एक भविष्य की प्रयोगशाला ने खोए हुए युवाओं की पहचान को मिटा दिया है, और अब उन्हें ग्राहकों के लिए असाइनमेंट पूरा करने के लिए आवश्यक अस्थायी पहचान के साथ छापता है।एक भविष्य की प्रयोगशाला ने खोए हुए युवाओं की पहचान को मिटा दिया है, और अब उन्हें ग्राहकों के लिए असाइनमेंट पूरा करने के लिए आवश्यक अस्थायी पहचान के साथ छापता है।एक भविष्य की प्रयोगशाला ने खोए हुए युवाओं की पहचान को मिटा दिया है, और अब उन्हें ग्राहकों के लिए असाइनमेंट पूरा करने के लिए आवश्यक अस्थायी पहचान के साथ छापता है।
- पुरस्कार
- 5 कुल नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
Season 1 of this show is great. It's dark and it's powerful and it's unique and it's interesting, but it's pretty slow moving and you can find yourself wanting more. Then came the season 1 finale "Epitaph One", and my like of this show turned into obsession. Then came the AMAZING season 2. Every single episode in season 2 is a great one. In fact most episodes don't seem like they're from a TV show at all, they seem like short movies! The acting is phenomenal in season 2, and season 2 is just so freaking smart! Tell me the Chaucer stuff in "Belle Chose" wasn't brilliant, or the camera angles in that episode weren't extremely beautiful... the pair of episodes "The Public Eye" and "The Left Hand" are the most genius I've ever seen on TV! They are so edgy and provocative and kept me entertained the full way through. I can go on and on about how good season 2 is honestly! And Eliza man, Eliza!!! She holds her own with the other unbelievable actors in season 2 and even manages to outshine them on more than one occasion. Yeah she definitely proves that she is worthy of headlining her own show in season 2.
Okay, I'll admit, when I watched the first episode of this show I was a little let down. As a long time Whedon-fan I'd had high hopes for his TV return. The pilot didn't exactly have me clapping my hands and doing cartwheels. The next few episodes held my interest, but it was mid-way through the season (when Fox stopped interfering) that the trademark Whedon-brilliance really appeared.
The show was no longer just about Echo, but started to give more screen time to the other characters, who are all as perfectly flawed and human as they can be. We started to get a stronger sense of the underlying arc, the moral ambiguities that the Dollhouse presents became more apparent and I found myself counting the hours till I could watch the next episode.
This is a show that will make you think and question. If you want mindless fluff, go elsewhere (90210, anyone?). If you want real, intelligent television (with a whole lot of fun mixed in), then Dollhouse is it.
The show was no longer just about Echo, but started to give more screen time to the other characters, who are all as perfectly flawed and human as they can be. We started to get a stronger sense of the underlying arc, the moral ambiguities that the Dollhouse presents became more apparent and I found myself counting the hours till I could watch the next episode.
This is a show that will make you think and question. If you want mindless fluff, go elsewhere (90210, anyone?). If you want real, intelligent television (with a whole lot of fun mixed in), then Dollhouse is it.
This show is amazing. And dark. Very, very dark. This has clearly made many people uncomfortable. However, Helo, sorry, Paul, essentially spells out the message in the pilot: when seemingly helpful technology is created someone finds a way to use it for evil.
I don't believe the show makes any apologies for the people at the Dollhouse. I believe it shows the ways those people rationalize what they are doing so they can sleep at night.
This show is a great vessel for exploring the nature of the soul and personality. What makes people who they are. Despite being wiped and implanted over and over, Echo retains some of her Caroline-ness. This show is not ultimately about "the world's oldest profession," but about what makes humans human. If you can't get past the creepy paying for people, and, yes, the singer episode, then this is really not your show.
And, speaking as a woman, I really don't find it all that offensive. I'm actually not all that certain why I should. The dolls are of both sexes and I see a strong female lead, may Whedon continue to put them on television.
I highly recommend this show. Get past the first few episodes (which Fox tinkered with) and see the brilliance beyond.
I don't believe the show makes any apologies for the people at the Dollhouse. I believe it shows the ways those people rationalize what they are doing so they can sleep at night.
This show is a great vessel for exploring the nature of the soul and personality. What makes people who they are. Despite being wiped and implanted over and over, Echo retains some of her Caroline-ness. This show is not ultimately about "the world's oldest profession," but about what makes humans human. If you can't get past the creepy paying for people, and, yes, the singer episode, then this is really not your show.
And, speaking as a woman, I really don't find it all that offensive. I'm actually not all that certain why I should. The dolls are of both sexes and I see a strong female lead, may Whedon continue to put them on television.
I highly recommend this show. Get past the first few episodes (which Fox tinkered with) and see the brilliance beyond.
