The Secret of Sinchanee

I thoroughly enjoyed this film. It was really well made and there's a lot to like here folks. The acting was really good with some really strong and understated performances. I read some of the bad reviews that said this film was boring. I couldn't disagree more. You do need to pay attention to the multiple stories and various plot lines, but this kept me interested rather than bored. As most have stated, this is an extremely unique and original story. It may not be for everyone. And that's okay. It's not something you come across often so that wins a lot of points in my books too. The cinematography was beautiful and the soundtrack was haunting and heart pounding. The winter setting in New England was also a perfect fit for the mood and storytelling. Over all seven stars for me. I really enjoyed it and would recommend this film to anyone. It's definitely worth checking out.

Moody indie film that simmers all the way through to the end. I loved the overall "lived-in" feeling of the film. The tow shop that the main character works at was one of my favorite settings. Also, the casting and the performances from the actors all played very real and they all looked like they fit their respective roles. I also thought it was interesting how the main protagonist at the tow shop becomes the antagonist halfway through the film - and the female detective pursuing him becomes the protagonist. That's an effective switch in the writing that I thought worked well and gave the audience a bit of reprieve from the intensity as well as the slow build to the end. I saw that this film premiered at the Raindance Film Festival in the UK in the "Screamdance" section and went on to win Best Writer, Best Film Score, and was Nominated for Best Cinematography and Best Feature Film Fiction at various international film festivals. I think that was well deserved given the solid filmmaking here.

After his father's death, a man returns to his old house to put the finishing touches on the property when he starts to experience a series of strange events that keep him up late into the night and start affecting his work, eventually discovering the cause to be a Native American curse attached to the land.

Overall, this was a highly enjoyable if slightly flawed genre effort. Among the more impressive aspects to be had here is the intricate and complex web of storylines present here involving the numerous plot points brought up. With the central story involving a tribe of peaceful Indians that were supposedly immune to diseases and somehow turned into a cult of pagan practitioners, an Indian curse featuring a generational abuse on its people for several centuries and finally resorting to possession, mental illness, and involvement in a slew of mysterious accidents spread throughout the town all being investigated by a detective assigned to the small town from a major city. This is an incredibly strong storyline that gives this one the potential to have something intriguing going on and the film works quite nicely because of it which sets up the idea of these things happening in a location like this. That also leads into the films' series of supernatural scares once these various elements have been fully explored. The idea of the house he's living in being haunted by a malevolent spirit dominates the first half, causing some short shock jump-scares that further the idea of something going on involving the family curse that was brought up at the beginning of the film. Other scenes, including the idea of something out in the woods serving as a physical representation of the supernatural entity they're fighting generate some solid sequences here or featuring the possessed individual speaking in demonic tones to himself about the strange curse about to be wrought. With a solid finale offering some supernatural action and a fun resolution to everything, there are some rather likable factors at play here. There isn't much really wrong here, but it's a big issue and is quite detrimental. That is the films' obviously overlong and unnecessary running time that has no business being as long as it is, with the intricate storyline coming into play with several issues here. Not only is it all way too complex and overbearing for something of this nature, but there's also way too much going on here that is never explained or overexplained leading to several other side issues from its length. Since way too much is going on here, the film also desperately needs an editor to trim this down as the film's a good twenty-thirty minutes too long as it is with scenes here coming off as unnecessary and need to be removed or scenes that go on way past their usefulness, including many of the interactions between the detective and her daughter which play into the film's storyline but are just overlong. It's the one issue with the film and holds it back the most.

Rated Unrated/R: Graphic Language and Violence.

I saw this film on the silver screen at the Raindance Film Festival last year in the UK and was chuffed to find it online to rent this holiday season (it has proper Christmas themes so it works great for those holiday thrills). This film had won several awards before it arrived at Raindance on the festival circuit, so there was a lot of anticipation for it to come to the Genesis Theater in London. Attending the Q&A after the screening also provided a lot of insight into filmmaker Steven Grayhm's challenging, yet rewarding process of bringing this film to the screen. To be fair, this special little (big) film is nothing short of ambitious. Scary at times and thoughtful at others - but at its very best - this film is original! As most have stated, the third act tends to tie up nicely - giving the audience a satisfying ending - and an unexpected horror fan shoutout in the form of a CODA at the end credits. The cinematography is gorgeous, with many unique camera angles and shots. The musical score is beautiful, and at one point at the UK screening, it made some of us in the audience incredibly emotional. A second watch at home and it was just as intense. The score at times sounds like something from the late, great Jóhann Jóhannsson. This is simply a brilliant little independent film that I would recommend to most anyone looking for something unique and different.

Written and directed by lead actor Steven Grayhm, an industrial tow truck driver suffering from insomnia returns to his childhood home after the untimely death of his father, to discover that a paranormal presence has been living in the house and haunting the sacred land it was built on. Also starring: Laila Lockhart Kraner, Rudy Reyes, Tamara Austin, Chris Neville, Margarita Reyes, Mark Oliver, Kathleen Kenny and Nate Boyer.

The Secret of Sinchanee opens with a subtle strength, building a classic supernatural and mysterious atmosphere, moving slowly but purposefully. It kicks off its edge of peril, bringing us down a path to reveal dark secrets and this new land's ancient truths.

The writer didn't give up on this narrative, but it seems bits of traditional blood ad gore were thrown in to please every one. Still, this is one worth putting down your phone for. In fact it's necessary. If you allow the storyline to carry and transport you to an uncolonized mindset, give patience to the spirit walk this movie requires, you'll be well rewarded.