Miss Nobody

A very good looking movie that has a fluffy charm, considering its subject matter, that keeps it from becoming a real "black" comedy. It is more like a throwback to an earlier time of whimsical romps with a touch of more cynical modern sensibilities.

The casting is dead-on and the Miss Nobody is cute as punch and the actress does a great job in this entertaining and fun story. There is a nice twist and the only weakness is the ending that could be much more in tune with the style that preceded.

The film is a successful attempt and it is not very witty or deep, but can be enjoyed as a better than average entry into the now in vogue Premium Cable quirkiness that is always fun in its inoffensive and a bit edgy satire.

This is a quirky and enjoyable enough movie, but entirely forgettable.

Leslie Bibb, inspired by her Guardian angel, Saint George bumps off a collection of her colleagues in various inspired "accidents". She seems to become increasingly creative and eager with her exploits as the film gallops along. Also, where did her super strength come from, Supergirl has nothing on her, slinging dead bodies around like paper mache. Hilarious.

I loved Barry Bostwick as the priest and other supporting characters were also great.

She gets her just deserts in the end, just as she's about to swan off into the sunset. A pity in a' way.

Leslie Bibb is so adorable, how could she possibly have done all the things we think she did? Surely they are all accidents. And yet eventually, even if she did do what she might have done (there is evidence she didn't in at least some of the cases), we want her to succeed, whatever it takes. She does really well with her narration, even breaking the fourth wall and narrating right there in front of everyone. And there's a really funny conversation with lots of brief replies that sort of reminds me of "Who's on First", but not nearly that funny. It's just so well done. I think she's talking with Det. Malloy.

Missy Pyle is the standout actress here. We know she's not squeaky clean and yet we don't mind her being a bad girl. Not that she actually does anything, but she offers quite a contrast to the sweet innocent Sarah Jane.

Kathy Baker also offers a contrast to her proper and obedient daughter. While she's not on much, we can see it's no wonder Sarah Jane turned out the way she did. If in fact Sarah Jane started actually causing these "accidents".

I'm not that familiar with Brandon Routh but I have seen him in crossover events involving his character in a recent TV series. I plan to start watching that series, as I have numerous episodes recorded. Here, he seems like such a nice guy and even if I haven't seen him in the role, he makes me think not only of Superman but also Christopher Reeve. Of course, he's not that nice and this is why he isn't around long.

Vivica Fox also has a brief role and does it really well, So nice, and yet so mean in the same scene.

Adam Goldberg seems to lack confidence, which is unusual for him. This may be beneficial as he is investigating what could be murders. And while he doesn't seem all that smart, he does keep noticing certain details.

There is plenty of physical humor with Mr. Ketchum, a senile old man who is the boarder at the house where Sarah Jane lives with her mother.

And there is even more physical comedy involving a dead body that has to be moved. You won't believe where! And so many obstacles getting that body there.

You really have to get over the idea of characters being morally upright here. Just enjoy watching all the bad guys (and girls) die one at a time. Don't even worry about whether any of these incidents are accidents or who is actually causing them if they aren't.

Is this family friendly? I suppose a movie like this could be. But aside from the bad words that I apparently didn't hear, Sarah Jane's mom wants her to dress sexy for work. A really short dress, which the mom calls an "automatic erection". That gives you some idea.

At one point things get really dark, and I don't mean dark in a funny way. But the ending may satisfy. Some people will want that ending, anyway.

I had a good time, mostly.

This film reminded me immediately of one of my favorite films - Amélie. It is delivered in the same quirky, cartoon-like style but without the mesmerizing charm and flowing story line. The acting by Leslie Bibb was fantastic and she did a wonderful job with what she was given. Everyone in the cast was outstanding and acted their hearts out. I can easily see why they all won awards for their performances in Boston. The main problem I found with this movie was that after the first half hour it was so repetitive and predictable, I found myself looking at my watch every 5 minutes. That being said, I appreciated the director's (Tim Cox) dedication to the style of Jean-Pierre Jeunet (Amélie), as I imagine that these kind of films are much more difficult to direct and produce than a straight forward, dark comedy. I was relieved when it all came to an end.

Sarah Jane McKinney (Leslie Bibb) is "Miss Nobody", a secretary for a pharmaceutical company who has no boyfriend but faith that her guiding angel will send her messages as to what she should be doing. Her mother ensures her that everybody lies, so a very smudged resume gets her a promotion to junior executive.

Sarah Jane is mostly concerned about finding her knight in shining armour since a job is only a job and doesn't warm your heart. Karma, an underlining belief in this film, says that you get what you deserve. She didn't really deserve that promotion, and indeed finds that she lost it after all and is now a secretary for a new, young, handsome company transfer. But that must be her path in life since he's handsome and men always sleep with their secretary.

But to be clear, this is not a romantic comedy. It's a light-hearted dark, crime comedy. It seems fantasy-like, or even cartoon-like in its use of colour, narration and score choice. It tries to be edgy, like film noir, but is way too silly for that mix to work well. But it is fun, and that is most likely its ultimate aim.

When she accidentally murders her handsome boss, it turns out she wants to aim high in the corporate world – she wants the corner office. As her guiding angel sends her more messages, it looks like more accidental murders might be in her future and life is looking pretty grand for Miss Sarah Jane.

The best part of the film is Adam Goldberg, he introduces himself as her knight in shining armour, and while she is smitten with him, he happens to be a homicide detective. The instant conflict that we can see in their relationship is handled well.

The performances throughout the film are great and the sense of fun is always there. They are definitely going for something fairly unique and for the most part they succeed in that. There was a bit too much narration; better films would be able to show me what they need to and then let me figure out the rest, and things get wrapped up in a slightly unsatisfying way, but for "Miss Nobody" it's more about the journey and how we get there.