Tribhanga

Movie would have been a good but Kajol spoiled it with her overacting.

I wasn't expecting much but this movie left me in tears. I was weeping at the end of it.

I liked that it was bilingual to some extent -made it very authentic.

As a cinephile, this was great story telling. I hated kajol in the beginning how brash and obnoxious she was and not to mention abusive (seemed to close to her real life persona from movies).

Then as the movie progressed, it made sense why she was the way she was. Kunal Roy Kapur also stole the show, you feel for him.

The movie shines light on women and their choices in Indian patriarchal system and also children coming from "broken families". It was heart touching the way everything was dealt.

Surprised to see Kajol is such a dark movie + the movie made by some of the big names in Bollywood. Definitely, a great attempt at storytelling and also directing from a debutant director.

Kudos to Renuka Shahane.

Give it a try. It is a nice and simple story and brilliant acting from its star cast. But like always few curse words would have been avoided, cus i haven't seen a lady in her 40's using so many curse word, specially if she comes from a decent family.

Good acting requires a fresh unpredictability. Was bored by the leads oh so mundane expressions

Anuradha Apte (Kajol), an accomplished Odissi dancer is suddenly summoned to the hospital due to her mother Nayan's (Tanvi Azmi) having suffered a cerebral stroke, leading to coma. Anu arrives with her daughter Masha (Mithila Palkar) and brother Robindro (Vaibhav Tatwawaadi), rather nonchalantly, as she is not really emotionally connected to her mother, to the surprise of Milan (Kunal Roy Kapoor), who is penning Nayan's autobiography.

Tribhanga is a glimpse into the past of the three women across three generations, and how their respective choices of living their lives influenced and shaped that of the next generations. It's a domino effect in which Anu who suffered the effects of Nayan's choices, ensured Masha's childhood remained protected, and Masha in turn, rejoicing to live amid a large, joint family even at the expense of her individual freedom and values.

The subject is sensitive and has been handled with flourish by director Renuka Shahane. Kajol obviously gets the lion's share of screen time and is the central character - she delivers a strong performance that on a few occasions comes out as rather loud and over the top. Tanvi Azmi and Mithila Palkar have comparatively smaller roles, but don't fail to create a deep impact by holding their ground. Kunal Roy Kapoor is delightful as the outsider who connects the three women and helps reestablish mutual respect and appreciation. Tribhanga is a remarkable effort to showcase family values in modern times, and would have been even better if the events were better connected and the characters of Nayan and Masha were given more screen space. Baba Azmi's cinematography is par excellence.