Up the Yangtze

I would consider this to be a perfect documentary for its technique and narration.

The movie's account of the massive three-gorges project is quite detailed. But without letting viewers loose attention to its subject, the movie takes us through the history of China, the paradoxes of its "modern" path of development and even the myths and goddesses associated with the river. The movie aptly exposes and questions the "tourist" nature of our own interests in the vast orient unveiled to us. The satire in the film (which may not be all non-fictional) is sharp and quite funny. Overall, the story telling is so fluid that it may feel to be a fictional account altogether.

Like any other documentary this is a movie replete with the accounts of lives of the people associated with the project. However this movie accomplishes much more by reevaluating our own ideas of economic development; by showing us the two sides of it – fulfillment of a dream of progress and loss of an environment that constitutes the being.

Lastly, owing not just to the country of landscapic beauty that china is, there are some captivating shots in the movie that stay in memory long after the movie is over.

The biggest fear with documentaries is that they got bogged down in the boring details that don't do enough to tell a story. This film, however, is always intriguing because although it tackles a large issue, the impact the flooding of the Yangtze river valley that displaced millions of residents, it does it through the very human story of one family. There are some nice panoramic shots, and interlaced among the genuinely touching moments was a wry humour. It's a great film for those who want to see a portrait of the lives of contemporary Chinese in transition, and for those who want to see the aspirations of China, and the challenges that it faces.

Mr. Chang and crew took me on an unforgettable journey down the foggy ruins of time......and then it hit me. Mark Twain, the River King, would be very proud.

The timing of the Olympics peaked my interest in this magical and misty movie. I whistled, I wept, on the edge of my seat I sat laughing.

I cannot do it justice with a full review but instead will quote here maybe the greatest lyrics ever written about change, memory, sorrow, and finally, hope.

Chang is the Tambourine Man for China in this most critical moment in their modern times. This is merely the end of the beginning. Bravo! Encore!!

"Then take me disappearing' through the smoke rings of my mind down the foggy ruins of time,

far past the frozen leaves, the haunted, frightened trees, out to the windy beach,

far from the twisted reach of crazy sorrow.

Yes, to dance beneath the diamond sky with one hand waving free,

silhouetted by the sea, circled by the circus sands,

with all memory and fate driven deep beneath the waves,

let me forget about today until tomorrow.

Hey! Mr. Tambourine Man, play a song for me I'm not sleepy and there is no place I'm going to Hey ! Mr. Tambourine Man, play a song for me In the jingle jangle morning I'll come following' you." - Dylan

Sorry if you were looking for Wall-E or something else 'feel good', this is a documentary focusing on two young people at the center of change in China. The Three Gorges Dam, at the time of filming was beginning to flood areas where about 2 million people were being displaced, as we are told, for the good of the country, which appears a phrase parroted enough in the belief it will come true.

'Jerry' is a Have, while 'Cindy' is a 'have not.' Both seek employment on a cruise ship for western tourists. Little is told of Jerry's family, which is apparently better off than Cindy's, which the film focuses on. Cindy's family are poor farmers who are doing fairly well, but know everything will change when their home and fields will be flooded. The hardship of change is clear and Cindy works hard to help support her family. Jerry doesn't show the same work ethic, which leaves the viewer to draw their own conclusion of traditional vs. modern values.

Quite a lot of detail on modern China is available to the viewer, including frequent complaints of corruption. I was moved considerably by the contrasts and the snips of history, which show not all have prospered in modern China, though there is again parroted belief that anyone can succeed. It was also a bit surprising to see in China High School education is not a given for everyone.

I found this to be a very informative and well done documentary and highly recommend it to anyone wishing to see the changes and impact of this dubious national project.

I finally watched this film during its third run at a local art-house cinema, having missed it on two previous occasions. I enjoyed the film, but at the same time felt it could have been done better. The knitting could have been tighter.

Ten years ago I took a boat trip up the Yangtze, starting from ChongQing. No, I was not on a 5-star cruiser depicted in this film. My boat was much more modest, and smaller. At night I could hear rats racing across the ceiling. But it was, nevertheless, an enjoyable trip. The water level was much lower at that time, so the cliff faces were higher and more impressive. What I once saw is now mostly submerged, as was chronicled in this film. Taking this trip 'Up the Yangtze' again on the big screen sure brought back fond memories.

Overall I find the focus on the demise of a poor family affected by the rising water level, and the activities surrounding large cruise ships catering to well-off visitors from around the world to be a good and relevant backdrop to this informative documentary. The acting and interviews were well conducted, with unforced ease and human sentiment. At the end, you draw your own conclusion who to sympathize with, whether you want to point fingers at the establishment, or just resign to the fact that progress toward modernization, in any country, comes with a price.

As the end credits rolled on the screen, a band played 'To traverse a big sea you need a good navigator', a song composed and forced into the ears of every Chinese national during the Culteral Revolution - in praise of Mao, the 'Navigator'. It was a great propaganda song but the band, using inappropriate instruments, made a mess of it and it sounded like white noise. I don't know why the director did not chose the far more superior 'choir' version, which would have been more becoming to close out a good documentary. This is just one example of how some fine-tuning and refinements could have brought this film one step closer to being a masterpiece.