The Paramedic

Everything happens in a way you can guess. The movie doesn't surprise or excite you. Still, not that bad. I liked soundtracks.

Poor character development Movie has 2 characters who are pieces of crap The tone is dark The whole time I was expecting more paramedicy

The concept is nothing new. But Mario's acting was everything in the movie. From the start we get an impression that the protagonist (Angel Hernandez) is recluse and doesn't like interacting much with people, he is an extremely controlling boyfriend and he suffers from a kind of kleptomania (maybe??) wherein he steals items from the injured people's homes or cars while arriving for help as a paramedic. When he suffers from paralysis his suspicion towards his gf grows stronger to the point he spies on her. In time, his gf finds what he was doing and she leaves him. The rest is kinda disturbing. As I mentioned, the plot is not new but you gotta watch this for Mario's performance. He just lives upto the character right from the start to the end with no remorse or feeling on his face regarding the type of things he did. The 7 stars go to him and of course to the ending. The movie has a good pace and doesnt leave you bored but it doesnt have anything extra ordinary to offer.

I started watching and and it didn't take long before the main character's behaviour gave me the creeps. The movie centers around him handling his new life with paralysed legs and the resulting frustration about it, which he works out on his girlfriend. Him being stuck at home also worsens his already existing jealousy towards his girlfriend which ultimately gains the upper hand.

His actions constantly made me curious about what he was going to do next and I liked the suspenseful atmosphere that was created. Mario Casas puts down a good performance here. Not all the things happening in the movie are realistic but overall I liked the movie. Not as bad as some reviews here are saying.

The Paramedic is reminiscent of better movies such as Rear Window and Misery, but without sufficient character development, it just feels like an exploitation film, heavy on violence and narcissism. A great deal of the tension generated here is sustained by the fact that the director establishes early on that Angel (an ironic name) is without morals, a guy in the healing professions who routinely steals from the injured and dead. We know that no internal ethics will interfere with his revenge scheme. He won't hesitate to murder anyone who gets in his way. He won't feel remorse or mercy, or change his mind about the evil he is doing, so nothing he does, no matter how vile, surprises us. Implausibility is high as people keep warning Angel they're going to call the police instead of just going ahead and calling them. Most implausible is that Angel, like a Mafia boss, has his own crime cleanup squad on call for getting rid of pesky bodies. All of this leaves little room for nuance and doesn't allow the mounting tension to ever let up, making this simply unpleasant and difficult to watch rather than engrossing, as a thriller ought to be.