John Rabe

... essentially all has been said, but some reviews criticize the diversions from the original story. These would seem to have something to do with Chinese censorship following concerns about economic cooperation with Japan. That may explain the sometimes disjointed story structure, and the inclusion of a 'good' Japanese officer warning the Germans about imminent danger to the safety zone, while there is still ample display of Japanese brutality - even though, if you ever visited the memorial in Nanjing itself, you'll find these rather tame in comparison to the photos there.

At the time of its release in Germany, reviews were largely negative because Rabe's Nazi Party membership was downplayed in the film. His naivety in regard to Hitler is portrayed (writing him letters urging Hitler to intervene on behalf of the safety zone), but this was seen as way too ambivalent. Gallenberger was criticized for making a 'big' film with Hollywood clichés. And instead of a competition slot at the Berlinale, the film was screened as a 'Special' because the festival apparently shied away from controversy. Having only seen it now for these reasons, I must say that these complaints are exaggerated. There's nothing wrong with a German director trying to make a real cinematic feature instead of an overblown TV production, as it is usually the case. And Gallenberger was certainly the right man for the job, given his previous endeavor of a German Bollywood film. Sadly, the entirely justified vilification of the Nazi regime still clouds the perception of individuals living in that era, and there's some sort of German instinct to snap at everything that could be even remotely interpreted as euphemism - which isn't the case here.

What I really liked about the film was that it clarifies that the safety zone was an international 'joint venture' so to speak, instead of being due to the efforts of Rabe alone. Buscemi played all the right keys with his character, and still restrained his presence to allow Ulrich Tukur to take central stage. And his performance is definitely worth the BlueRay. He is one of the very few German actors with aura; Daniel Brühl, in my opinion, isn't, but he's pretty good here, as his scenes with Tukur are balanced very well.

If you found John Rabe's story amazing, you might be interested in the even more controversial Johannes Lepsius, who was the principal witness of the Armenian Genocide during World War I - under similar circumstances, as Germany and Turkey were allies, as with the Japanese at the time of the Nanjing Massacre. I couldn't help but think of that while watching 'John Rabe' - that a film based on Lepsius would be far more controversial than this one, since Turkey denies the Armenian genocide to this day even more vehemently than Japan denies Nanjing.

I give 'John Rabe' 8/10 because I feel this film has been treated a little harshly, but 7.5 sounds just about right.

An important movie that must be watched. John Rabe was a hero to the Chinese people. He saved 200,000 men, women, and children from certain hardship, probable torture, and likely death. Yet after the war, he was condemned by his country, and lived a life of poverty, slipping into obscurity until his death. There has been too little written about this man. "The Rape of Nanjing" by Iris Chang does cover him in good detail in parts of the book. It's certainly about time for a piece to have been done about his efforts in Nanjing, about his life.

The movie is masterfully paced, poignant, and at times devastatingly sad - only able to hint at the atrocities the people of Nanjing must have faced. Yet the movie is ultimately a tribute to the power of few to change the lives of many, to the ultimate goodness of humans.

Prior to watching this file, I have read John Rabe's diary as well as Iris Chang's The Rape of Nanking. I have also watched many documentaries and movies made about the subject from China as well as from the US. I found this film to be one of better film on this subject than most of the other ones in existence today.

The film is based primarily on the actual diary of John Rabe. Certain details were filled-in by the excellent and exhaustive work of Iris Chang's The Rape of Nanking. The importance of John Rabe's diary as opposed to the other accounts of what happened during the massacred is the fact that John Rabe was a German Nazi Party member that was working for Siemen in China. Germany was an allied of Japan at the time and there would have been no reason for John Rabe to have lied about atrocities committed by the Japanese if it did not actually happened. Also since John was mainly writing this as a personal diary for himself, there does not seem to be any reason for him to have exaggerated his description of the event. As a result, his diary is probably the credible historical account of the what actually happened in Nanking.

I found some the Chinese version of the film on the subject seemed a little removed from the complex character interactions between most of these reluctant heroes of war. As a result, those movies does not seem quite as genuine and touching as this film.