This series is centred on Echo, a young woman who is in the 'fantasy fulfilment' business. Having committed certain offences, which are revealed later, she has been persuaded to give five years of her life to the Dollhouse. During this time her mind is wiped and she will live as a doll. When hired the required personality will be downloaded into her mind and she will fulfil that person's desires. Echo isn't the only doll, over the course of the series we get to know other dolls, who are both male and female, their handlers and key workers in the Dollhouse; notable Echo's handler Boyd Langton; Adelle DeWitt, head of the LA Dollhouse Adelle DeWitt; Laurence Dominic, her head of security; scientist Topher Brink and Doctor Claire Saunders. Outside the Dollhouse and its wealthy clients it is considered an urban legend but FBI Agent Paul Ballard believes in it and is determined to expose it; something that will put him in considerable danger. Early on we get many 'client of the week' stories but gradually the overarching plot takes over. Then we learn more about the Dollhouses and the shadowy corporation behind them.
As one might expect from a series created by Joss Whedon there are plenty of interesting ideas and great characters... also like some of his other series it was ended too soon. The early episodes do an impressive job of introducing key characters without telling us too much about them... there are some surprising revelations throughout the series. The nature of some of the Dolls' engagements mean it could easily have become a little sleazy but this is avoided this by giving a good mix of stories. The cast, which includes many Whedon regulars, does an impressive job. Most notable of these is Eliza Dushku who does a really fine job as Echo; Harry Lennix, as Boyd Langton; Tahmoh Penikett as Ballard; Fran Kranz, as Topher; Olivia Williams as Adelle DeWitt; Amy Acker as Dr Saunders; and Enver Gjokaj and Dichen Lachman, as dolls Victor and Sierra respectively. Most episodes include a good amount of varied action and plenty of tension. The plot obviously includes many science fiction elements but it is more about characters than technology so even if you aren't a sci-fi fan you can enjoy this. Overall I'd definitely recommend this; don't be put off by its premature ending; it does have a proper conclusion.
As one might expect from a series created by Joss Whedon there are plenty of interesting ideas and great characters... also like some of his other series it was ended too soon. The early episodes do an impressive job of introducing key characters without telling us too much about them... there are some surprising revelations throughout the series. The nature of some of the Dolls' engagements mean it could easily have become a little sleazy but this is avoided this by giving a good mix of stories. The cast, which includes many Whedon regulars, does an impressive job. Most notable of these is Eliza Dushku who does a really fine job as Echo; Harry Lennix, as Boyd Langton; Tahmoh Penikett as Ballard; Fran Kranz, as Topher; Olivia Williams as Adelle DeWitt; Amy Acker as Dr Saunders; and Enver Gjokaj and Dichen Lachman, as dolls Victor and Sierra respectively. Most episodes include a good amount of varied action and plenty of tension. The plot obviously includes many science fiction elements but it is more about characters than technology so even if you aren't a sci-fi fan you can enjoy this. Overall I'd definitely recommend this; don't be put off by its premature ending; it does have a proper conclusion.
10Zen416
...that FOX is letting this one go. The time-slot didn't help (Friday night is usually the go-out-and-party-night) so most folks (like me) would TiVo this or DVR it for later viewing (which doesn't count to the networks, I guess). More's the pity. This show is really picking up steam and the story lines are getting better and better, especially now that the Echo, Sierra and Victor characters are being fleshed out more and given extremely interesting back stories. Eliza Dushku is a find as the tough, enigmatic protagonist of this series and since FOX isn't going to allow this cool show to go past two seasons, I sincerely hope they have the common sense to keep her on the payroll for other projects. Her chemistry with both good-guy Paul Ballard (Tahmoh Pennikett) and with brilliantly insane psycho nut-job Alpha (Alan Tudyk) is palpable and riveting. The casting of Olivia Williams as the ice queen in charge of the Dollhouse is spot on while Harry Lennix and Fran Kranz (as cool head security dude Langton and as genius programmer nerd Brink, respectively) add another dimension to the whole show. I'll continue watching this unique and entertaining series until it finally bows out a short time from now and hope that some other network may step in at the last minute and save it though that seems unlikely (again, pity). This is just a cool, pseudo sci-fi type show that probably had the misfortune of a cruddy time slot because everything else (the acting, writing, casting) was brilliant. Too bad more people didn't watch it or give it a chance.
क्या आपको पता है
- ट्रिवियाJoss Whedon had a five year plan for the series and had already worked out how the characters would evolve over time but the show only ran for two seasons. With this in mind, you can see how the plots of season 2 could have been spaced out to four seasons.
- भाव
[repeated lines]
Topher Brink: Hello, Echo. How are you feeling?
Echo: Did I fall asleep?
Topher Brink: For a little while.
Echo: Shall I go now?
Topher Brink: If you'd like.
- कनेक्शनFeatured in FOX 25th Anniversary Special (2012)
टॉप पसंद
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विवरण
- चलने की अवधि44 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1
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