Grafted

The 1950s, a time when color film was still pricey and beyond the reach of the independent producers, was the decade when horror came into its own. There were no tropes and set pieces because everything was new and fresh. Often the scripts were written on the back of a napkin, and the ending was more about how much money was left in the budget than anything else. The good news is that GRAFTED captures this spirit perfectly, the viewer never knows what is going to happen next. The bad news is that a film should be about more than grabbing attention, it really should have a sense of direction. And this one does not. Nice start, but clearly the budget ran out somewhere along the way. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

From the very first scene, Grafted, directed by Sasha Rainbow, pulls no punches. The opening is gruesome watching the protagonist's father slice open his mouth with a razor before dying sets a disturbing tone for the film. It's easy to see why the main character is so deeply traumatized by his death, and why she becomes obsessed with continuing his work.

A Descent into Obsession After her father's death, she earns a scholarship to a university in New Zealand and moves in with her aunt. What starts as a quiet and reserved personality soon unravels as she fixates on her father's research--a special formula designed to fix skin deformities and blemishes. The idea itself isn't entirely new in film, but the way Grafted explores it, especially through her psychological unraveling, makes it feel fresh.

Mistreatment and Isolation Her obsession grows more dangerous over time, fueled by the way people treat her, especially her cousin, Angie, who is anything but welcoming. It's no surprise that she starts making bad choices, but once she crosses a certain line, there's no going back. Her mistakes compound, pushing her further into desperation, and eventually, murder.

From Quiet to Psychotic One of the most compelling parts of the film is watching her transformation. She goes from being this shy, socially awkward person to someone completely unhinged. The shift feels gradual yet inevitable, which makes it even more disturbing.

A Flawed but Underrated Film While Grafted isn't a perfect film--the acting, script, and editing could have been stronger--the concept and execution still make it a gripping watch. The psychological depth behind her actions is well thought out, and despite her horrifying choices, you can't help but understand how she got there. The film definitely deserves a higher rating than it has received.

The film starts really strong, ushering in a blend of Chinese and Kiwi aesthetics, and offering a premise that's erupting with potential. The opening scene sets the tone for gory, skin-crawling events to follow. The first act easily won me over, and that's because I could connect to the protagonist Wei's struggles as an immigrant trying to fit in (given her childhood trauma and deformity), and possibly make her mark in academics. While both these core conflicts take centerstage, the body horror elements somehow fail to work (from a screenplay perspective), even when the special make-up effects are gnarly and effective. Scenes suddenly lack cohesion and the plausibility of certain events is heavily questionable (for instance, no one noticed the abrupt changes in height and weight?). The final act lands unconvincingly, and the film decides to go for maximum shock value. The performances also fail to evoke greater emotions, and the conclusion feels rather tame. The Substance, this is NOT.

I ADORE horror with female leads, especially ones where it deals with deeper issues

But honestly, this movie disappointed me. The message was clear within the first half hour as to what it wanted it's message to be about and I was intrigued but after about 45 minutes, it all just became a bit silly.

The acting felt like overacting and the pacing was just off. I kept finding myself checking when the movie was finally going to be over. I think the idea for this movie is brilliant but this delivery was just 100% not it for me. I kept getting taken out of it and all together, was very unimpressed.

Going to live with her aunt, an aspiring medical student tries to fit in with her new family and their friends while continuing to advance the studies her father set out to accomplish, but when she's forced to use it before she's ready finds her life upended and is forced to take drastic actions to see her work.

This was an overall enjoyable and highly effective genre outing. One of the stronger aspects of this one is the generally solid setup that offers a fantastic starting point for the type of material present in this one. Going with the idea of her attempting to ingratiate herself within her new family following the death of her father which means attempting to make friends with her cousin and her group of friends at school since they're nearly the same age only failing due to her inherent quirkiness compared to them provides a nice bit of conflict while she tries to help grieve her dead father that brings her there to begin with. Stuck with her antiquated notions and beliefs that conflict with their more modern approaches to life and social upbringing, the way she starts to loosen up and let go of herself so that she can get a fun role reversal as times go on involving the change in personality going forward. As well, there's also plenty to like with the growing realization of what her work is actually accomplishing. The initial stages of her advancement in the class and what's wrong with the deviant teacher show off nicely her desire to finish her father's formula and what it means to her, even going so far as to graphically mutilate herself to show that the whole thing is worthwhile. When the opportunity presents itself to use the formula and attempt to maintain a sense of social order, this one becomes a more overtly traditional genre effort with some gruesome kills, bloody stabbings, close-up surgical sequences, and even some fun stalking scenes along the way which has a generally fun time leading into the solid climax introducing some fantastic body-horror into the equation that's effectively utilized. Overall, these manage to give this one quite a lot to like about it. There are a few issues with this one that hold it back. One of the main pressing factors is the seemingly illogical manner in which she manages to work her work through her friend group without anyone noticing the duplicity of everything happening around them. The physical difference between her and the victim she takes out and assumes control of is quite remarkable, not to mention an obvious height and weight difference that shouldn't fool anyone who knew the victim. Even more apparent is how little she attempts to mimic their style or mannerisms so it just looks even more apparent how lame the duplicity really is and how she attempts to get away with everything. The other issue here is the abrupt and sudden change into turning into a straightforward slasher where the whole point of her going into this type of figure is somewhat obscure which is never really built up to making for a few drawbacks that bring this one down.

Rated Unrated/R: Graphic Violence and Graphic Language.