Most the events from this film seems very accurate or at least true to the overall sense of John Rabe's diary. Obviously some of the atrocities had to be consolidated to be able to fit those events into a slightly over two hour film. But one of the most puzzling inaccuracy of the film was the fictional character Valérie Dupres at the International Girls College. Why was it necessary for the film to use a fictional character's name instead of the actual courageous heroine Minnie Vaultrin from the Ginling Girls College. She had done so much during the massacred that it seems unfair to not use her real name in the film. This is my primary reason for not giving this film a perfect 10. If anyone can provide an explanation as to why Minnie Vaultrin name was not used in this film, I really would appreciate it.

John Rabe is a person that actually existed and this is a (bit of a) fictionalized version of what he and the people he were trusted on, had to go through. Now this is the German version of that story. There is another side to that coin. And that other side is called "City of Life and Death" and is made from the Chinese perspective. So I guess the truth is somewhere in-between.

But this fairly good made and has a strong character (actor) in the midst of it all. The story is really touching and involves a lot of bad things happening. But as written above, you will have sides that you will choose, whom you like and whom you don't. What it does have over the Chinese "version", is a main character you can hold onto.

I'd suggest you watch both movies in a double feature to get the whole package.

'To the Führer of the German people. Chancellor Adolf Hitler. My Führer. As a loyal party member and upstanding German. I turn to you in a time of great need. The Japanese Imperial troops conquered the city of Nanking on December 12, 1937. Since then I have witnessed atrocious crimes against civilians. Please help to end this catastrophe and make an appeal to our Japanese allies in the name of humanity. With a German salute, John Rabe ' This is an actual letter, unheeded, that along with the diaries of John Rabe provide the story for this deeply moving film about the Japanese destruction of Nanking as gathered in the book "John Rabe: Der Gute Deutsche von Nanking" edited by Erwin Wickert and adapted for the screen and directed by the immensely gifted Florian Gallenberger. Having just seen Chuan Lu's 'City of Life and Death', a brilliant black and white Chinese epic film about this same period of history, it is doubly troubling to view this shameful piece of history. JOHN RABE is after all a biography of the man the Chinese still regard as a saint for providing shelter of thousands of victims of the rape of Nanking and as such we learn much more about the German machinations in the event than in Chuan's film. Burt there is a similarity of distinction: in both films the writer/director shows that both sides of the atrocity had heroes and champions.

The film shares the writing of the diary kept by John Rabe during this time frame and follows his diary as the story line. Rabe (Ulrich Tukur in a brilliant performance) was living with his wife Dora (Dagmar Manzell) in Nanking for 27 years as the head of the Siemens Factory, a German resource for construction in China. They were loyal to Germany, were members of the Nazi party, but lived the good life in the city: Rabe was a compassionate but focused director of the Chinese employees. He is to be retired by the Germans and replaced by a rigid, seemingly evil Werner Fliess (Mathias Herrmann). On the night of his tender farewell party the Japanese attack and it soon becomes apparent that Prince Asaka Yasuhiko (Teruyuki Kagawa) plans to decimate the city. There are others from other nations who are working Nanking - in the university, Valérie Dupres (Anne Consigny), in the hospital, Dr. Robert Wilson (Steve Buscemi), and in the German Embassy, the Jewish lawyer Dr. Georg Rosen (Daniel Brühl) - as well as Chinese aligned with Rabe, Langshu (Jingchu Zhang). When it becomes obvious that the Japanese will slaughter all the populace of the city, John Rabe gathers as many Chinese as he can into a Safety Zone where no soldiers or weapons are allowed, only the support with food and medical attention and beneficence Rabe is able to gather. The atrocities and bombings continue until the very existence of the Safety Zone is vulnerable. Rabe's gathering of the forces around him to protect as many citizens as he can, despite his own gradual physical failure due to his diabetes and lack of insulin, gains him the respect and admiration and love of the people of Nanking.

The film spares no images of the mass executions, the beheadings, and the sexual abuse and torture of the people of Nanking by the Japanese. Much of the film is difficult to watch. But even more tragic is the discovery of the information after the film is complete that John Rabe (as well as Dr. Georg Rosen) returned to Germany as undesirables in 1938 and died in poverty and abandonment by the Germans. The cast is exemplary: many fine cameo roles played by fine actors make this film as touching than the main story. This is a very fine cinematic achievement and deserves a global audience.

Grady Harp