The Killer

"Execution is everything"

is the tagline of The Killer and makes for a perfect meta-commentary that connects the essence of the film with the life's work of its director.

David Fincher is as meticulous in his filmmaking craft here as his main character is in his professional craft. The Killer could become the new handbook for "how to make a perfect looking film". A picture put on canvas, so thoroughly thought out and taken care of, I couldn't help myself while sitting in the theater but marvel over its execution and attention to detail. I literally had Goosebumps half the time because I was so gripped by the atmosphere and beauty that unfolded in front of me. Perhaps Finchers most meditative piece. Fincher delivers his dark and gritty tendencies in familiar fashion, but this time slightly more reserved and introspective. With scalpel-like accuracy he carefully constructs a gripping character study that tackles the addictive nature of a personal vendetta as well as the mental sanity and emotional control needed to remain successful and alive in this line of work. A constant heartbeat within the sound design, the effortlessly rythmic editing and the hauntingly calm narration from Michael Fassbender, who acts as methodically meticulous as David Fincher directs. A man who will so easy take a life, and the unpredictable and tense nature of this subject matter make for a shockingly effective and nerve-racking experience.

What a streak of cinema, my favorite directors all come out with new work, my film heart is full.

This movie is perfectly fine. It is so perfectly fine, that I can´t think of a single explicit point of criticism at all. However, i can´t think of anything that made it particularly great either. It is too clean. Meanwhile that is the point of the movie. It is about a man whose entire life revolves around minimizing errors, being in control, and following a set of internalized rules without emotions ever coming in the way. And it is an interesting idea to see a hitman treating the profession of violently murdering people as just another repetitive 9 to 5 job, that you just have to get through day after day. But when it comes to telling a compelling story, that is a bit of a problem. Because what generally makes movies stand out - even thrillers like these - is the ability to get people emotionally invested, to have them feel with the characters. This is explicitly not, what is happening here. There is not a single emotion in this movie. It is kind of about revenge but not really. You are just watching a man go through his perfected way of getting his job done and this job just so happens to be killing people who show varying degrees of innocence. We don´t even know anyone´s name. There is however one amazing fight scene that has one of the best choreographies that I have seen in Hollywood in a long time and which had me at the edge of my seat for at least five minutes. Irnoically, this is also the only scene where the character decides to not follow his set of rules and ignores the fact that he might be a little bit too emotional to perfectly execute his task. And it is the most gripping scene of the movie. Maybe that means something...

7/10.

Nothing new here that's the disappointing part, great directors often give us high expectations given their former work but not all their movies are masterpieces and I guess that's all right.. Some are more consistent than others of course, but long story short this is a regular hitman movie, with great cinematography and direction and a great lead.

It's not that the movie is bad, everything looks good, I didn't mind the approach to the story, the fact that it is a monologue from the main character and you navigate the story he tells is all right - it's well acted and directed which is what kept me interested but other than that is average at best... The dialogue seems a bit forced, while trying to convey these pseudo life lessons it feels like I am looking at quotes on Facebook and the plot couldn't be more basic...

Overall it's an okay movie, its style and production are great and Fassbender delivers as expected, but it's not enough to make it memorable or compelling.

It seems after all these years Netflix keeps its formula of enlisting a famous actor for a an average movie to keep their subscriptions going.

What happens when a hired killer makes a mistake?

After a twenty minute introduction, something finally happens, and you're left with a film that's beautifully shot, well acted, with a somewhat interesting story.

The trouble is, if this film were a song, it would be something by The Smiths, there's definitely a fan base, but for some of us, it's all just too slow, too dull, and ultimately a depressing affair.

The voiceovers become a little irritating after an hour or so, and that constant first person narration slows the film down to a snail's pace.

Neo noir style, nice to look at, and I did like Michael Fassbinder's performance, but ultimately I couldn't stop myself from yawning for the full two hours.

5/10.

It's well compiled. The narration got me invested. Shot beautifully, the suspenseful music is excellent. The movie as a whole is...yeah it's fine? It lacks depth and some scenes lack logic as well. It makes for a fun watch nevertheless. Better than most of the stuff going around these days. A one time watch and you never think about it again kind of a watch. Not Fincher's best but not his worst either. Fassbender is decent in his role portrayed as a mysterious killer who has a knack for everything pretty much. Solid punches to the face by a guy twice his size does not faze him at all. That's about it really.