Scene Australia)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,30,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,00,95,170
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,35,502
- 21 मार्च 2010
- दुनिया भर में सकल
- $10,44,14,200
- चलने की अवधि
- 2 घं 32 मि(152 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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